Made available in DSpace on 2016-07-27T13:49:26Z (GMT). No. of bitstreams: 1 Ana Dias Campos Rodrigues.pdf: 1191629 bytes, checksum: dba2b297b714092931712d729bd5b3b6 (MD5) Previous issue date: 2007-05-29 / This work has born of the desire to understand what are the motivation that make the Vineyard Church in Cell´s followers refrain themselves to make sex check out what is the religion offer of that church that maje the followers, prácctice sexual abstinence before marriage. It was made a documentary research, using as a method the phenomenology and socialogical analysis research. The family an marriage concepts have been suffering changes through the years. The family nowadays do not obey the tradicional patriarchal family model anymore, as in the past an the sexuality has been understood as something that is structured by a social way of living, presenting a diversity form. The Vineyard Church in Cell, which is fundamentalist, desires and tries to rescue the traditional patriarchal family model with a sexual abstinence speech and a promotion of a sexuality control it´s objective is to obtain the happiness in marriage struggling against the high level of dissociate families. / Este trabalho nasceu do desejo de compreender quais as motivações que levam os fiéis da Videira Igreja em Células a se absterem do sexo fora matrimônio, aderindo ao conceito da Corte e verificar qual é a oferta religiosa da referida igreja que leva os fiéis a praticarem abstinência sexual fora do matrimônio. Foi realizada uma pesquisa documental, tomando como método a fenomenologia e a análise sociológica de pesquisa. Os conceitos de família e de sexualidade foram sofrendo modificações através dos tempos. Atualmente, a família não obedece mais ao tradicional modelo da família patriarcal e a sexualidade passou a ser compreendida como algo construído socialmente, apresentando-se de maneira diversificada. A Videira Igreja em Células, sendo fundamentalista, busca resgatar o tradicional modelo da família patriarcal com o discurso de abstinência sexual e a promoção do controle da sexualidade, afim de obter a felicidade no casamento, lutando contra o elevado índice de famílias dissociadas.

