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121	Architect of empire: Joseph Fearis Munnings (1879-1937) Roberts, Heulwen Mary January 2013 (has links) New Zealand-born architect Joseph Fearis Munnings (1879-1937) is largely forgotten in the country of his birth. Considering the importance of his public works in Bihar and Orissa, India (1912-1919) and his prominence as a school architect in New South Wales, Australia (1923-1937), recognition of his architectural achievements is long overdue. This thesis takes as its premise the notion that early twentieth century architecture in colonial New Zealand, India and Australia was British, the rationale expounded by G. A. Bremner in Imperial Gothic– Religious Architecture and High Anglican Culture in the British Empire (2013). My thesis argues that, considering Munnings’ colonial upbringing and English training, the styles he employed reflected his and his clients’ identity as British. It explores the extent to which Munnings adapted British styles, by incorporating features appropriate for colonial conditions. Drawing upon the work of Ian Lochhead on the achievements of Samuel Hurst Seager, my thesis considers the role played by Seager in mentoring Munnings and guiding his philosophy of architecture. Peter Scriver’s papers, ‘Edge of empire or edge of Asia’ (2009) and ‘Complicity and Contradiction in the Office of the Consulting Architect to the Government of India, 1903-1921’ (1996), also inform my analysis of Munnings’ work in India. To enable an analysis of Munnings’ work, this study divides his career into chronological stages: Early experiences and training, Christchurch, New Zealand, 1879-1903 Architectural training, London, England, 1903-1906 Partnership with Hurst Seager and Cecil Wood, Christchurch, 1906-1909 Work with Leonard Stokes, London, 1909 Responsibilities and achievements, India, 1910-1918 Contributions and achievements, New Zealand, 1919-1923 Partnership with Power and Adam, Sydney, Australia, 1923-1937. This thesis, the first comprehensive study of Munnings’ career, illuminates the extent of his architectural legacy in India, his significant contribution to school architecture in New South Wales, and asserts his place as an architect of the British Empire. New Zealand Architecture Joseph Fearis Munnings Architecture of the British Empire Samuel Hurst Seager Cecil Wood John James Collins John Goddard Collins Richard Dacre Harman Joseph Porter Power John Shedden Adam New Zealand War Memorials New Zealand Architects Colonial Architecture in Patna (India) Leonard Stokes Edward R. Robson School Architecture Sydney Architecture.
122	Examensarbete Nyckelharpa, Examenskonsert Johan Lång & Stilanalys: Bondpolska, rytmik i en respektlös låttyp Lång, Johan January 2018 (has links) No description available. Nyckelharpa silverbasnyckelharpa harpa stilanalys bondpolska folkmusik rytmik traditionell musik svensk folkmusik Uppland stråkinstrument polska resonanssträngar instrumental folkmusik folkliga instrument Johan Lång mikrorytmik transkription dansmusik spelman August Bohlin Thore Zetterström Eric Sahlström Leonard Larsson Jonas Skoglund tradition fiol metrik asymmetrisk puls KMH kungliga musikhögskolan Music Musik
123	Music as life stories : an exploration of Leonard Karikoga Zhakata’s sungura lyrics on the socio-political context of Zimbabwe from 2000 to February 2009 Dzvore, Andrew 02 1900 (has links) A content analysis of Leonard Karikoga Zhakata’s sungura music unpacks shared experiences of Zimbabweans during a decade of crises.Various musicians composed music pregnant with cultural meaning. These genres defied the ruling Zanu PF party‘s propaganda. The ZANU P.F. flagged enemy was imperialist history, whose characteristic was bankrupt in civil justice. Common sense ‘umunthu’ (‘Humaness)’ philosophy could have witnessed the ruling party stand by the people at the height of economic decline. This dissertation argued that the sungura genre became a formidable force. The music had dramatic effect of unifying citizens of different distinct cultural traditions, often which set Shona, Manyika, Korekore, Changana and Ndebele apart. ‘Mugove’ ‘(Reward) and ‘Hupenyu mutoro’ (Life is a burden) lyrics manifested thought processes, ideas and actions which projected popular unity against ruling elite hegemony. Zimbabweans’ collective cultural awareness that could have defined social experiences indirectly or directly motivated formations of oppositional political establishments. The Movement for Democratic Change (MDC) was the brainchild of political disillusionment chorused in “Hupenyu Mutoro’ (Life is a burden) and ‘Mugove’ (Reward) lyrics. The musical texts unravelled the hidden sin of gross graft by the powerful built on self aggrandisement at the expense of the vulnerable subalterns. The sungura genre manifested an art of aggressive entertainment and enjoyment yet passively and remotely awakening citizens to the obtaining dire economic hardships. The genre’s scholarly fabric and dynamics, cut deep into life sensibilities as exemplified by ‘Hupenyu Mutoro’. The deplorable life style experienced by the suffering majority epitomised by political repression and economic