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A music industry program for today's colleges and universitiesTolley, David Lancaster. January 2008 (has links)
Thesis (D.M.A.)--Ohio State University, 2008. / Title from first page of PDF file. Includes bibliographical references (p. 149-150).
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Making Canadian music industry policy 1970-1998Sutherland, Richard, January 1900 (has links)
Thesis (Ph.D.). / Written for the Dept. of Art History and Communication Studies. Title from title page of PDF (viewed 2009/06/11). Includes bibliographical references.
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Bullet on the charts beef, the media industry and rap music in America /Sweet, Eli. January 2005 (has links)
Thesis (B.A.)--Haverford College, Dept. of Anthropology, 2005. / Includes bibliographical references.
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Managerial creativity a study of artist management practices in the Australian popular music industry /Morrow, Guy Richard. January 2006 (has links)
Thesis (PhD)--Macquarie University, Division of Humanities, Department of Contemporary Music Studies, 2006. / Bibliography: p. 377-385.
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"Straight up Detroit shit" genre, authenticity, and appropriation in Detroit ghettotech /Mueller, Gavin. January 2007 (has links)
Thesis (M.A.)--Bowling Green State University, 2007. / Document formatted into pages; contains ix, 107 p. Includes bibliographical references.
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"Where do the boys go?" : tracking the development of careers in the music industrySakadakis, Stella January 1994 (has links)
Musical careers develop along particular trajectories as a consequence of the relationships that are established between the musician and the industry. This thesis studies the nature of these relationships and the manner in which they contribute to the development of a musical career. The dichotomy between the artistic concerns of the musician and the economic interests of the industry that informs many popular music studies is re-oriented in light of the economic interests that are inherent in the musician's pursuit of a musical livelihood. The importance of commercial success in the maintenance of a musical living is explored in the case study of Men Without Hats, a Montreal based pop band that has maintained a fifteen year career despite a lack of commercial success over the past decade. This study suggests that the maintenance of a musical career over an extended period of time is a consequence of the types of relationships that are cultivated by the musician over the course of his/her career.
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Like the last 30 years never happened : understanding Detroit rock music through oral history /Schmitt, Jason. January 1900 (has links)
Thesis (Ph.D.)--Bowling Green State University, 2008. / Includes bibliographical references. Also available online via OhioLINK's ETD Center.
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Musik und Medium : Entwicklungsgeschichte der Speicherung, Publikation und Distribution musikspezifischer InformationenWollermann, Tobias January 2006 (has links)
Zugl.: Osnabrück, Univ., Diss., 2005
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Like the last 30 years never happened understanding Detroit rock music through oral history /Schmitt, Jason. January 2008 (has links)
Thesis (Ph.D.)--Bowling Green State University, 2008. / Document formatted into pages; contains ix, 194 p. Includes bibliographical references.
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Building subcultural community online and off an ethnographic analysis of the CBLocals music scene /McNeil, Bryce J. January 2009 (has links)
Thesis (Ph. D.)--Georgia State University, 2009. / Title from file title page. Ted Friedman, committee chair; Jonathan Sterne, Alisa Perren, Emanuela Guano, Kathryn Fuller-Seeley, committee members. Description based on contents viewed Sept. 28, 2009. Includes bibliographical references (p. 338-351).
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