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Rinrigaku : the emergence of ethics in Meiji Japan /Reitan, Richard M. January 2002 (has links)
Thesis (Ph. D.)--University of Chicago, Department of History, August, 2002. / Includes bibliographical references. Also available on the Internet.
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Rinrigaku : the emergence of ethics in Meiji Japan /Reitan, Richard M. January 2002 (has links)
Thesis (Ph. D.)--University of Chicago, 2002. / Includes bibliographical references (leaves 305-314). Also available on the Internet.
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Japan's colonialism and IndonesiaAziz, Muhammed Abdul, January 1900 (has links)
Thesis--Leiden. / Issued also as Publications under the direction of the Netherlands Institute of International Affairs, 1. Bibliography: p. [259]-264.
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Japan's colonialism and IndonesiaAziz, Muhammed Abdul, January 1900 (has links)
Thesis--Leiden. / Issued also as Publications under the direction of the Netherlands Institute of International Affairs, 1. Bibliography: p. [259]-264.
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Les conflits Nippo-Americains sur l'immigration japonaiseYoshitomi, Macaomi. January 1926 (has links)
Thesis (Ph. D.)--Bordeaux, 1926. / At head of title: Faculté de droit de l'Université de Bordeaux. Includes bibliographical references.
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Japanese immigrant women in Los Angeles, 1912-1942 a transnational perspective /Fujisaka, Kyoko Kakehashi. January 1900 (has links)
Thesis (Ph. D.)--University of Wisconsin-Madison, 2005. / Includes bibliographical references (p. 226-235). Also available on the Internet.
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Japanese foreign aid policy influences and motivations /Spyke, Rebecca Lynn. January 1999 (has links)
Thesis (Ph. D.)--University of South Carolina, 1999. / Includes bibliographical references (leaves 302-311).
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Nishikawa Sukenobu : the engagement of popular art in socio-political discoursePreston, Jennifer Louise January 2012 (has links)
Nishikawa Sukenobu was a popular artist working in Kyoto in the first half of the eighteenth century. He was principally known as the author of popular 'ehon', or illustrated books. Between 1710 and 1722, he published some fifty erotic works, including a work detailing sexual mores at court which Baba Bunkô, amongst others, believed responsible for prompting the ban on erotica that came with the Kyôhô reform package of 1722. Thereafter, he produced works generally categorized as 'fûzoku ehon': versions of canonical texts, poems and riddles, executed in a contemporary idiom. This thesis focusses on the corpus of illustrated books from the early erotica of the 1710s to the posthumously published work of 1752. It contends that these works were political: that Sukenobu used first the medium of the erotic, then the image-text format of the children's book to articulate anti-bakufu and pro-imperialist sentiment. It explores allusions to the contemporary political landscape by reading the works against Edo and Kyoto 'machibure', contemporary diaries (such as 'Getsudô kenbunshû') and contemporary pamphlets ('rakusho'). It also places the ehon in the context of other contemporary literary production: for example the anti-Confucianist writings of the popular Shinto preacher Masuho Zankô and the 'ukiyozôshi' production of Ejima Kiseki (whose works were illustrated by Sukenobu). It corroborates these findings by citing evidence of the political sympathies of Sukenobu's collaborators: for example, the political writings of the Kyoto educationalist Nakamura Sankinshi; the works of the children's author and Confucian scholar Nakamura Rankin (aka Mizumoto Shinzô); and the fictional and 'kojitsu' writings of the Shinto scholar Tada Nanrei.
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Towazugatari Übersetzung und Bearbeitung eines neuaufgefundenen literarischen Werkes der Kamakura-Zeit /Nakanoin Masatada no Musume, Krempien, Rainer. January 1973 (has links)
Thesis (Ph. D.)--Universität Hamburg, 1973. / Includes vita (p. [335]). eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (p. [303]-315 and index.
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Destructive discourse : 'Japan-bashing' in the United States, Australia and Japan in the 1980s and 1990s /Morris, Narelle. January 2006 (has links)
Thesis (Ph.D.)--Murdoch University, 2006. / Thesis submitted to the Division of Arts. Includes bibliographical references (leaves 341-405).
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