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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
281

A comparative musical-stylistic study of selected poems by Paul Veraine set to music by various composers of the nineteenth and twentieth centuries

Winter, Brian P., Winter, Brian P. January 1980 (has links)
In the year 1916, there appeared an article by G. Jean-Aubry in "La musique française d'aujourdhui" which placed Paul Verlaine in proper historical perspective. Jean-Aubry states: Even if we consider only its musical aspect, the history of the lied in France must include the name and work of Paul Verlaine. Of course, this poet did not, alone, determine the remarkable movement which, in about 1867, transformed the romantic melody into the lied, as we understand the form today; but the publication of Fêtes galantes, La bonne chanson, and Romances sans paroles, offered musicians poems which were excellently, and indeed uniquely suited to this melodic form. In view of his historical significance, the author will examine representative poems of Paul Verlaine which have been given musical settings by various composers of the nineteenth and twentieth centuries. Within this framework a biographical overview will be presented together with a discussion of Verlaine's poetic style, relating wherever possible events of his life to contemporary developments in literature and the fine arts. His contribution to French literature will be evaluated by the examination of his "Art Poétique" and other personal statements, as well as by comments about his poetry by noted critics of French literature during and after his lifetime. Verlaine's relationships to and with other poets such as the Parnassians, Baudelaire, and Rimbaud will be investigated in order to determine their influence upon his style. His own role as leader of and/or contributor to the literature of the contemporary schools of Parnassianism, Symbolism, Impressionism, and Decadence will be examined. These four schools of thought together with the Naturalist and Romantic schools will also be explored in some depth and placed in historical perspective. For purposes of assessing Verlaine's contributions to French music and poetry, it will be necessary to determine the specific nature and structure of French verse in the nineteenth century along with the principles promulgated in the previous centuries. The role of stress, meter, rhythm, rime, imagery, color, subject matter, and other structural parameters will be illustrated through the examination of three poems: "La mer est plus belle," "Le Son du cor s'afflige vers les bois," and "L'Échellonement des haies" taken from Verlaine's book of poems entitled Sagesse. To this end, specific songs based upon Verlaine poems will be analyzed in terms of the presence or absence of musico- poetic synthesis involving harmony, tonality, tone-painting, texture, rhythm, and declamation. Representative poems given musical settings will be chosen for analysis from the major collections of the poet's life, namely, Fêtes galantes, La Bonne Chanson, Romances sans paroles, and Sagesse. The focus will be upon poems which are considered mileposts and which have been set by two or more composers. This will facilitate comparison.
282

Song and dance as an approach to teacher preparation in music for primary classroom teachers

Engelhard, Doris Louise, Engelhard, Doris Louise January 1980 (has links)
All children have the capacity to express themselves musically and to have music be an important part of their lives. In most states classroom teachers in the primary grades are expected to provide all instruction in music, often without supervision or assistance. The idea of the classroom teacher teaching music is not new. This has been a pattern of musical instruction in the elementary schools throughout the history of our country. Teachers cannot teach material they do not know and in which they are not interested. Most classroom teachers welcome new ideas and attractive materials for use in teaching music to children in their classrooms. This dissertation presents a pattern of musical preparation for prospective primary classroom teachers based on an eclectic approach which focuses on the selected pedagogical principles of Kodály, Orff, and Dalcroze. The main body of the dissertation consists of a two semester sequence of instruction organized in thirty lessons based on a vocal approach and emphasizing movement. It includes resource materials such as lists of books on the teaching of music and dance, recordings, films and filmstrips, and song collections. More than 100 songs are used in a variety of ways as are rhymes and movement activities.
283

Fonctions exécutives chez les enfants : liens avec les habiletés de lecture et les comportements perturbateurs

