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Marlowe's Faustus und seine quelle Ein beitrag zur kritik des dramas.Delius, Theodor, January 1881 (has links)
Inaug.-diss.--Göttingen. / Lebenslauf.
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Marlowe's Faustus und seine quelle Ein beitrag zur kritik des dramas.Delius, Theodor, January 1881 (has links)
Inaug.-diss.--Göttingen. / Lebenslauf.
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Textverhältnisse und entstehungsgeschichte von Marlowes FaustSchröder, Kurt Rudolf, January 1909 (has links)
Inaug.-diss.--Friedrich-Wilhelms universität. / Lebenslauf.
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Marlowe's Edward II. und seine quellenTzschaschel, Curt, January 1902 (has links)
Inaug.-dis.--Halle. / Vita.
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Marlowe und Webster ...Schröder, Otto August Georg, January 1907 (has links)
Inaug.-diss.-Halle-Wittenberg. / Lebenslauf.
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Der litterarische einfluss Spensers auf Marlowe ...Schoeneich, Georg, January 1907 (has links)
Inaug.-diss.--Halle-Wittenberg. / Lebenslauf.
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Marlowe's imagery and the Marlowe canonSmith, Marion Bodwell, January 1940 (has links)
Thesis (Ph. D.)--University of Pennsylvania, 1939. / "Some recent studies relating to literary imagery": p. 213.
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Some aspects of the Renaissance as reflected in the works of Christopher MarloweBrown, M. Rose Ellen. January 1947 (has links)
Thesis (M.A.)--University of Detroit, 1947. / "June 1947." Includes bibliographical references (p. 60-64).
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Sprache und Grammatik der Dramen MarlowesSchau, Kurt, January 1901 (has links)
Thesis--Leipzig. / Vita. Includes bibliographical references (p. 101-102).
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The temptation and fall of Marlovian heroes as transitional manStarkey, Betty Ellen January 1975 (has links)
This thesis examines the nature of the heroes in four of Christopher Marlowe’s plays and concludes that Marlovian heroes are transitional men who embody both medieval and Renaissance concepts and who are tempted to pursue the Renaissance dream, but are continually haunted by the Christian dogma concerning the destiny of man. They resemble Adam and Lucifer in multiple ways as they strive, suffer, and fall in their attempts to gain power, wealth, knowledge, and godlike omnipotence. The attainment of power corrupts Marlovian heroes, and they reveal characteristics of the Machiavel as the term was understood in Elizabethan times. Their moment of death is significantly magnified as they rage, curse, stoically accept, or philosophize in poetic terror as their doom approaches. The plays included in this study are Tamburlaine: Part One and Part Two, The Jew of Malta, Edward II, and Doctor Faustus.
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