Made available in DSpace on 2016-04-28T20:39:47Z (GMT). No. of bitstreams: 1 Valeria Centeville.pdf: 701630 bytes, checksum: 508304e1068914f119683f946807007b (MD5) Previous issue date: 2008-05-16 / The objectives of this study are to comprehend how male pathological jealousy expresses itself in a patriarchal culture and also to understand psychological aspects involved in the dynamics of such disturbance, especially the emotional complexes. The bibliographical research has revealed the existence of many essays linking male jealousy to violence against women particularly in a domestic context. Definitions of jealousy from important authors such as Adler (1967), Alberoni (1988), Freud (1976), Klein and Riviere (1975) and the American Psychiatric Association s DSM-IV - Diagnostic and Statistical Manual of Mental Disorders (1994) have been researched. Books and articles of Jungian and neo-Jungian scholars were also examined, only to find Carlos Byington (2006), the creator of the Symbolic Psychology, description of jealousy. Still based on this theoretical approach to male pathological jealousy I came across Grinberg s essay (2000). In the last stages of the bibliographical research specific attention was given to how the term jealousy was accounted for throughout Carl Gustav Jung s work. To illustrate such a condition certain films were considered and selected, Claude Chabrol´s 1994 production L enfer being the most representative. It was interpreted based on Jung s Analytical Psychology and on the information pertaining to the patriarchal culture. Allowing us to conclude that the characteristics and emotions most commonly associated with the male pathological jealously are: power and possession, the desire for dominion over the loved one, love and rivalry, fear of loss, exclusive love and feelings of inferiority; the inability to surmount the Oedipus complex as a structure, the presence of a maternal and/or paternal complex, the repression of the feminine principle and the resulting psychic disequilibrium are the constituent factors associated with the male pathological jealousy. This kind of affection is generally related to paranoia. I propose to consider the hypothesis that culture and patriarchal values, when unilateral, intensify pathological jealousy since what s most revealing of the psychotic jealous extreme behavior is precisely the need to control others and maintain dominance over them / Os objetivos deste estudo são: compreender como o ciúme patológico masculino se expressa na cultura patriarcal e entender os aspectos psicológicos envolvidos na dinâmica do ciúme patológico, especialmente os complexos. O resultado do levantamento bibliográfico mostrou que existem muitos trabalhos que associam o ciúme masculino à violência contra a mulher, especialmente no contexto doméstico. Foram pesquisadas definições de ciúme formuladas por autores importantes como Adler (1967), Alberoni (1988), Freud (1976), Klein e Riviere (1975) e do DSM-IV - manual diagnóstico e estatístico de transtornos mentais (1995). Livros e artigos de autores junguianos e neo-junguianos foram pesquisados, tendo sido encontrada uma única definição de ciúme nesta abordagem teórica, conceituada por Carlos Byington (2006), criador da chamada Psicologia Simbólica. Foi encontrado um artigo científico junguiano sobre ciúme patológico masculino, de Grinberg (2000). Na última etapa do levantamento bibliográfico, o termo ciúme foi pesquisado nas obras completas de Carl Gustav Jung. Para ilustrar o ciúme patológico masculino, foram selecionados e assistidos alguns filmes, tendo sido escolhido o que melhor representa esta patologia no gênero masculino - Ciúme, o inferno do amor possessivo (1994) - de Claude Chabrol. A ilustração foi analisada com base na abordagem da Psicologia Analítica, assim como nas informações que contextualizam a cultura patriarcal. Conclui-se que as características e emoções mais comumente associadas ao ciúme patológico masculino são: poder e posse, desejo de domínio sobre o ser amado, amor e rivalidade amorosa, medo da perda, desejo de exclusividade amorosa e sentimentos de inferioridade. A não superação do complexo de Édipo enquanto estrutura, a presença de complexo materno e/ou paterno, a repressão do princípio feminino e o conseqüente desequilíbrio psíquico são fatores associados ao ciúme patológico masculino. Este afeto é encontrado com mais freqüência na paranóia. Considera-se a hipótese de que a cultura e os valores patriarcais, se unilaterais, intensificam o ciúme patológico, pois o que se mostra exagerado no ciumento patológico é a necessidade de dominar e controlar quem ele acredita possuir

Made available in DSpace on 2016-04-25T20:22:14Z (GMT). No. of bitstreams: 1 Fatima Modesto de Oliveira.pdf: 426557 bytes, checksum: d6d75846af89475700240220d57ebb04 (MD5) Previous issue date: 2008-05-14 / Conselho Nacional de Desenvolvimento Científico e Tecnológico / This dissertation aims at recovering some characteristics of the patriarchal family described by Gilberto Freyre and dialogues that Sérgio Buarque de Holanda and Roberto Da Matta have developed with these categories. One tries to point out as certain forms of sociability perceived by those authors which can be found today in terms of the social imaginary, through approaches of the early years cinema of the twenty-first century / Esta dissertação procura recuperar algumas características da família patriarcal descritas por Gilberto Freyre e os diálogos que Sérgio Buarque de Holanda e Roberto Da Matta desenvolvem com estas categorias. Busca-se apontar como certas formas de sociabilidade percebidas por estes autores podem ser encontradas atualmente, como expressões do imaginário social, através de abordagens do cinema dos primeiros anos do século XXI

