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I work on a lighting design for a dance performance to be on tour. A lighting design adapted forthree different conditions was made:- One comprehensive where I allow myself a great deal of creative freedom, adapted for thestages with major technical conditions.- One smaller version for stages with less equipment and with less time for preparation onsite.- One design for very simple conditions.I also examine the specific differences between typical theatrical lighting design and typical dancelighting design, and the best way to prepare for the hands-on stage design phase.

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The following pages will explore and evaluate the process and composition of my lighting design for the musical A New Brain produced by the UMass Amherst Theater Department in November 2014. This analysis will begin with an overall assessment of my lighting-design work and working methods throughout my career up to this production in order to identify the areas of personal growth that were focal points for this production. A reflection upon the design, collaborative, and technical process, and how the lessons learned from these processes apply to my career goal as an educator of theatrical design, will round out this study.

The following thesis will explore and reflect upon the process of lighting design for Luc Plamondon and Richard Cocciante’s Notre-Dame de Paris, from the novel by Victor Hugo. It will cover the whole design process, from reading the script through final design proposal. Beyond reflecting on the traditional design process and its trials and tribulations, time will also be spent exploring how moving to an entirely online format affected and changed the process as well as the presentation format of the final product.

In his book Ritual House, Ralph Knowles states, "The houses we inhabit, the cities surrounding our houses, even the clothes we wear - all are shelters we erect against the elements. But they are also manifestations of ancient rituals, developed in response to nature's rhythms" (2006). Implicit within this quote is the importance of nature's rhythms in our lives, particularly those related to the movement of the sun. Many built environments have no connection to the exterior. Those who work in these spaces are disconnected from these natural rhythms and often experience detrimental physiological effects. However, technology has the potential to reintroduce aspects of natural rhythms into built environments. This research crossed disciplinary boundaries separating architecture, engineering, psychology, and building science during the design of an architectural intervention for an interior workspace known as the Sandbox, at Virginia Tech. The design proposal includes skylights that combine Photovoltaic-integrated glazing with LED lighting to create conditions that stimulate the occupants while connecting inside to out. To reestablish a connection to natural rhythms the BIPV energy monitoring is used during the day to record variations in solar radiation which at night are played back through intensity and color variations of LED lighting. The effect of the LED lighting was compared with the sunlight entering through the skylights using quantitative analysis methods and qualitative visual comparison tools including time lapse photos and videos. The research merges architectural design, lighting technology and BIPV to demonstrate a proof-of-concept for the reintroduction of natural rhythms into built environments. / Master of Science