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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
21

Judith in Florentine Renaissance art, 1425-1512

Knotts, Robert Marvin 1995 (has links)
No description available.
22

Diskurs von Gewicht? : erste Schritte zu einer systematischen Kritik an Judith Butler

Geller, Alex 2005 (has links)
Zugl.: München, Univ., Magisterarbeit, 2005
23

Hystoria Judith : deutsche Judithdichtungen vom 12. bis zum 16. Jahrhundert

Lähnemann, Henrike. 2006 (has links)
Zugl.: Tübingen, Universiẗat, Habil.-Schr., 2003.
24

Judith macht Geschichte : zur Rezeption einer mythischen Gestalt vom 16. bis 19. Jahrhundert

Kobelt-Groch, Marion. Unknown Date (has links)
Texte remanié de: Habilitationsschrift--Fachbereich Sozialwissenschaften--Universität Hamburg, 2002. Bibliogr. p. 273-303.
25

The figure of Judith in Anglo-Saxon England

Urban, Misty. Johnson, David F. 2003 (has links)
Thesis (M.A.)--Florida State University, 2003. Advisor: Dr. David F. Johnson, Florida State University, College of Arts and Sciences, Dept. of English. Title and description from dissertation home page (viewed Feb. 18, 2004). Includes bibliographical references.
26

The evolution and transformation of the Judith and Holofernes theme in Italian drama and art before 1627

Capozzi, Frank Unknown Date (has links)
Thesis (Ph. D.)--University of Wisconsin, Madison, 1975. Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 207-226).
27

”Vil I danse hos meg i kveld, Kristin?” : En genusteoretisk analys av subjektskonstituering i Sigrid Undsets Kristin Lavransdatter

Åkerström, Tuva 2012 (has links)
No description available.
28

Elements of the Gothic in the Works of Judith Thompson

LeDrew, Rebecca 2012 (has links)
This thesis is an examination of the Gothic elements present in a selection of works by Canadian playwright Judith Thompson. The Gothic genre is marked by continual flux and adaptation, ensuring that its ability to inspire terror, as well as its relevance as a form of cultural critique, remains undiminished. Gothic texts seek to uncover the anxieties and uncertainties that societies would prefer to repress, and then forcing a confrontation with those elements. Frequently this pattern of repression and return takes the form of various kinds of hauntings, as well as the monstrous. As this emphasis on the “return of the repressed” would suggest, psychoanalysis will figure prominently in my analysis of Thompson’s work and is woven throughout the four chapters. Chapter One concentrates on establishing a working definition of the Gothic, its history and development, and the three subcategories of the genre that I will be focusing on in the subsequent chapters: the postmodern Gothic, the feminist Gothic and the Canadian Gothic. All three Gothic subgenres share their affinity for translating late twentieth-century anxieties into the language of the Gothic. They also share a resistance to closure or solutions of any kind, even if such solutions would seem to be advantageous to the author’s putative ideological stance. The works by Thompson I have chosen evidence her preoccupation with postmodern, feminist and contemporary Canadian concerns. She expresses these concerns in a unique style that blends contemporary literary techniques with the more timeless elements of the Gothic tradition.
29

Elements of the Gothic in the Works of Judith Thompson

LeDrew, Rebecca 2012 (has links)
This thesis is an examination of the Gothic elements present in a selection of works by Canadian playwright Judith Thompson. The Gothic genre is marked by continual flux and adaptation, ensuring that its ability to inspire terror, as well as its relevance as a form of cultural critique, remains undiminished. Gothic texts seek to uncover the anxieties and uncertainties that societies would prefer to repress, and then forcing a confrontation with those elements. Frequently this pattern of repression and return takes the form of various kinds of hauntings, as well as the monstrous. As this emphasis on the “return of the repressed” would suggest, psychoanalysis will figure prominently in my analysis of Thompson’s work and is woven throughout the four chapters. Chapter One concentrates on establishing a working definition of the Gothic, its history and development, and the three subcategories of the genre that I will be focusing on in the subsequent chapters: the postmodern Gothic, the feminist Gothic and the Canadian Gothic. All three Gothic subgenres share their affinity for translating late twentieth-century anxieties into the language of the Gothic. They also share a resistance to closure or solutions of any kind, even if such solutions would seem to be advantageous to the author’s putative ideological stance. The works by Thompson I have chosen evidence her preoccupation with postmodern, feminist and contemporary Canadian concerns. She expresses these concerns in a unique style that blends contemporary literary techniques with the more timeless elements of the Gothic tradition.
30

Frauengestalten des Alten Testaments in der bildenden Kunst von 1850 bis 1918: Eva, Dalila, Judith, Salome.

Hatz, Mechthilde 1972 (has links)
Inaug.-Diss.--Heidelberg. Vita. Bibliography: p. 320-327.

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