Os mitos devolvem aos homens os seus próprios conflitos; como metáforas, eles \"desempenham sua função de falar\" aos \"níveis profundos do ser humano\". Com o correr do tempo, essas figuras de linguagem podem ir perdendo a capacidade de serem absorvidas, mas os artistas, \"de acordo com suas disciplinas e artes\", fazem-nas emergir \"do contexto contemporâneo da experiência\". Partindo dessas premissas, foram feitas e em seguida confrontadas as análises dos poemas \"Legado\" e \"Canto órfico\", de Carlos Drummond de Andrade; da peça,\"Orfeu da Conceição: Uma tragédia carioca\" de Vinícius de Moraes e dos dois filmes baseados nela: Orfeu negro, de Marcel Camus e Orfeu, de Carlos Diegues. Num primeiro momento, diferenciando-se do Orfeu de Drummond - que se define e define o que vê, mais próximo, talvez, do caráter apolíneo do mito - o Orfeu de Vinícius promove, ou deseja promover a dissolução dionisíaca das diferenças, inclusive sociais, sugerida pela figura do cantor do morro: Orfeu da Conceição; mas, aproximando-nos mais um pouco dessas retomadas, sem que a primeira impressão deixe de existir, podemos observar também a expressão \"dionisíaca\" do primeiro autor, assim como a expressão \"apolínea\" do segundo e, comum a estas duas expressões, a crença no valor artístico da poesia e do canto. A presença de Orfeu nos filmes de Marcel Camus e de Carlos Diegues (que, como na peça, atualizam o mito em uma favela, na mesma década da estréia da peça, e quarenta anos depois dela, respectivamente) confirma a capacidade do canto e da arte de transformar a \"agonia em elegia\", como fizeram Carlos Drummond de Andrade e Vinícius de Moraes. / Myths are giving back to mankind their own conflicts. As metaphor \"they play their role\" to talk \"to the deep levels of mankind\". As time goes by, these language figures can loose their absorption capacity but artists \"in accordance with their disciplines and arts\" are reviving them \"in the contemporary context of experience\". Starting from this observation, an analysis and a comparison of the following works are done : \"Legado\" & \"Canto orfico\", poems from Carlos Drummond de Andrade, \"Orfeu da conceiçao, a Carioca tragedy\" from Vinícius de Moraes and two movies \"Orfeu Negro\" from Marcel Camus & \"Orfeu do Carnaval\" from Carlos Diegues. The first impression in Vinícius- Orfeo is that he promotes or wants to promote the Dionisyac dissolution of differences suggested by the singer on the \"morro\": Orfeu da Concecao. This first impression is different in Drummond\'s Orfeo who defines himself and defines what he sees as closer perhaps to the Apollinic character of the myth. But getting closer to Orfeu\'s remake one can observe the Drummond Dionisyac expression as well as the Appolinic expression of Vinícius inverting the first impression but keeping in both the ethical feeling in front of the indifferent world to myth and the belief in the value of poetry and songs. The presence of Orfeu in the movies of Marcel Camus and Carlos Diegues which as in the play are bringing up to date the myth in a \"favela\", during the same decade of the play and forty years later respectively, are confirming the capacity of songs and art to transform \"agony in elegy\" as Carlos Drummond de Andrade and Vinícius de Moraes did with their works

本研究以《詩經》、《楚辭》、《全唐詩》、《全宋詩》及《全宋詞》等，數位化的文本資料作為基礎，運用資訊技術，建構分析文獻間借鑒的工具。工具採用字串或詞彙比對的方式，使用者可以透過設定，過濾出可能的對應關係，特別是《全唐詩》、《全宋詩》和《全宋詞》間字面上的類似之處。本研究參考人文領域的研究，用以評估工具的效果。同時，我們也藉由資訊科學的角度，統計如唐詩和宋代詩詞間的對應關係，亦透過如《詩經》和《詩經》、《楚辭》和《楚辭》、《全唐詩》和《全唐詩》、《全宋詞》和《全宋詞》、《全宋詩》和《全宋詩》的對應關係，挖掘同一時代文人作品的對應。另外，本研究也嘗試中國古典詩歌的斷詞，以及分析詩歌中詞彙的語意，未來也希望能夠透過語意進行詩歌比對。本研究雖不如傳統方法的人文研究深入，但提供從大量的語料中去蕪存菁，以及統計等相關服務，節省人文研究分析整理文本所需的時間，用數位的力量輔助人文領域的相關研究。

