• Refine Query
  • Source
  • Publication year
  • to
  • Language
  • 2
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • Tagged with
  • 4
  • 4
  • 4
  • 2
  • 2
  • 2
  • 2
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

After the riot : taking new feminist youth subcultures seriously

Wilson, Angela, 1979- January 2004 (has links)
No description available.
2

After the riot : taking new feminist youth subcultures seriously

Wilson, Angela, 1979- January 2004 (has links)
This thesis argues that in North America since the late 1980s, young women's interest in feminism has been expressed through participation in feminist music subcultures. The project provides an overview of the studies of culture, musical subculture, and gender and music making, as well as an historical context of feminism and a discussion of the relationship between second and third wave feminism. / The first case study explores Riot Grrrl's roots in the DIY activism of DC hardcore punk, its links to the female-oriented indie music scene of Olympia, Washington, and the subculture's use of alternative media. The second study examines efforts to integrate queer politics into third wave feminism through lesbian punk rock music subculture. The final study of electronic feminist punk rock examines how young feminists use alternative media such as zines, internet message boards, web sites, music making, and performance to educate young women about sexual abuse and homophobia. / Analysis of the Riot Grrrl, lesbian punk rock, and electronic feminist punk rock subcultures demonstrates how young women claim spaces for their own feminist politics, even if they have gone relatively undetected by the mainstream culture.
3

Black women performers of women-identified music : "they cut off my voice, I grew two voices" /

Hayes, Eileen M. January 1999 (has links)
Thesis (Ph. D.)--University of Washington, 1999. / Vita. Includes bibliographical references (leaves 287-308).
4

Remember Who You Are: The Story of Portland Dykecore

Mundell, Mel 19 April 2013 (has links)
From the dumpster-diving spiky haired dykes of the 1990s to the land-loving political lesbian folkies of the 1970s, queer women in Portland, OR have a long history of non-consumer-driven culture making, separatism and guitars. Remember Who You Are: The Story of Portland Dykecore explores the roots of the all-ages dyke-made music scene that exploded between 1990 and 2000.

Page generated in 0.07 seconds