Lepage, Esther January 2017 (has links)
Cette thèse de doctorat porte sur les fonctions exécutives (FE) chez les enfants. Les FE sont les processus cognitifs qui permettent aux individus de contrôler consciemment les pensées et les actions au quotidien (Jurado & Rosselli, 2007; Shallice, 1988). Elles regroupent un grand nombre de processus cognitifs, comme la planification et la résolution de problème, bien que les modèles plus récents mettent en évidence trois composantes principales, soit l’inhibition, la flexibilité et la mémoire de travail (Miyake et al., 2000). Les FE font l’objet d’un intérêt croissant en recherche en raison du fait qu’elles forment un concept clé impliqué dans plusieurs domaines de fonctionnement de l’enfant, y compris la santé, le bien-être général, les capacités d’apprentissage et d’autorégulation émotionnelle. À cet égard et depuis plusieurs années, une foulée de travaux s’intéresse, d’un côté, aux liens entre les FE et les apprentissages, plus particulièrement la lecture, et d’un autre côté, aux liens entre les FE et les difficultés émotionnelles, plus particulièrement les comportements perturbateurs. Cependant, les résultats nombreux et parfois inconsistants permettent difficilement de dégager des conclusions claires quant aux liens entre les FE, la lecture et les comportements perturbateurs. Cette thèse, constituée de deux articles, s’intéresse donc aux FE et à ses relations avec ces deux variables. Le premier article, sous forme de recension des écrits, examine les connaissances actuelles portant sur les associations entre les FE, plus précisément, l’inhibition, la flexibilité et la mémoire de travail puis les habiletés en lecture, soit le décodage et la compréhension. Les conclusions de la recension des écrits révèlent un lien général entre les FE, en particulier la mémoire de travail, et les deux composantes de la lecture. Le second article, de nature empirique explore, pour sa part, les profils exécutifs et attentionnels d’enfants âgés entre 6 et 14 ans, recrutés dans des écoles du Québec et ayant des comportements perturbateurs, en concomitance ou non avec des comportements associés au trouble du déficit de l’attention avec hyperactivité-impulsivité (TDAH). Les résultats suggèrent que les jeunes ayant des comportements perturbateurs présentent des difficultés exécutives et attentionnelles, plus particulièrement sur le plan de l’inhibition cognitive, de la résolution de problèmes/planification et de l’attention soutenue visuelle, comparativement aux enfants sans difficultés particulières, et que ces difficultés sont similaires à celles présentées par les jeunes des groupes avec un TDAH et des comportements perturbateurs concomitants ou uniquement un TDAH. En conclusion et sur les bases des résultats des deux articles présentés, l’importance et la contribution des FE dans le développement de l’enfant sont discutées de même que les forces et les limites inhérentes au travail de recherche ici présenté. Sur le plan pratique, l’association significative des FE avec la lecture et les comportements perturbateurs fait des FE une cible potentielle d’intervention et plusieurs avenues en ce sens sont proposées.
284

An Evaluation of Interspersing the Testing Effect During Lecture on Test Performance and Notes in High Schoolers

Dewey, Angela January 2020 (has links)
Testing is the most common way to assess student learning at all ages and grade levels. Testing is traditionally viewed as a measure of knowledge, and not as a way to enhance learning. Nonetheless, a large body of literature demonstrates that testing is actually an effective way to facilitate learning and enhance long-term memory for information. This finding, that retrieval of information from memory leads to better retention than re-studying or re-reading the same information, has been termed the testing effect. The benefit of testing compared to review of material is typically seen after a delay between practice and final test, with review being a better strategy when the test is given immediately or after a short delay. This phenomenon has been shown across a variety of contexts, test formats, retention intervals, and ranges of ages and abilities. However, one domain in which the testing effect has not been shown to work is in the review of student-produced lecture notes. Lecture note-taking is a ubiquitous learning strategy and notes have been shown to be highly correlated with academic outcomes such as test performance and GPA. Note-taking in itself is a cognitively demanding process, and students often struggle to take accurate and complete notes from lecture, thus limiting the benefits of note-taking and review. There is limited research on ways to improve the review function of notes. Thus, this dissertation sought to understand the effect of integrating the testing effect into the context of lecture note-taking on memory for information compared to review of notes and a lecture-only control. A sample of 59 high school students watched a video lecture and took notes on the information. The lecture was divided into three sections with two-minute pauses in between each segment. During each pause, students were asked to either reread their notes from the previous section (review group), recall and write down what they remembered to be the most important ideas from the lecture they were just shown (self-testing group), or complete a distractor word search puzzle for the duration of the pause (lecture-only control group). Participants were given a written recall test of lecture information following a one-day delay. Comparisons were made between lecture groups on test performance and note quantity. Measures of sustained attention and mind-wandering during lecture were examined as covariates. While participants in the self-testing group scored higher on the written recall test, this difference did not reach statistical significance. Self-testing and reviewing notes during lecture pauses were both significantly better than lecture note-taking alone. Results also showed that it was actually the students in the review group who took significantly more notes than those in the lecture-only control. There was a main effect for time, indicating that students in all lecture groups took increasingly more notes as the lecture progressed. Note quantity was found to be a significant predictor of test performance. Examination of attentional variables showed that students who reported lower instances of mind-wandering took significantly more notes and did significantly better on the recall test. Further, students in the self-testing group reported less of an increase in mind-wandering as the lecture progressed compared to those in the control group. Differences between the results of this study and other studies in the testing effect literature are hypothesized to be due several factors, including complexity of lecture information, encoding difficulties, and the presentation of new information at each self-testing time point. Future research should continue to explore the testing effect in conjunction with note taking.
285

