<p> <i>Moving Pictures</i> is a body of poems accessing a place-based aesthetic through an ecstatic tone. A concrete image offers a resonant field of memory and imagined properties (as in Rilke&rsquo;s &ldquo;The Panther&rdquo; and Proust&rsquo;s &ldquo;magic lantern&rdquo; in <i>Swann&rsquo;s Way </i>), the tangible qualities of a house are given associative values, contingent qualities. This &ldquo;presence of place&rdquo; composes a place&rsquo;s physical properties and the impressions derived from the surrounding history, culture and mythos accrued. A &ldquo;tapestry&rdquo; that a speaker in narrative lyric performs in a poem seeks to realize as purposeful, felt design, positive or negative providence, a desire to locate the comfort in the predictable, assurance that there is a controlling will and determining voice in living physical experiences. That tapestry and the absence of it either is protective or revealing as a person might see an arrangement of planets at birth as a prophetic determinant of identity and causality, a method to determine identity and consolidate experience. A bright tension is often felt traveling to a distant country or returning home after a long time away. Thus, many of these poems deal with distance and light as allegory, the harshness of exposure, the hope for concealment. Darkness and absence suggest longing for concealment but also a capacity to accentuate light and presence. There is ultimately, the incommensurability between art and thought and act. Like trying to translate the Greek word logos as word. In poetry, the performance is persona, a character applying language as an imperfect lathe to shape knowledge and understanding. That knowledge is limited and poetry is a type of investigative tool. In this way, attention to syntax, lineation, and spatial construction are the needle and thread to stitch the narrative &ldquo;I&rdquo;.</p><p>

Please note: creative writing theses are permanently embargoed in OpenBU. No public access is forecasted for these. To request private access, please click on the lock icon and filled out the appropriate web form. / A collection of 35 original poems written by Kathleen Radigan during the school-year of September 2017-May 2018. / 2031-01-01T00:00:00Z

Please note: creative writing theses are permanently embargoed in OpenBU. No public access is forecasted for these. To request private access, please click on the lock icon and filled out the appropriate web form. / Creative writing / 2031-01-01T00:00:00Z

Please note: creative writing theses are permanently embargoed in OpenBU. No public access is forecasted for these. To request private access, please click on the lock icon and filled out the appropriate web form. / Collection of poems / 2031-01-01T00:00:00Z

Please note: creative writing theses are permanently embargoed in OpenBU. No public access is forecasted for these. To request private access, please click on the lock icon and filled out the appropriate web form. / Collection of poems / 2031-01-01T00:00:00Z

Please note: creative writing theses are permanently embargoed in OpenBU. No public access is forecasted for these. To request private access, please click on the lock icon and filled out the appropriate web form. / A collection of short stories / 2031-01-01T00:00:00Z

Please note: creative writing theses are permanently embargoed in OpenBU. No public access is forecasted for these. To request private access, please click on the lock icon and filled out the appropriate web form. / Creative writing / 2031-01-01T00:00:00Z

Thesis (M.A.)--Boston University

N/A

"Arbeit Macht Frei," which is translated, "Work Will Make You Free," is a surreal drama that sporadically and without regard to traditional chronological order spans the years of 1931-1947 in Nazi Germany. It is many stories of humanity and its strengths and weaknesses, its triumphs and atrocities, melded into theatrical representation as men and women who are interred in a concentration camp unwillingly build the walls that hold them under Nazi oppression. It is also the specific stories of four individual characters. Heinrich is the camp commander whose work is to construct and run the camp. Herta is the German doctor who is charged with furthering the false science of "eugenics" by experimenting on both her Jewish victim, Rachel, and the commander's wife, Klara. Rachel and Klara are characters who lead parallel lives with the exception of their perceived racial impurity or purity as seen by the culture which surrounds them. Although "Arbeit" looks closely at the stereotypical roles of Nazi commander and doctor of macabre experimentation and successfully attempts to subvert these stereotypes, it is essentially the story of the Jewish and German women and their similarities under oppression, degredation and horror that is worth of minute analysis and representation in the modern theater.