Instrumentation no.1 / Jack Vees -- Gobo for oboe and electronic sounds / Russell Pinkston -- Niobe for solo oboe and tape / Thea Musgrave -- Sonate for solo oboe / Heinz Holliger -- The garden of love for oboe and soundtracks / Jacob Ter Veldhuis. / text

Oboe concerto in d minor, op.9, no.2 / Tomaso Albinoni -- Six etudes / Giles Silvestrini -- Mill songs, Four metamorphoses after Schubert / Dan Welcher -- Concerto for oboe and small orchestra / Bohuslav Martinu. / text

Treatise (D.M.A.) -- Florida State University, 2004. / Advisor: Eric Ohlsson, Florida State University, School of Music. Title and description from treatise home page (viewed 9-29-04). Document formatted into pages; contains 83 pages. Includes biographical sketch. Includes texts of vocal works. Includes bibliographical references.

Treatise (D.M.A.) Florida State University, 2005. / Advisor: Eric Ohlsson, Florida State University, College of Music. Title and description from dissertation home page (viewed 5-15-2007). Document formatted into pages; contains 92 pages. Includes biographical sketch. Includes bibliographical references.

Treatise (D.M.A.) Florida State University, 2005. / Advisor: Eric Ohlsson, Florida State University, College of Music. Title and description from dissertation home page (viewed 6-21-07). Document formatted into pages; contains 70 pages. Includes biographical sketch. Includes bibliographical references.

Thesis (M.M.)--Ball State University, 2009. / Title from PDF t.p. (viewed on Mar. 01, 2010). Creative project (M.M.), 3 hrs. Includes bibliographical references (p. 22-23).

Oboe concerto in G minor, no.3 / George Frideric Handel -- Trio for flute, oboe, piano / Madeleine Dring -- Snake / D. H. Lawrence -- Snake / Michael Berkeley -- Sextet for piano and woodwind quintet, op.6 / Ludwig Thuille. / text

Mario Lavista (b. 1943) is a dominant figure in Mexican classical music. In the second half of the twentieth century, he promoted the use of contemporary techniques, leading to a series of collaborations with expert instrumentalists to explore extended techniques. Marsias for Oboe and Crystal Glasses is one of those pieces. Due to the nature of contemporary techniques, different oboes and reed styles produce different effects with the same fingerings. This document analyzes the contemporary fingerings in the two published editions of the work in consideration of the long-scrape reed style and oboes commonly used in the United States. The contemporary techniques were played on twelve professional oboe models as a way to collect data on how the printed fingerings work. The data is the foundation for the performance guide, which details every contemporary technique in the work. The performance guide also provides comprehensive information about the crystal glass logistics. The document also presents an electronic accompaniment created with Max/MSP in the event that the crystal glasses or crystal glass players are unavailable.

Thesis (M.M.)--Ball State University, 2009. / Title from PDF t.p. (viewed on Mar. 08, 2010). Creative project (M.M.), 3 hrs. Includes bibliographical references (p. 16).

Thesis (M.M.)--Ball State University, 2009. / Title from PDF t.p. (viewed on Mar. 01, 2010). Creative project (M.M.), 3 hrs. Includes bibliographical references (p. 23).