Scriabin's piano miniatures are ideal for the study of evolution of his style, which underwent an extreme transformation. They present heavily concentrated idioms and structural procedures within concise form, therefore making it more accessible to grasp the quintessence of the composer's thought. A plethora of studies often reviews isolated genres or periods of Scriabin's legacy, making it impossible to reveal important general tendencies and inner relationships between his pieces. While expanding the boundaries of tonality, Scriabin completed the expansion and universalization of the piano miniature genre. Starting from his middle years the 'poem' characteristics can be found in nearly every piece. The key to this process lies in Scriabin's compilation of certain symbolical musical gestures. Separation between technical means and poetic intention of Scriabin's works as well as rejection of his metaphysical thought evolution result in serious interpretive implications. Music of Scriabin provides an excellent opportunity for a performer to find a proper balance between rational and intuitive. The lack of any of these qualities will impoverish his works, making their interpretation incomplete. Following one of main Scriabin's ideas - synthesis of all arts - this study approaches his music not from the narrow analytical, but broad synthetic standpoint. The suggested solution is an informed performance, based on Heinrich Neuhaus's teaching method that encompassed all arts. 'Cross-art' comparative analysis justifies the composer's artistic searches and highlights significance of his ideas, which disclose a strong correlation with the characteristic features of the creative faculty, the nature of music and its synergetic aspects.

The Poetic Process is a creative thesis analyzing the use of different poetic forms but focuses more on the application of them through a series of creative work.

Diploma thesis is focused on the acoustic analysis of poetry recitation in patients with Parkinson's disease. This disease is associated with speech disorder called hypokinetic dysarthria. One objective of this thesis was familiarization with process, symptoms and treatment of these diseases. In thesis is described preprocessing and parametrization of the speech signal and the binary classification methods. Subsequently, it is the above proposal modular system of auto-diagnosis of Parkinson's disease based on acoustic analysis of the speech. The proposed system is implemented in MATLAB. Classification of calculated parameters is realized using the method of Random forest and Support vector machine. The results of these methods are compared and listed in the thesis. The main objective and the result of this thesis is a system of automatic diagnosis of Parkinson's disease based on acoustic analysis of the poem recitation.

The comments submitted by The South African Institute of Chartered Accountants (hereinafter referred to as “SAICA”) to the Discussion Paper issued by the South African Revenue Service (hereinafter referred to as “SARS”) in respect of Interpretation Note 61, included the following important introductory comments: “We heartily welcome and endorse the revised approach, which brings the South African interpretation closer to international norm. South Africa is too small an economy in the world to be out of step with the general consensus view, including the views of our main treaty partners (who are mainly OECD members). It also reduces the prospect of having to resort to a mutual agreement procedure; not to mention reducing the likelihood of litigation in the South African courts.” South Africa‟s approach to the determination of a legal person‟s “place of effective management” (hereinafter referred to as “POEM”) differs from the international approach and has resulted not only in adverse tax implications, but also in a lot of uncertainty for various taxpayers. / Dissertation (LLM)--University of Pretoria, 2013. / Mercantile Law / unrestricted

102 17 Abstract The presented work deals with the strong personality of Czech folk music - Karel Kryl. It investigates the differences in the poetry of his lyrics and poems, and its development in the years 1968 - 1989. The first chapters outlines the situation since the sixties of the 20th century around the sung poetry and songsters to the present. Karel Kryl is compared with the Czech singer, he differed from them not only his work, but also his live, beliefs and appearance. His poetics is developed over twenty years, both in songs and in poems. This period is divided into four stages at the songs, according to which they are assigned to each of poetry collections. By 1971, one can speak only about the songs, because Karel Kryl has not paid poems in this period. At this time, the young author wrote a texts, in which disagreed with the occupation troops of the Warsaw Pact, the texts are uncompromising. Due to emigration in 1969, he began the songs express longing for home. Kryl speaks for all and all. The second stage of Kryl's production is between 1972 - 1975 - "happy period", especially the theme of love appears, the song (more than in poetry) the Bible theme here together in poems and songs. Primal screams took turns telling silence. After 1975, the author resorted for humor to in all his work, but it...

