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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
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Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 1 to 2 of 2 (0.061 seconds)Spelling suggestions: "subject:"kyrkomålning"" "subject:"kyrkomålningar""
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Häxan i rummet : Ikonografisk och rumslig analys av tjuvmjölkerskor i medeltida kyrkmålningar / The witch in the room : Iconographic and Spatial analysis of milk stealingwomen in medieval church paintingsSwensson, Ella January 2023 (has links)
Denna text specificerar gotländska kyrkomålningar som föreställer Tjuvmjölkerskor. Syftet med studien är att skapa en förståelse för medeltida människors syn på tjuvmjölkerskor och hur de påverkade det medeltida samhället. Studien använder ett ikonografiskt tillvägagångsätt för att studera målningarna och hur tjuvmjölkerskorna framställs. En rumslig analys utförs även för att undersöka målningarnas placering inne i kyrkorummet. Kyrkan under medeltiden såg den kvinnliga sexualiteten som ett hot, ett sätt för henne att manipulera män och utföra onda handlingar. Kyrkan använde tjuvmjölkningsmålningarna som en metod att skrämma och påminna befolkningen om rätt och fel, men även om bestraffningen som skulle åläggas vid samröre med djävulen. Tjuvmjölkerskan avbildades som en vanlig kvinna med vardagliga föremål under medeltiden, vilket ökade rädslan att en tjuvmjölkerska kunde vara vem som helst. Hennes handlingar och bestraffning avslöjar dock hennes identitet. Tjuvmjölkerskan bidrog därför med oro och rädsla i det medeltida samhället. / This text specifies Gotland church paintings depicting milk stealing women. The purpose of this study is to create an understanding of medieval people's view of milk stealing women and how they influenced the medieval society. The study uses an iconographic approach to studying the paintings and how the milk stealing women are depicted. A spatial analysis is also used to examine the location of the paintings in the church room. The medieval church saw female sexuality as a threat, a way for women to manipulate men and perform evil deeds. The church used the thief milking paintings as a method of scaring and reminding the population of right and wrong, but also of the punishment that would be imposed when associating with the devil. The milk stealing woman is depicted as an ordinary woman with everyday objects in the Middle Ages, which increased the fear that a milk stealing woman could be anyone. However, her actions and punishment revealed her identity. The milk stealing woman therefore contributed to anxiety and fear in middle age society.
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Gribshunden (1495) : En jämförande studie av samtida skeppsavbildningarIngers, Ellen January 2017 (has links)
The aim of the MA thesis is to discuss and analyse different illustrations, paintings, carvings in wood and stone and woodcuts of ships of the new kind (Carrack, carvels), from the 15th century to the middle of the 16th century, and compare them to the Griffon-hound ship, and to understand how they have evolved. The ships of the time had large stern and end castles, three to four masts, and where built for the war tactic of boarding. The oldest ship of the new kind that have been found, is the Griffon-hound, a ship that belonged to the Danish king Hans, and sunk due to a fire 1495 outside of Ronneby in southern Sweden. Besides being the oldest of its kind, the ship also has a very specific figurehead that resembles a monster with a screaming human head in its gap. By discussing and analysing the artworks it is possible to learn more about the ships. After analysing them, the result is that the artworks do show how the ships have evolved. Some of the different attributes that the artworks display have also been found when investigating the wreck of the Griffon-hound. More attributes might still be on the wreck site, hidden under the sediment. An example is the remains of the anti-boarding nets that a lot of the artworks show, and that have been found on the wreck of the Mary Rose, the English ship that belonged to king Henry VIII. The Mary Rose is younger than the Griffon-hound, but artworks of older ships also show the anti-boarding nets, or the beams on top of the castles. The purpose behind having a large variety of different artwork is to increase the knowledge about the ships of the time, and to make sure that the attributes that is being analysed doesn’t only occur in one or two artworks.
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