• Refine Query
  • Source
  • Publication year
  • to
  • Language
  • 66
  • 8
  • 5
  • 4
  • 3
  • 2
  • 2
  • 1
  • Tagged with
  • 102
  • 102
  • 38
  • 18
  • 14
  • 12
  • 11
  • 10
  • 10
  • 9
  • 9
  • 8
  • 7
  • 7
  • 7
  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
11

Cape of German hopes : exploring German culture in Cape Town : a reflective analysis from the perspective of the producer

Llorente Quesada, Lemay January 2011 (has links)
Includes bibliographical references (leaves 20-21). / Documentary film, in the words of Linda Williams, always has the receding goal of finding 'some form of truth'. Yet documentary film as an art also blurs the notions of fact and fiction and runs the risk to construct reality rather than merely show it. This dissertation paper is a Reflective Essay supporting the documentary film 'Cape of German Hopes' and aims, with special references from the director's and editor's perspective, to back up the documentary by explaining more in depth about the motivation, goals and achievements of the film. The documentary is a journey that explores life experiences of German families and people of German heritage who settled in Cape Town. It uncovers how they seek to find a balance between their cultural heritage and the culture they are living in.
12

Documenting gay identity through the cinematic lens an investigation of representations of South African gay identities through film

Tohlang, Saint-Francis January 2012 (has links)
Includes abstract. / Includes bibliographical references. / This paper looks to delve into a rounded exploration of a queer cinematic culture in the post-apartheid era. Through an appreciation of South African cinematic history, the socio-political seems intertwined in the very fibre of this cinematic history; with factors such as race, class, wealth distribution, policy, legislation and conditions of production etc. playing an active role in shaping this history. Sexuality is another facet, in very subtle terms, which has contributed, influenced and scripted the historical make up and character of South African Cinema. I undertake to focus on the interplay between sexuality, cinema and history in an attempt to contextualise (for the purposes of this investigation) how strategies of representation are appropriated in a post-apartheid queer cinema.
13

Insuring the African future

Barry, Hanna January 2013 (has links)
The African growth story has investors from around the world eyeing opportunities offered up by the continent in the form of new markets, enhanced growth potential and impressive returns. Despite the overwhelmingly positive thrust of this message, it finds itself situated against a backdrop of serious challenges, not only in Africa, but also globally, in the face of increasing financial, political and natural-catastrophe risk. In this world of tremendous risk and tremendous opportunity, the insurance industry can provide post-disaster financing, financial security, institutional investment and innovative risk management strategies to reduce levels of risk on the ground. Launched earlier this year, the Principles for Sustainable Insurance are a framework for embedding environmental, social and governance factors into insurance business and so promoting sustainable development. This creative research project argues that a robust insurance industry promotes economic growth and that the parallel developments, in the story of African growth and the risk management practices of the insurance industry, present a compelling framework for nurtured and sustainable development in Africa.
14

Rain falls on water : a journey into Haiti

Hartley, Aimee-Noel January 2006 (has links)
Includes bibliographical references.
15

Cast-off: Original script for a feature film

Paitaki, Gregory January 2011 (has links)
Includes bibliographical references.
16

Trial by media : the megaspectacle and the competition of narratives : the framing of the Oscar Pistorius murder trial by News24

Johnson, Kim Alexa January 2015 (has links)
In the early hours of 14 February 2013, the twittersphere erupted with the allegation that Oscar Pistorius, the Olympic and Paralympic athlete, had shot and killed his girlfriend of three months, Reeva Steenkamp. This story first appeared on the Beeld twitter account. This story was only confirmed by local print media such as the Cape Argus the following day, 15 February 2013, after his first court appearance during which he was charged with premeditated murder, a schedule 6 offence, according to South African law. The commencement of the bail application was postponed by Chief Magistrate Desmond Nair on 15 February 2013, so as to consider an application made by the media to be granted leave to broadcast the court proceedings live. In Magistrate Nair‟s judgement, that was handed down at noon the same day, he ruled against the media‟s broadcast application. However, he conceded that only the live audio of the bail application judgement could be broadcast ("Oscar faces murder…", 2013: 1). Additionally, the media was allowed to photograph the accused only in the presence of Magistrate Nair before the commencement of court proceedings, and once it had concluded for the day. This was the first formal assertion, and acknowledgement, of the role the media was to play in the „staging‟ of The Oscar Pistorius Murder Trial, with Pistorius cast as the protagonist and the media contingent as one of the antagonists of the narrative construction of this case. In an attempt to compensate for the lack of direct (live) media access to the proceedings, twitter was co-opted as the primary alternative news media platform. Journalists tweeted the live proceedings to their followers in order to provide mediated access to the proceedings. News24 lead the twitter reports by compiling a transcribed "live report" of the proceedings which would allow members of their audience an opportunity to follow a sequential account of the narrative. This was in addition to their usual journalistic reportage of the trial.
17