Traditional Lecture Versus an Activity Approach for Teaching Statistics: A Comparison of Outcomes

Loveland, Jennifer L. 01 May 2014 (has links)
Many educational researchers have proposed teaching statistics with less lecture and more active learning methods. However, there are only a few comparative studies that have taught one section of statistics with lectures and one section with activity-based methods; of those studies, the results are contradictory. To address the need for more research on the actual effectiveness of active learning methods in introductory statistics, this research study was undertaken. An introductory, university level course was divided into two sections. One section was taught entirely with traditional lecture. The other section was taught using active learning methods and a minimal amount of lecture. Both sections were taught by the same instructor during the same semester. The experiment was repeated the next semester. Students' exam scores were analyzed to determine if the activity-based teaching approach led to higher student comprehension and understanding of statistical concepts, and the ability to apply statistical procedures. Surveys were also administered to students to ascertain if the lecture or activity-based approach led to higher, more positive student attitudes toward statistics. Analysis of the data did not show that the activity-based teaching method led to higher student comprehension or procedural ability. Neither teaching method led to signicantly higher student attitudes. Student comments indicated a positive response to the activity-based methods, but the responses also indicated a student desire for more teacher-centered time in the activity course.
286

Gamification Principles Applied in an Undergraduate Lecture Environment

Trivedi, Vrinda 15 June 2020 (has links)
No description available.
287

Charles Ives, the Violin Sonatas: a Lecture Recital, Together with Three Recitals of Selected Works of L. v. Beethoven, J. Brahms, E. Chausson, C. Debussy, W. Latham, G. Tartini, and A. Vivaldi

Gabbi, Marianna Paone 08 1900 (has links)
A lecture recital was given on July 14, 1975. The violin sonatas of Charles Ives are a unique and innovative addition to the violin repertoire and capture the New England Transcendental movement of the early twentieth century. In addition to the lecture recital, three other public recitals were performed, including solo compositions for violin and chamber works including violin.
288

The Mélodie in the Chansons de mer of Charles-Marie Widor, a Lecture Recital, Together with Three Recitals of Selected Works of A. Vivaldi, R. Strauss, R. Hahn, G. Binkerd, N. Rorem, G. Brevi, G. Faure, R. Trunk, S. Adler, D. Pinkham, D. Argento, T. Pasatieri, and Others

DeMent-Rutledge, Melanie 08 1900 (has links)
The lecture recital, given on April 18, 1983, began with biographical background that suggests the influences on the compositional development of both the composer, Charles Widor, and the poet, Paul Bourget, of the Chanons de mer. Songs were chosen to examine the characteristics that not only enhance Widor's poetic rendering, but impart to the Chansons de mer the more intellectual appeal often desired in today's concert repertoire.
289

Three Perspectives of the art of Ferruccio Busoni as Exemplified by the Toccata, Carmen Fantasy, and Transcription of Liszt's Mephisto Waltz:a Lecture Recital, Together with Three Other Recitals

Middleton, Roeboyd Hugh 08 1900 (has links)
The lecture recital, given April 13, 1981, began with biographical background for Busoni's compositional development leading to his mature style, as found in the Toccata, the Carmen Fantasy, and the Mephisto Waltz. The three works--an original composition, an operatic paraphrase, and a transcription from an orchestral score--were then detailed with emphasis placed primarily on Busoni's aesthetic ideals in relation to the three works.
290

The Influence of Heinrich Baermann on the Performance of the Clarinet Works of Carl Maria Von Weber: a Lecture Recital, Together with Three Recitals of Music by Poulenc, Rivier, Brahms, Weber, Finzi, Mozart, Bernstein, Busoni, Bozza, and Milhaud

Pickthorn, David A. (David Allen) 12 1900 (has links)
The dissertation consists of four recitals: one chamber music recital, two solo recitals, and one lecture recital. The repertoire of these programs was chosen with the intention of demonstrating the capability of the performer to deal with problems arising in works of varying types and of different historical periods.

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