meltdown became catalyst for political participation and opportunities for plural voices.This dissertation argues that academic curricula harnesses the influential sungura genre in teaching a people’s story. Sungura music authenticates national historical versions that comfortably orbits around official realities of civil governance processes, what Fanon refers to as ‘a zone of occult instability (Fanon, 1963 p. 253). Unemployment, hyper-inflation, cholera out breaks, empty shelves in shops compounded with a ravaging parallel market prices became food for thought. Disllusionment nagged Zimbabweans below and above the poverty datum peg vis a viz the material power index of a handful citizens in the ruling party. Hence Zhakata’s ‘Hupenyu mutoro’ (Life is a burden) and ‘Mugove’ (Reward) became a classical and contested terrain that motivated the teaching and learning of Zimbabwean history. / Communication / M.A. (Communication) Genre Sungura Communication Material power index 306.4842296891 Zhakata, Leonard Karikoga Folk music -- Zimbabwe -- 21st century Popular music -- Zimbabwe -- 2001-2010 Popular music genres -- Zimbabwe Songs, Shona -- Zimbabwe Songs, Ndebele (Zimbabwe) Lyricists -- Zimbabwe
124	Like pilgrims to this moment : myth, history, and politics in the early writing of Seamus Heaney and Leonard Cohen Ward, Caitlin 23 December 2008 This thesis examines the early work of poets Leonard Cohen and Seamus Heaney in light of their treatment of mythology, ritual, and mythologization, moving either from personal to political awareness (Heaney), or from political to personal awareness (Cohen). Heaney, writing in the midst of the Irish Troubles throughout the late 1960s and 1970s, slowly works up to political awareness as the situation from which he is writing becomes more dire. By contrast, Cohen writes during the beginnings of the Quiet Revolution in Quebec, from the late 1950s to the mid-1960s, moving progressively farther away from the highly political and mythologized work of his first book. This thesis analyzes both poets first four books of poetry and how each poet addresses the politics of his historical time and place as a minority figure: an Irish Catholic in Northern Ireland, and an Anglophone Jew in Montreal, respectively. Ultimately, each poet chooses to mythologize and use traditional mythologies as a means of addressing contemporary horrors before being poetically (and politically) exhausted by the spiritual and mental exertion involved in the "poetry of disfigurement." Northern Irish poetry Belfast poetry Montreal poets Belfast poets Irish literature Canadian literature the Troubles Seamus Heaney Leonard Cohen Montreal Belfast Jewish poets Irish poets Irish Republican poetry Quiet Revolution Silent Revolution Irish poetry mythology bog poetry 20th century poetry English literature poetry 20th century studies ethnic minorities religious minorities mythologization Hebrew scripture Tollund Man North Let Us Compare Mythologies Death of a Naturalist Flowers For Hitler Wintering Out Door Into the Dark Spice-Box of Earth Parasites of Heaven
125	Like pilgrims to this moment : myth, history, and politics in the early writing of Seamus Heaney and Leonard Cohen Ward, Caitlin 23 December 2008 (has links) This thesis examines the early work of poets Leonard Cohen and Seamus Heaney in light of their treatment of mythology, ritual, and mythologization, moving either from personal to political awareness (Heaney), or from political to personal awareness (Cohen). Heaney, writing in the midst of the Irish Troubles throughout the late 1960s and 1970s, slowly works up to political awareness as the situation from which he is writing becomes more dire. By contrast, Cohen writes during the beginnings of the Quiet Revolution in Quebec, from the late 1950s to the mid-1960s, moving progressively farther away from the highly political and mythologized work of his first book. This thesis analyzes both poets first four books of poetry and how each poet addresses the politics of his historical time and place as a minority figure: an Irish Catholic in Northern Ireland, and an Anglophone Jew in Montreal, respectively. Ultimately, each poet chooses to mythologize and use traditional mythologies as a means of addressing contemporary horrors before being poetically (and politically) exhausted by the spiritual and mental exertion involved in the "poetry of disfigurement." Northern Irish poetry Belfast poetry Montreal poets Belfast poets Irish literature Canadian literature the Troubles Seamus Heaney Leonard Cohen Montreal Belfast Jewish poets Irish poets Irish Republican poetry Quiet Revolution Silent Revolution Irish poetry mythology bog poetry 20th century poetry English literature poetry 20th century studies ethnic minorities religious minorities mythologization Hebrew scripture Tollund Man North Let Us Compare Mythologies Death of a Naturalist Flowers For Hitler Wintering Out Door Into the Dark Spice-Box of Earth Parasites of Heaven
