This thesis presents the findings of a doctoral study which analysed video tapes of labouring Australian women at the end of the 20th century, historical data from midwifery and medical textbooks, consumer material, and personal experience as a midwifery student in 1970- 1971. The data analysis was achieved using discourse analysis, but was influenced by Michel Foucault together with anthropological and sociological approaches, particularly as these can be applied to visual material. ‘Dirt’ is a commonly accepted term, but it becomes difficult to define as it is so dependant on the context. Since the discovery of the germ theory in the 19th century, however, it is difficult for western health professionals to conceive of dirt as being anything but unaesthetic, unhygienic and pathogenic. When analysing the data from this study, it became evident that birth and dirt have a close association. The changes that have occurred in childbirth have revolved around who and what is perceived as clean, and who and what is perceived as dirty. This thesis argues that ‘birth dirt’ exists, but, its form will vary depending on the time, the place, and the culture, although it is always centred around the physical reality of birth. Video tapes of the birthing process indicate that midwives, in their ritualised behaviours of containing, controlling and cleaning up the ‘dirt’ associated with birth, create a barrier between themselves and the women. ‘Dirt’ in this instance is the ‘contaminating’ body fluids and substances derived from the woman and her baby. The dirt relationship is a power relationship and the midwife is an essential part of its structure. The midwife is the dirty worker who maintains the cleanliness of the environment and controls the ‘dirt’ during birth. There is considerable rhetoric about midwives as being ‘with woman’, but the reality is that the midwives are more often ‘with dirt’.

This thesis presents the findings of a doctoral study which analysed video tapes of labouring Australian women at the end of the 20th century, historical data from midwifery and medical textbooks, consumer material, and personal experience as a midwifery student in 1970- 1971. The data analysis was achieved using discourse analysis, but was influenced by Michel Foucault together with anthropological and sociological approaches, particularly as these can be applied to visual material. ‘Dirt’ is a commonly accepted term, but it becomes difficult to define as it is so dependant on the context. Since the discovery of the germ theory in the 19th century, however, it is difficult for western health professionals to conceive of dirt as being anything but unaesthetic, unhygienic and pathogenic. When analysing the data from this study, it became evident that birth and dirt have a close association. The changes that have occurred in childbirth have revolved around who and what is perceived as clean, and who and what is perceived as dirty. This thesis argues that ‘birth dirt’ exists, but, its form will vary depending on the time, the place, and the culture, although it is always centred around the physical reality of birth. Video tapes of the birthing process indicate that midwives, in their ritualised behaviours of containing, controlling and cleaning up the ‘dirt’ associated with birth, create a barrier between themselves and the women. ‘Dirt’ in this instance is the ‘contaminating’ body fluids and substances derived from the woman and her baby. The dirt relationship is a power relationship and the midwife is an essential part of its structure. The midwife is the dirty worker who maintains the cleanliness of the environment and controls the ‘dirt’ during birth. There is considerable rhetoric about midwives as being ‘with woman’, but the reality is that the midwives are more often ‘with dirt’.

Thesis (B.A.Hons. 1978) from the Department of History, University of Adelaide.

Thesis (B.A.Hons.) -- University of Adelaide, Department of Politics, 1980.

In post-war Canada, married women’s labour force participation rose dramatically. Labour historians have studied this trend with a primary focus on married women’s disadvantaged position in the labour market. This thesis examines female factory workers as manual labourers and asks how their bodies affected and were affected by their jobs, and how specifically female embodiment shaped their experience of work. Using the framework of job-related, cultural, and reproductive body work developed by sociologist Chris Shilling, this case study examines the experiences of eleven women who worked at the Moir’s candy plant in Halifax between 1949 and 1970. Semi-structured interviews are the main source of research data for this study. This case study explores working conditions at Moir’s, such as work on conveyor belts, the gendered division of labour, piece-work, and breaks, and determines the ways the women responded to and also shaped these conditions. The women’s testimonies reveal that their embodied experience as labourers was based both in workplace conditions (such as company regulations) and in family responsibilities. There are three main findings. First, I argue that in the context of the Moir’s factory, women’s acts of sabotage (in the form of breaking the conveyor belts), use of make-work, and development of other coping strategies were intended to create needed leisure time in the workplace. Second, I challenge the common assumption in labour sociology that factory work does not require that employees carry out true emotional labour. I argue that feelings of pride and shame had a strong influence over the women’s workplace dress and behaviour; managing these feelings were an important part of the women’s occupation. Finally, I argue that in the post-war era, women’s reproductive body work was directly connected to their paid labour because of the lack of public childcare and other reproductive labour resources available to wives and working mothers.

Thesis (B.A.Hons.) from the Department of History, University of Adelaide.

Thesis (B.A.(Hons.))-- University of Adelaide, Dept. of History, 1979.

Thesis (B.A.Hons.) from the Department of History, University of Adelaide.

Typescript (photocopy) / x, 342 leaves ; 30 cm / Title page, contents and abstract only. The complete thesis in print form is available from the University Library. / Thesis (Ph.D.)--Dept. of History, University of Adelaide

Typescript (photocopy) / x, 342 leaves ; 30 cm / Title page, contents and abstract only. The complete thesis in print form is available from the University Library. / Thesis (Ph.D.)--Dept. of History, University of Adelaide