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Mode of access: World Wide Web. / Thesis (Ph. D.)--University of Hawaii at Manoa, 2005. / Includes bibliographical references (leaves 77-82). / Electronic reproduction. / Also available by subscription via World Wide Web / ix, 82 leaves, bound ill. 29 cm

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The dramatic years of the Genpei War (1180-1185) ended with a fundamental restructuring of Japanese polity. Replacing the established system of a single ruling elite with a dual structure of court and bakufu had far-reaching effects on Japanese society, economy, and religion. Eastern Japan, which once was considered the land of barbarians, became the home of a new warrior elite, and the headquarters of their military government in Kamakura. This geographical separation from the court contributed to the political independence of the bakufu, in turn allowing warriors to distinguish themselves as a unique social elite. As such, warriors turned to develop not only a new social identity, but also a vibrant local economy, comparable only to that of Kyoto. While Japanese society was transforming itself in unprecedented scope, Buddhism and Buddhist institutions were experiencing a revival in popularity among their elite patrons. Concern over the age of mappo which the Genpei War brought to the fore, had both courtiers and warriors seeking religious guidance. The result was not only re-popularization of already established doctrines, but also a new emphasis on Amidism, and the promotion of new doctrines by reformer monks. This time, however, clergy and religious institutions benefitted not only from the traditional patrons at court. Kamakura warriors, who were genuinely concerned with their present and future existences, who realized the practical benefits of religious patronage, or who imitate court practices, proved to be generous patrons. This dissertation seeks to examine the role of religion, religious institutions, and clergy in the development of Kamakura's warrior society. The basic assumption is that when profound changes were occurring in Japanese society and religion, they inevitably were interrelated in some ways. Indeed, between the initial stages of the Genpei War until his death, Minamoto Yoritomo promoted the construction of large religious institutions to support both his political and religious needs, an approach that became an integral part of bakufu policy. Then, when warriors in general realized the many ways they could benefit from religious patronage, they engaged in construction of their own clan temples, while supporting those under bakufu patronage. / Thesis (Ph. D.)--University of Hawaii at Manoa, 2003. / Includes bibliographical references (leaves 313-342). / Mode of access: World Wide Web. / Also available by subscription via World Wide Web / xi, 342 leaves, bound ill., maps 29 cm

published_or_final_version / Comparative Literature / Doctoral / Doctor of Philosophy

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The association between nostalgia, nature and disenchantment has been and still is a very common trope in cultural and literary studies (Saler 138) within the scope of modernity. In fact, it has almost become “a cliché of our time” (Saler 138) in which people often view modern experience as an oppressive status of disillusionment rather than a liberating condition of enlightenment. Since this thesis aims to open up and point at different dimensions of modernity and become “part of a grandiose modernist project yet to be finished” (Hu 23-4), I would like to use Miyazaki’s works to argue that modernity is never a simple, one-sided condition of being ‘disenchanted’ as proclaimed by many scholars. In order to pinpoint some of the contradictory impulsions and potentialities of the experience of modernity, this thesis would first start with a brief overview on the ideas of ‘disenchantment’ and ‘nostalgia’ and their relations to the experience of modernity. The second part would be a general introduction to Miyazaki’s anime, briefly introducing his works in terms of style, content, characterization and such. In particular, I would like to point out how Miyazaki’s works have created alter-tales about disenchanted modernity by showing the multiple facets of modern life and exploring the possibility to (re)enchant modern experiences through his childlike protagonists and the fantastical form of anime. Part three to five would be comprehensive textual analyses about Laputa: Castle in the Sky (1986), Nausicaa of the Valley of the Wind (1984) and Spirited Away (2001) respectively, examining their relationships with and responses to the ambivalent experiences of modernity. The concluding part of this thesis would reflect on the contribution as well as the limitation of my research in regards to the writing of modern experiences and the ongoing modernist project. / published_or_final_version / Literary and Cultural Studies / Master / Master of Arts

Studies of the Early Meiji Period have until now been mainly articulated around the issue of continuity and discontinuity between the Edo and Meiji eras. Thus Tokyo has become the central locus of production of multiple discourses on Japanese modernity, urbanity and culture. / This work adopts a discontinuist approach by considering each era as two entirely distinct, although related, historical assemblages. For this, I focus my study on the conditions of production of Tokyo as a modern urban space. The entry into modernity is the crossing of a threshold. As Edo is marked by the order of the general equivalent and the law of the sumptury, Tokyo is produced in abstract space. We shift from an essentially heterogeneous space to a homogeneous, fragmented and hierarchized space. Following Henri Lefebvre, I try to analyze the production of modern abstract space as it is associated with a new mode of control of social space through administrative policies, cartography and urbanism.

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