126	The Limits of Fire Support: American Finances and Firepower Restraint during the Vietnam War Hawkins, John Michael 16 December 2013 (has links) Excessive unobserved firepower expenditures by Allied forces during the Vietnam War defied the traditional counterinsurgency principle that population protection should be valued more than destruction of the enemy. Many historians have pointed to this discontinuity in their arguments, but none have examined the available firepower records in detail. This study compiles and analyzes available, artillery-related U.S. and Allied archival records to test historical assertions about the balance between conventional and counterinsurgent military strategy as it changed over time. It finds that, between 1965 and 1970, the commanders of the U.S. Military Assistance Command, Vietnam (MACV), Generals William Westmoreland and Creighton Abrams, shared significant continuity of strategic and tactical thought. Both commanders tolerated U.S. Army, Marine Corps, and Allied unobserved firepower at levels inappropriate for counterinsurgency and both reduced Army harassment and interdiction fire (H&I) as a response to increasing budgetary pressure. Before 1968, the Army expended nearly 40 percent of artillery ammunition as H&I – a form of unobserved fire that sought merely to hinder enemy movement and to lower enemy morale, rather than to inflict any appreciable enemy casualties. To save money, Westmoreland reduced H&I, or “interdiction” after a semantic name change in February 1968, to just over 29 percent of ammunition expended in July 1968, the first full month of Abrams’ command. Abrams likewise pursued dollar savings with his “Five-by-Five Plan” of August 1968 that reduced Army artillery interdiction expenditures to nearly ten percent of ammunition by January 1969. Yet Abrams allowed Army interdiction to stabilize near this level until early 1970, when recurring financial pressure prompted him to virtually eliminate the practice. Meanwhile, Marines fired H&I at historically high rates into the final months of 1970 and Australian “Harassing Fire” surpassed Army and Marine Corps totals during the same period. South Vietnamese artillery also fired high rates of H&I, but Filipino and Thai artillery eschewed H&I in quiet areas of operation and Republic of Korea [ROK] forces abandoned H&I in late 1968 as a direct response to MACV’s budgetary pressure. Financial pressure, rather than strategic change, drove MACV’s unobserved firepower reductions during the Vietnam War. 11th marines 12th marines abrams air force allied american way of war ammunition army artillery attrition arvn australian b-52 birtle budget cap cea classical clausewitz clifford coled-v collins communist congress constraints conventional counter-battery counterinsurgency dollar expenditures filipino finances fire support firepower five-by-five free world military fwmaf h&i haines harold harrassment hunt hybrid interdiction johnson kalergis komer korean krepinevich laird leonard taylor lewy lyndon macv marines mcnamara mekong nagl new zealand nixon nva observed operations philippine preemptive preparatory resor restraint riverine rok savings sensors sorley south vietnamese strategy summers tactics thai third country trinity unconventional unobserved usarv van fleet viet cong vietnam westmoreland wheeler wise men
127	Homoerotisk sensibilitet : Byggandet av homosexuell identitet genom konsthistorien / Homoerotic Sensibility : The Construction of Homosexual Identity Throughout the History of Art Varnauskas, Jacob January 2020 (has links) The question of homoerotic sensibility is, in the purpose of this thesis, a matter of visual language connected to the portrayal of male bodies. By identifying this sensibility throughout the western art canon the essay seeks to understand its origins, development and function in relation to expressions of power. With the introduction of theorists such as Alois Riegl, Laura Mulvey, Abigail Solomon-Godeau and Raewyn Connell, the aim is to deconstruct homosexual masculinity. Adapting formal analysis and parts of visual semiotics, the focus lies on the visual expression of power through the homoerotic gaze, and asks what consequences it has in forming homosexual identity. Greek antiquity is home not only to the ideals that foster western art history, but is also where we find early examples of same-sex affection being portrayed in the arts. Hence classical antiquity is so important for the homoerotic: whenever the classical language of style is popular throughout history, we are sure to find homoerotic sensibility. For reasons mentioned, the main periods analyzed are the Italian Renaissance, the French Neoclassicism and then, naturally the late 20th century onwards as this is the period of gay liberation and modern homosexual identity. By identifying classical acceptance of homosexual relations only in the form of a clear social hierarchy, we soon discover how homosexuality has appropriated the idea of binary difference within its masculinity throughout history. Accepting relationships only between erastes and eromenos, or man and ephebe, homosexuality is forced to exist only on the terms of difference of power. With classical ideals, these tendencies are recurring in the visual representation of male homosexuality, and becomes a big part of the liberation and forming of a modern identity in the late