- About
-
The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
Search results
Showing 1 to 10 of 15 (0.067 seconds)Spelling suggestions: "subject:"kleist, heinrich von, 177711811"" "subject:"kleist, heinrich von, 177721811""
| 1 |
Über literaturwissenschaftliche Erkenntnis oder Was geht mich Michael Kohlhaas an?... /Kurth, Jörg. January 1975 (has links)
Inaug.-Diss.: Philosophische Fakultät I: Zürich: 1975. _ Contient des extraits de: "Michael Kohlhaas" de H. von Kleist. _ Bibliogr. p. 117-118.
|
| 2 |
Tradition und Emanzipation in den Frauengestalten bei Heinrich von KleistEvans, Ilselore. January 1978 (has links)
No description available.
|
| 3 |
Tradition und Emanzipation in den Frauengestalten bei Heinrich von KleistEvans, Ilselore. January 1978 (has links)
No description available.
|
| 4 |
Heinrich von Kleist : an interpretation of his works in relation to his life and mindBrown, W. N. January 1952 (has links)
No description available.
|
| 5 |
The bodies of Kleist : aspects of corporeality in his dramatic worksPollard, Matthew. January 1997 (has links)
This dissertation examines the representations of the body in the completed dramatic works of Heinrich von Kleist (1777--1811). While taking into account the psychoanalytical and philosophical approaches to Kleist, this project has Heiner Miller's words as its point of departure: that the theater represents the collision of ideas with the body. The forces of power, gender and authority leave their traces of this collision on the bodies of his characters, whose metaphorical and literal falls, wounds and recoveries speak their own gestural language. / This study is organized on the principle of Kleist's use of genre designation, the approximate chronological order of his plays, and the representation of the body. Chapter one focuses on Die Familie Schroffenstein, Der zerbrochne Krug, and Amphitryon and the notion of bodily authenticity and integrity; chapter two, on Die Hermannsschlacht and Penthesilea, looks at the spectacle of violence and its effect on the body mobilized by emotional extremity; the third chapter, on Kleist's most celebrated works, Prinz Friedrich von Homburg and Das Kathchen von Heilbronn, examines aspects of gender and vulnerability. The conclusion views his essay "Uber das Marionettentheater" not as a key to understanding his works, but rather as a culmination of them, and investigates Kleist's writing on the wounded body and its connection to grace.
|
| 6 |
The bodies of Kleist : aspects of corporeality in his dramatic worksPollard, Matthew. January 1997 (has links)
No description available.
|
| 7 |
Der Findling eine Erzählung von Heinrich von Kleist und ein Film von George Moorse. Prinzipien einer adäquaten Wiedergabe narrativer Strukturen /Renner, Karl Nikolaus. January 1983 (has links)
Thèse : Littérature : München : 1981. / Originally presented as the author's thesis (doctoral)--Ludwig-Maximilians-Universität München, 1981. Index.
|
| 8 |
Der tierische Magnetismus als Grundlage einer Psychologie des kampfes bei Heinrich von KleistWilhelm, Hans-Jakob January 1989 (has links)
No description available.
|
| 9 |
Der tierische Magnetismus als Grundlage einer Psychologie des kampfes bei Heinrich von KleistWilhelm, Hans-Jakob January 1989 (has links)
No description available.
|
| 10 |
Performing that-which-will-become posthuman and queer bodies in the works of Heinrich von Kleist and Oscar WildeNorman, Douglas Everett 28 August 2008 (has links)
Not available / text
|
Page generated in 0.0739 seconds