Call on me : the cell phone : a multi-media tool of communication amongst South African youth and how it can be used to platform youth stories for media and advertising

Griffiths, Claire January 2007 (has links)
Includes bibliographical references (leaves 75-80). / This media dissertation researches the cell phone's actual and potential role as a multimedia tool of communication amongst South African youth and looks at how it can be used to platform youth stories for media and advertising. The youth's connection to the cell phone has come to mean so much more than its actual technological functions. This media dissertation investigates the cell phone phenomenon amongst the youth of today, by looking at both local and international trends, with a more intimate focus on the current trends amongst the South African youth. It will look at the sociology of the cell phone and the culture surrounding it. It will then consider new technology and how the cell phone's role may also be a tool for leapfrogging in South Africa. It is also important to consider the negative connotations that arise with the cell phone's infiltration amongst the youth.Through analysis of recent research about the cell phone's impact on the youth here and internationally, two opposing media directions are identified: the cell phone as a tool in marketing and advertising; and the cell phone as a tool in investigative journalism. By analyzing two different areas, this media dissertation creates a broad and holistic understanding of the cell phone's potential functions through a strong literature review. Firstly, the cell phone's function in marketing and advertising will be analyzed. This media dissertation will take into account the youth market in South Africa through a case study of one of South Africa's strategic consultancy companies: Instant Grass. Through a close look at the youth market now, it will be possible to create a greater understanding of the current trends and how to capitalize on these trends. In terms of marketing and advertising, this media dissertation then discusses an advertising exercise with a youth group studying Film and Media Studies at the University of Cape Town. Secondly, the cell phone in terms of media and investigative journalism will be analysed through fieldwork done with etv's 3rd Degree. This media dissertation looks at how the cell phone could be used as a tool for youth stories by looking at the parameters involved in creating investigative stories. This chapter also takes a look at the issue of citizen journalism in the digital publishing world today and the rate at which cell phone technology is spurring this development on.
18

An empirical investigation into the 'piracy' of television series in South Africa

McQueen, Kate January 2010 (has links)
Includes abstract. / Includes bibliographical references (leaves 78-83). / The end-user 'piracy' of television series, particularly of those produced by USA television networks such as HBO, NBC, ABC and FOX, is a growing trend in South Africa. This paper aims to identify why South Africans want to view television series this way and contribute to the research recognising it as a significant trend in media consumption. The key questions that are examined in this paper include: Who are these individuals, what is their viewing behaviour and why? This paper thus examines the literature available surrounding the profile, the motivations, and the viewing patterns of these revolutionary series viewers.
19

Herald

Macleod, Caitlin January 2016 (has links)
The original idea behind Herald was to create a South African Downton Abbey (ITV and PBS, 2010 -2015). Historical television is currently popular and Downton is appealing because it communicates interesting history, finds comedy in the manners and behaviours of the day and indulges in the visual pleasures of opulent aristocratic society. A historical setting is as foreign and exciting as a fantasy realm but it can still provide a platform to explore themes that are relevant and familiar to a contemporary viewer. Members of local government, military officers and other nobles and wealthy Britons at the Cape lived aristocratic lives not unlike the fictional inhabitants of Downton and yet a wholesale pastiche of the structure of Downton or the conventions of the period drama genre is inappropriate. The racial tensions that have defined the colonial and postcolonial periods of South African history and the Eurocentric, androcentric approach to that history necessitate a new approach. It is with this in mind that I have attempted to create a television miniseries inspired by the traditional period drama and by Downton Abbey specifically, but remoulded by the contexts of past and present day South Africa. I had several main goals in mind for this miniseries: to provide South Africans with entertaining television that tells local stories and, in so doing, encourage South Africans to engage with their own history; to grapple with contentious issues of the present such as race, gender and land, by exploring the past; to place strong black, Malay and female characters at the center of history and give them the agency to effect history; to provide a critique of the British and their actions at the Cape.
20

From Namibia with Love - the dissertation paper a reflective essay supporting the documentary film 'From Namibia with Love'. With special references from the director's and editor's perspective on making a politically sensitive documentary film

Merilainen, Laura January 2012 (has links)
Includes abstract. / Includes bibliographical references. / This dissertation paper is a reflective essay supporting the documentary film From Namibia with Love (FNWL). The aim of this essay is to examine and analyse the production challenges, ethical considerations and the reconstruction of reality in the making of the film FNWL. The essay explores these issues from the director's and editor's point of view with special references to academics literature and different documentary films.

Page generated in 0.0715 seconds