- About
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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
Search results
Showing 11 to 15 of 15 (0.068 seconds)Spelling suggestions: "subject:"mixed media (rrt)"" "subject:"mixed media (rört)""
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End of the day: Blue-orangeConley, Alston Unknown Date (has links)
Title from exhibition catalog.
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End of day 2Conley, Alston Unknown Date (has links)
Title from exhibition catalog.
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Valley of silence: Bell towerConley, Alston Unknown Date (has links)
Title from exhibition catalog.
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| 14 |
Beyond The BattlefieldSeymour, Gary A 01 January 2011 (has links)
I am exhibiting several drawings, paintings, and sculptures representing a visual record of my creative research into, and my handling of, snails. Although I depict snails and their environment in a loose representational style, I have begun to incorporate digital drawing to enhance my art in a mixed media approach. I have created illustrative images of a forest floor as I imagine it would look to a snail in a giant, menacing world. Close-up images of grass become unusual jungle scenes, and my once tiny snails achieve a measure of control in this fanciful world. The inspiration for my art is my recollection of the insecurity and struggles I encountered while growing up as a military brat.
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M0MENTARY LAPSESSalyer, Alice 01 May 2019 (has links)
The artist discusses her Master of Fine Arts exhibition Momentary Lapses, held at Tipton Gallery, February 25-March 8, 2019. The mixed media works and video examine the intersections between digital, somatic and societal decay through the mediation of the digital image by physical anthropogenic efforts.
Themes in the work include glitch art and theory, entropy, memory, decay, and loss. Contemporary American society’s desensitization associated with the oversaturation of digital imagery is discussed, as well as Guy Debord’s theory of the Spectacle, and the artistic practices of Kurt Schwitters and Robert Rauschenberg.
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