Stories can play a crucial role in conveying health information to audiences. Several theories have been used to describe cognitive processing of narratives and subsequent belief change; yet there have been no comparative studies to date examining these theories.A primary objective was to compare transportation, flow, and AIME. A secondary objective of this study was to examine previous experience with a health issue as a possible moderator between exposure to entertainment television narratives and subsequent belief change. This is important to examine because previous experience may predispose audience members to have more durable attitudes.A pre-test/post-test experimental design was used to test theories of cognitive processing of narrative entertainment television programs with three different health topics: binge drinking, problem-eating behavior, and unprotected sexual intercourse. Stimuli were drawn from one-hour, broadcast television programming. Measures of the theories, health related beliefs, and previous experience with the three health issues were assessed.Findings revealed that different constructs represented in the three theories were significant predictors of belief change. Results showed that while most individual constructs of theories predicted belief change, the theories were not interchangeable. An analysis of the extent to which participants reported cognitive processing according to each theory revealed more flow and AIME experienced in comparison to transportation. Reports of flow and AIME were equal in a third condition. More globally, all three theories accounted for a significant portion of belief change, but no differentiation was evidenced between the theories in their ability to predict belief change.In analyses of the effects of exposure to television narratives, belief change was significant in all three treatment conditions. Previous experience with a health issue did not impede belief change following exposure to television narratives. This lends support to theorizing about cognitive processing of narratives in that previous experience with an issue may enhance story-consistent beliefs.Overall, findings demonstrate that a more fruitful endeavor in future research on the persuasive impact of narratives is to devote attention to the underlying constructs of theories, rather than assuming cognitive processes are the same among theories.

In recent Muslim history, the Iranian Revolution of 1978/79 has been a watershed event which has had--and continues to have--a significant impact on Muslim societies. Indeed, the Revolution is often perceived as the single most important example in contemporary times of the manner in which Islamism has been utilized as a revolutionary tool. The success of the Revolution in utilizing ideological Islam has had important implications for Pakistan, given the latter's reliance upon Islamism in its public life. This thesis examines editorial response in the Pakistani press to the Iranian Revolution of 1978/79 and analyzes the factors which influenced this reaction. / Pakistan's response to the Iranian Revolution provides a glimpse into the nature of a country coming to terms with itself and its own interpretation of its dominant socio-political ideology. The Revolution highlighted already-existing tensions within the Pakistani national psyche: questions were raised with regard to the ideological direction of the country, its pragmatic concerns for security as well as the role of Islam in the formation of a public identity. The Iranian Revolution, by presenting differing perspectives on some of these issues--though all were framed within the context of the language of Islamism--served to deepen the collective Pakistani soul-searching. The nature of Pakistani response was essentially one of an intricate balancing act amongst competing loyalties, perspectives and imperatives. This response highlighted Pakistan's somewhat tense relationship with itself and its reliance upon Islam as a dominant socio-political ideology. (Abstract shortened by UMI.)

Situated between the state and civil society, the role of the public sphere is seen to be one of mediating between the two through the circulation of information, ideas, and the subsequent formation and propagation of public opinion. However, there is an ambivalence within conceptions of the public sphere in terms of how it is to best effect this mediation. This sense of ambiguity in the understandings of the public sphere is a reflection of a deeply rooted and unresolved tension about whether democracy should mean some kind of popular power or an aid to decision-making. This dissertation argues that defining democracy as a political method provides a means by which to navigate the ambiguity imbued within current understandings of the function of the public sphere. Understanding democracy as a public, instrumental process underscores the extent to which the character of the public sphere should be seen as being derived from and shaped by the institutions and practices that make up the state. Of all the institutions within the public sphere, it is within perceptions of the media that the conceptual tensions underlying the public sphere and democratic theory are best reflected. While the media are a major forum for political communication, the nature of this forum remains theoretically underdeveloped and conceptually misconceived in the literature. It is the contention of this dissertation that the political role of the media should not be understood in relation to some abstract idea of democracy and public opinion, but rather in contrast with and connection to the concrete political institutions and practices of democracy.