Made available in DSpace on 2016-04-26T14:57:02Z (GMT). No. of bitstreams: 1 Fatima Modesto de Oliveira.pdf: 426557 bytes, checksum: d6d75846af89475700240220d57ebb04 (MD5) Previous issue date: 2008-05-14 / Conselho Nacional de Desenvolvimento Científico e Tecnológico / This dissertation aims at recovering some characteristics of the patriarchal family described by Gilberto Freyre and dialogues that Sérgio Buarque de Holanda and Roberto Da Matta have developed with these categories. One tries to point out as certain forms of sociability perceived by those authors which can be found today in terms of the social imaginary, through approaches of the early years cinema of the twenty-first century / Esta dissertação procura recuperar algumas características da família patriarcal descritas por Gilberto Freyre e os diálogos que Sérgio Buarque de Holanda e Roberto Da Matta desenvolvem com estas categorias. Busca-se apontar como certas formas de sociabilidade percebidas por estes autores podem ser encontradas atualmente, como expressões do imaginário social, através de abordagens do cinema dos primeiros anos do século XXI

Le but de ce mémoire est d’analyser la condition et la conception des femmes dans le roman Le Ventre de l’Atlantique de Fatou Diome. Cette analyse est effectuée à la lumière des travaux de plusieurs écrivaines africaines. Fatou Diome évoque et dénonce la position de la femme sur l’île de Niodior au travers de nombreuses thématiques telles que : la soumission, le mariage forcé, la stérilité, la polygamie, la société́ patriarcale, la femme traditionnelle, la femme moderne, la liberté́, la femme en tant qu’objet et victime des coutumes et traditions. / The purpose of this essay is to analyze the condition and conception of women in Fatou Diome's novel Le Ventre de l’Atlantique. This analysis is done in light of the work of several African women writers. Fatou Diome evokes and denounces the position of the women on the island of Niodior through many topics such as submission, forced marriage, infertility, polygamy, patriarchal society, traditional versus modern woman, freedom, women as objects as victims of customs and traditions.

The problem of violence against women in Serbia is connected with the position that women hold inside of the discourse of family and society in general. Also, the general atmosphere in media implies the lack of media freedom, specific structural organization, and ownership relations in media companies. From this starting point, this paper investigates how different newspapers in Serbia are reporting about violence against women. This study outlines the most common topics and social actors that are represented inside of the articles. The analysis is divided in two parts. A content analysis of the five different newspapers in Serbia (Kurir, Blic, Vecernje Novosti, Politika and Danas) and critical discourse analysis of the most relevant articles inside of those. Part of the study is devoted to identify how these articles are most commonly framed among the chosen newspapers. Another part of the study looks at the comparison of the newspapers, with special emphasis on the social actors and the way they are represented among the articles. Results showed that newspapers report on violence against women differently when it comes to the category of frame. Most commonly used frame among overall sample is human interest frame which implies reports connected to the individual cases of violence against women that often generate feelings of outrage, empathy, caring, sympathy, or compassion. The background of the cases is almost in all of the articles used to portray the human-interest perspective. The reports are somewhat similar when it comes to the way how social actors are represented in the articles. For example, in the analyzed articles it is most often that the victims are presented as passive agents. The discourse of guilt around the social actors is often shared between the perpetrator and the victim. According to the latest statistics, eight women were killed during the first 58 days of 2018. Thus, practical implication of this study is to potentially point out more and less effective ways for Serbian news media to approach this serious social issue in the future.