twentieth century. As a result of objectification of the male body, in combination with idealized and sexualized power, modern gay culture has in many ways embraced a destructive culture shaped by misogynist ideas of hegemonic culture, where sexual violence exists, but is not spoken of. art history homoerotic art homoerotic painting homoerotic photography homoerotic gaze male gaze power relations antiquity identity queer theory masculinity gay culture sexuality homosexuality male representation construction body bodies visual semiotics gender gender studies Renaissance Neoclassicism Postmodernism Michelangelo di Buonarotti Ganymede Wolfgang Tillmans Paul Cadmus Tom of Finland Jacques-Louis David Merry-Joseph Blondel Michael Leonard konsthistoria konstvetenskap homoerotisk konst homoerotiskt måleri homoerotiskt fotografi homoerotik homoerotisk blick manlig blick maktförhållanden antiken identitet queerteori manlighetsforskning maskulinitet maskulinitetsteori gay kultur bög kultur sexualitet homosexualitet manlig representation konstruktion konstruktivism kropp kroppar visuell semiotik semiotik genus kön genusvetenskap renässans nyklassicism postmodernism Humanities and the Arts Humaniora och konst Art History Konstvetenskap
128	The Association of Libarians in colleges of advanced education and the committee of Australian university librarians: The evolution of two higher education library groups, 1958-1997 Oakshott, Stephen Craig, School of Information, Library & Archives Studies, UNSW January 1998 (has links) This thesis examines the history of Commonwealth Government higher education policy in Australia between 1958 and 1997 and its impact on the development of two groups of academic librarians: the Association of Librarians in Colleges in Advanced Education (ALCAE) and the Committee of Australian University Librarians (CAUL). Although university librarians had met occasionally since the late 1920s, it was only in 1965 that a more formal organisation, known as CAUL, was established to facilitate the exchange of ideas and information. ALCAE was set up in 1969 and played an important role helping develop a special concept of library service peculiar to the newly formed College of Advanced Education (CAE) sector. As well as examining the impact of Commonwealth Government higher education policy on ALCAE and CAUL, the thesis also explores the influence of other factors on these two groups, including the range of personalities that comprised them, and their relationship with their parent institutions and with other professional groups and organisations. The study focuses on how higher education policy and these other external and internal factors shaped the functions, aspirations, and internal dynamics of these two groups and how this resulted in each group evolving differently. The author argues that, because of the greater attention given to the special educational role of libraries in the CAE curriculum, the group of college librarians had the opportunity to participate in, and have some influence on, Commonwealth Government statutory bodies responsible for the coordination of policy and the distribution of funding for the CAE sector. The link between ALCAE and formal policy-making processes resulted in a more dynamic group than CAUL, with the university librarians being discouraged by their Vice-Chancellors from having contact with university funding bodies because of the desire of the universities to maintain a greater level of control over their affairs and resist interference from government. The circumstances of each group underwent a reversal over time as ALCAE's effectiveness began to diminish as a result of changes to the CAE sector and as member interest was transferred to other groups and organisations. Conversely, CAUL gradually became a more active group during the 1980s and early 1990s as a result of changes to higher education, the efforts of some university librarians, and changes in membership. This study is based principally on primary source material, with the story of ALCAE and CAUL being told through the use of a combination of original documentation (including minutes of meetings and correspondence) and interviews with members of each group and other key figures. CAUL ALCAE Higher Education Australia Libraries University Universities Colleges of Advanced Education CAE History Cooperation Interest Groups Lobbying Lobby Groups Federal Government Commonwealth Government Funding Australian Vice-Chancellors' Committee AVCC AACOBS Library Association of Australia LAA ALIA CAVAL CLANN ACDP Australian Bibliographical Network ABN ALIC ACAE Australian Universities Commission AUC CACAE ACAE CTEC Tertiary Education Commission TEC DEET NSWAEC UNISON Victor CRITTENDEN Paul McNALLY Andrew OSBORN Dorothy PEAKE Jack WARD Dietrich BORCHARDT Harrison BRYAN Ted FLOWERS Allan HORTON Neil RADFORD Denis RICHARDSON Colin STEELE Eric WAINWRIGHT Frank HAMBLY Geoff ALLEN Christopher AWCOCK Judith EDWARDS John CUMMINGS Katherine CUMMINGS Axel LODEWYCKS Derek FIELDING Leonard JOLLEY Brian SOUTHWELL John SHIPP James O'BRIEN Jessie HARLEY Bill HITCHINS Lois JENNINGS John YOCKLUNN

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