Spelling suggestions: "subject:"piano music 2cores."" "subject:"piano music escores.""
1 |
A portfolio of three musical compositions.January 1997 (has links)
by Hui Cheung Wai. / Thesis (M.Mus.)--Chinese University of Hong Kong, 1997. / Chapter 1. --- String Quartet No2 / Chapter a) --- programme notes --- p.I. i -ii / Chapter b) --- music score / Chapter ´Ø --- 1st movement --- p.1-15 / Chapter ´Ø --- 2nd movement --- p.16 -25 / Chapter ´Ø --- 3rd movement --- p.26-51 / Chapter 2. --- """Disappearance"" for orchestra" / Chapter a) --- programme notes --- p.II. i -iv / Chapter b) --- music score --- p.1-46 / Chapter 3. --- """Wu Wu"" (Sorcery Dance) for piano" / Chapter a) --- programme notes --- p.III. i -ii / Chapter b) --- music score --- p.1-12
|
2 |
Three compositions.January 1994 (has links)
by Lee Chui Ling. / Thesis (M.Mus.)--Chinese University of Hong Kong, 1994. / Preface --- p.1 / Chapter I. --- Twinkling --- p.3 / Chapter i) --- Analysis-----Introduction --- p.4 / Chapter ----- --- Formal structure / Chapter ----- --- Musical elements / Chapter ii) --- Score (with performance notes) --- p.8 / Chapter II. --- Emancipation --- p.14 / Chapter i) --- Analysis 226}0ؤ Introduction --- p.15 / Chapter ----- --- First movement ~ Formal structure / Chapter ~ --- Orchestration / Chapter ----- --- Second movement ~Formal structure / Chapter ~ --- Harmony / Chapter ----- --- Third movement ~ Formal structure / Chapter ~ --- Musical elemets / Chapter ii) --- Score (with 226}0بorchestra' & performance notes) --- p.25 / Chapter III. --- Once Upon a Time --- p.105 / Chapter i) --- Analysis 226}0´ؤؤIntroduction --- p.106 / Chapter ----- --- Formal structure / Chapter ----- --- Scale / Chapter ----- --- Quotation / Chapter ii) --- Score (with performance notes) --- p.111
|
3 |
A portfolio of music compositions.January 2004 (has links)
Symphony I -- Moments -- Three Chinese poems for mixed choir. / Tam Chin Fai. / Thesis (M.Mus.)--Chinese University of Hong Kong, 2004. / Includes bibliographical references (leaves 96). / Abstracts in English and Chinese. / Instrument List of SYMPHONY I --- p.iii / SYMPHONY I (2002-2003) --- p.1 / MOMENTS (2003) --- p.56 / THREE CHINESE POEMS for Mixed Choir (2004) / Chapter I. --- Chou Nu Er - Shu Bo Shan Dao Zhong Bi by Xin Qi-ji --- p.75 / Chapter II. --- Deng Le You Yuan by Li Shang-yin --- p.81 / Chapter III. --- You Zi Yin by Meng Jiao --- p.88 / Pronunciation and Translations of THREE CHINESE POEMS for Mixed Choir --- p.94 / Bibliography of the Translations of THREE CHINESE POEMS for Mixed Choir --- p.96
|
4 |
Inspired by the Hindu tradition: compositionsand reflectionsChan, Sze-rok., 陳詩諾. January 2006 (has links)
published_or_final_version / abstract / Humanities / Master / Master of Philosophy
|
5 |
Graduate recitalsMcKittrick, J. Cameron 11 1900 (has links)
The loss of personal meaning is explored by analogy through manipulation
of the relationship between musical content and its possible
interpretations. Recognized musical signals are used out of context.
Weightless signals are used in absolutely rigid and unified structures.
These approaches were brought to the stage before a
live audience in a
single recital on March 6, 1994.
|
6 |
Portfolio of original compositions.Grant, Quentin Stuart David January 2008 (has links)
This submission comprises a portfolio of fifteen original musical works and an exegesis that comments on five of these works. Recordings of twelve of the fifteen compositions are included. These pieces demonstrate an ongoing investigation into structure, and the discussion will provide an insight into the constant process of experimentation and consolidation involved in developing such a body of work. In the exegesis I open with a general conversation on the compositional process and then focus on the formal problems inherent in this process. I then discuss the five scores included in the main volume, looking at how each are formed, and comparing their formal characteristics. This involves an analysis of the musical materials and how such materials are treated through repetition and transformation. I will also look at the aesthetic and stylistic concerns and how they inform the formal architecture of each work. An appendix includes the scores of a further ten works, with a brief introductory commentary on each. / http://proxy.library.adelaide.edu.au/login?url= http://library.adelaide.edu.au/cgi-bin/Pwebrecon.cgi?BBID=1351235 / Thesis (Ph.D.) -- University of Adelaide, Elder Conservatorium of Music, 2008
|
7 |
Graduate recitalsMcKittrick, J. Cameron 11 1900 (has links)
The loss of personal meaning is explored by analogy through manipulation
of the relationship between musical content and its possible
interpretations. Recognized musical signals are used out of context.
Weightless signals are used in absolutely rigid and unified structures.
These approaches were brought to the stage before a
live audience in a
single recital on March 6, 1994. / Arts, Faculty of / Music, School of / Includes 1 sound cassette / Graduate
|
Page generated in 0.049 seconds