The canon of Western art history provides a selection of artists that have supposedly made an 'original' contribution to stylistic innovation within the visual arts. Although a process of selection cannot be avoided, this procedure has resulted in a Eurocentric and patriarchal art canon. For example, the Western art canon consists of certain white male artists who are given exclusive authority and are often referred to as the 'fathers of art'. As the status of a 'father of art' pertains to the highest level of achievement within artistic creativity, I argue that this excellence in creativity is based on a gender specific criteria. This issue refers to the patrilineage within Western art history and how this father-son model, in a general sense, excludes women artists from the canon. Further, the very few women included in the art canon are not given the equivalent status as a 'father of art'. I address this patriarchal bias through focussing on the father/daughter relationship as a way of challenging the patrilineage within Western art history’s patrilineage. Through this process of intervention, I position the daughter an assertive figure who directly confronts the fathers of Western art. Within this confrontation, I emphasise that the daughter has an assertive identity that is also beyond the father. On this premise my paper is based on the argument that the application of a father/daughter model, within a metaphorical and mythological sense, is useful in subverting the father figures within Western art history. That is, I construct myself as the metaphorical and mythological daughter of the Dada artist, Marcel Duchamp and the Fluxus artist, Joseph Beuys. As an assertive daughter, I insert myself into the patriarchal framework surrounding these two canonical figures in order to decentre and subvert their authority and phallocentric art practice. It is important to note that both Duchamp and Beuys are addressed as case studies (not as individual arguments) that illustrate the patriarchal constructs of the art canon. Within this premise, I draw upon the female artists Sherrie Levine and Jana Sterbak who directly subvert Western father figures as examples of assertive daughter identities. Within this exploration of the assertive daughter identity, I discuss feminist psychoanalysis (particularly the 'object relations' theorist Nancy Chodorow and the French feminist, Luce Irigaray) in order to offer metaphorical representations of the assertive daughter. These metaphors also assist in subverting the gender (male) specific criteria for creativity under the 'law of the father'.

<p>Much is assumed about the professionalisation of managers, but the subject has been little studied within the social sciences. Did it take place and if so, how did it happen? Previous studies suggest that the managers in Swedish industries were professionalised after the Second World War, without, however, thoroughly investigating this claim. To be able to study the professionalisation process of managers, this thesis argues that it is necessary to look at both the ideals and the practice of management. This thesis constructs two different management ideals: the patriarchal ideal and the professional ideal, which are then joined together in a model. The model is then used to interpret the management behaviour of Swedish managers in 1910-1945.</p><p>The results of this thesis show that the professionalisation process of managers was not a strict process forward. The ideals were relatively easy to change from a patriarchal ideal to a professional ideal. But the practice of management could be patriarchal as well as professional, depending on the situation and the context. One explanation for this is that the managers could not always live up to the professional ideal. Instead they reverted to the system of personal trust and its loyalties in line with the patriarchal ideal. Therefore the professionalisation process of managers was not as successful as it might have been.</p>

Much is assumed about the professionalisation of managers, but the subject has been little studied within the social sciences. Did it take place and if so, how did it happen? Previous studies suggest that the managers in Swedish industries were professionalised after the Second World War, without, however, thoroughly investigating this claim. To be able to study the professionalisation process of managers, this thesis argues that it is necessary to look at both the ideals and the practice of management. This thesis constructs two different management ideals: the patriarchal ideal and the professional ideal, which are then joined together in a model. The model is then used to interpret the management behaviour of Swedish managers in 1910-1945. The results of this thesis show that the professionalisation process of managers was not a strict process forward. The ideals were relatively easy to change from a patriarchal ideal to a professional ideal. But the practice of management could be patriarchal as well as professional, depending on the situation and the context. One explanation for this is that the managers could not always live up to the professional ideal. Instead they reverted to the system of personal trust and its loyalties in line with the patriarchal ideal. Therefore the professionalisation process of managers was not as successful as it might have been.

The honour norm is strong within the Middle East but is scattered all over the world. As a result of immigration, the honorary context has become more established in Sweden. Violence, committed in the name of honour, is commonly executed by male family members. Thus, young men are forced, in some degree, to participate in the oppression and control of their sisters. Violence exercised in the name of honour, can be traced back to the patriarchal family system in which woman are subordinate to men. The purpose of this study is to highlight the young men's subjective perspective to honour and honour-related violence, as well as if they have managed to distance themselves from it. In the study, interviews are conducted with four young men. The results obtained show that some of the young men have an ambivalent attitude to certain matters relating to honour and what is not acceptable female behaviour. The results reveal that certain parts of the patriarchal thinking are identified in the opinions of some of the young men interviewed. Further, the results also suggest that education and community action are essential for the discussion of honour and the honour norm, in order to create change.