This dissertation draws from and contributes to many traditions within the (interdisciplinary) discipline of communication studies. Serving the two primary objectives of the examination of the figure of the BMX freestyle cycling Pro and the analysis of the role of the magazines within this particular culture or field in the construction and maintenance of this figure, this project brings together studies of cultural intermediaries, magazine history, advertising history and theory, subcultures, audiences, commodification, cultural industries, celebrity, stars and professional athletes. The culture of BMX freestyle cycling is an interesting and heretofore unexamined phenomenon, and a focused examination allows the exploration and investigation of larger questions within the discipline. As such, this dissertation provides an informed interpretation of the culture of BMX freestyle, allows the examination of a number of other issues concerning the mediation of cultural practices, and suggests a theory of the special-interest magazine, thus contributing substantively to various literatures. / Special-interest magazines are a part of a larger system and industries within which the ultimate goal is the sale of commodities. At the same time, they function as a site of credibility within a larger field, both conferring star status on particular individuals and approving particular commodities that are being offered to the readers. Special-interest magazines construct and sell audiences to advertisers, create star systems, propose candidates for stardom, help build image careers, contribute substantially to a "star currency" within the particular field, negotiate (i.e.; mediate) tensions between the advertisers, the stars, and the readers, help organize the time of a culture and work to infuse it with a sense of vitality through the punctual and ritualistic appearance of novel content, assist the consumer with their desires for commodities and stars by standing as catalogues of commodities (serving to educate newcomers in the protocol of the culture), provide new financial opportunities (such as the commodity form of the photo contingency), and in their complicity with the needs of those that provide their primary source of revenue, give more value to the advertising dollar in the construction of editorial content that could be seen as advertising.

Since Confederation, Canada has struggled to define itself and to develop a sense of national identity. Given its array of cultures and languages, its geographical vastness, and its proximity to the United States, Canada's identity crisis has become a fixture in the discourse of Canadian nationalism. Recently, a private organization, The Charles R. Bronfman Foundation, funded the production of the Heritage Minutes series. These dramatized historical moments were designed to impart upon Canadians a common set of historical images and meanings upon which Canadians could construct a sense of national identity. This thesis examines the ways in which the nation has been historically defined within the context of Canada through the Heritage Minutes . By means of discourse analysis, this thesis will elaborate on the dominant and recessive thematic patterns utilized by the CRB, to demonstrate that the Heritage Minutes construct a meta-narrative of Canadian nationalism and identity through six recurring themes.

This thesis explores the potential of the theory of legal pluralism. It examines the extent to which such a theory can contribute to an understanding of the regulatory crisis of the nation-state and serve as a point of departure for new regulatory approaches. A historical overview which looks at the disciplinary origins of legal pluralism is followed by an analysis of several legal pluralist concepts. This analysis serves as the basis for an elaboration of the descriptive and normative aspects of legal pluralism. The concept is compared with other social theories which are concerned with similar questions as legal pluralism. To illustrate the legal pluralist approach, same specific examples from the media sector are introduced. The thesis concludes by showing where a legal pluralist analysis might be appropriate and, moreover, how the theory can contribute to regulatory ways alternative to direct state intervention and market conceptions.

This thesis is concerned with AIDS cultural activism. Specifically, it examines artistic responses to the medical/scientific image of HIV that circulates widely in the mainstream press. Examples of AIDS science reporting that focus on the medical/scientific image of HIV are selected from popular American news journals. It is argued that science and journalism are different and mutually dependent domains of knowledge, neither of which can be examined without the other. AIDS activist art engages with the relationship between science and the media and offers alternatives to the authority offered in science reporting. In the author's closing remarks, it is stated that AIDS activist art addresses not only the AIDS crisis but challenges the entire ideological apparatus upon which popular representations of illness are based.

No description available.

This thesis examined if a combination of variables would yield a higher recall for printed news than previously recorded. Some subjects, after reading a printed news story were exposed to rehearsal (a discussion), a cue (aided recall), a combination of both, and neither variable. It was hypothesized that subjects exposed to a combination of rehearsal an a cue would record the highest net recall, or hypermnesia effect, over subsequent testing and that subjects exposed to either one would record higher net recall than those exposed to neither variable.Subjects exposed to rehearsal and/or a cue did not record a higher net recall, gross recall, or correctly recalled details for the printed news story than those who were not exposed. However, rehearsal and a cue were found to have a significant effect on the amount of errors made by subjects: those exposed to a cue made significantly less errors on the recall test. Suggestions for future research include increasing rehearsal time and using a stronger episodic cue than employed in this study. / Department of Journalism

There is no abstract available for this dissertation.