Hier wird über den objektiven Vergleich der Kurz- und Langzeitergebnisse, die mit der laparoskopischen Heller-Myotomie plus Dor-Fundoplikatio (LHM + Dor) und der per-oralen endoskopischen Myotomie (POEM) an einer einzigen Institution erzielt wurden und über die Entwicklung eines "maßgeschneiderten Ansatzes" berichtet. Die laparosko-pischen Heller Myotomie (LHM) gilt aktuell als das Standardverfahren zur Therapie der Achalasie. Die perorale endoskopische Myotomie (POEM) bietet eine neue Alternative zur Durchführung der Heller-Myotomie auf endoskopischem und natural orifice translu-minal endoscopic surgery (NOTES) Wege. Wir berichten über unsere unselektierte konsekutive Patientenserien (n = 238), die zwi-schen 2009 und 2017 entweder einer LHM + Dor Prozedur (n = 100) oder einer POEM Operation (n = 138) unterzogen wurden. Es gab keine Unterschiede hinsichtlich des Behandlungserfolgs (Eckardt-Score ≤ 3) nach 3 - 6 Monaten (LHM: 90,1% vs. POEM: 90,5%; p = 0,735), 12 Monate (LHM 84,4% vs. POEM 84,0%; p = 0,766 und> 2 Jahre (LHM 81,1% vs. POEM 79,2%; p = 0,432). Die Verbesserung der Lebensqualität (GIQLI-Score) und die Patientenzufriedenheit waren in beiden Gruppen ebenfalls ver-gleichbar gut (~ 90%) und zu jedem Zeitpunkt der Nachbeobachtung. Refluxraten sind ebenfalls ähnlich (Sodbrennen LHM: 32,9% vs. POEM: 30,1%; Ösophagitis LHM: 16,3% vs. POEM: 14,6%; PPI-Aufnahme 21,2% vs. 32,5%, pathologischer pH-Wert -Meter-LHM: 8,8% vs. POEM: 23,3%) ohne Signifikanz der Unterschiede. Die „maßgeschneiderte Verfahrenswahl POEM vs. LHM“ könnte geeignet sein und sollte in weiteren Studien weiter untersucht werden. / This article reports on the objective comparison of the short and long-term results obtained with the laparoscopic Heller myotomy plus Dor fundoplication (LHM + Dor) and per-oral endoscopic myotomy (POEM) at a single institution and on the development of a " tailored approach". The laparoscopic Heller Myotomy (LHM) is currently considered the standard procedure for the treatment of achalasia. Peroral endoscopic myotomy (POEM) offers a new alternative to Heller myotomy by endoscopic and natural orifice transluminal endoscopic surgery (NOTES). We report on our unselected consecutive patient series (n = 238) who underwent either an LHM + Dor procedure (n = 100) or POEM surgery (n = 138) between 2009 and 2017. There were no differences in treatment success (Eckardt-Score ≤ 3) after 3 - 6 months (LHM: 90.1% vs. POEM: 90.5%; p = 0.735), 12 months (LHM 84.4% vs.POEM 84.0%; p = 0.766 and> 2 years (LHM 81.1% vs. POEM 79.2%; p = 0.432). The improvement of quality of life (GIQLI-Score) and patient satisfaction were also comparably good (~ 90%) in both groups and at all times of follow-up. Reflux rates are also similar (heartburn LHM: 32.9% vs. POEM: 30.1%; esophagitis LHM: 16.3% vs. POEM: 14.6%; PPI uptake 21.2% vs. 32.5%, pathological pH meter-LHM: 8.8% vs. POEM: 23.3%) without significance of the differences. The "tailored approach for choosing the procedure POEM vs. LHM" might be appropriate and should be further investigated in further studies.

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