published_or_final_version / Chinese / Master / Master of Philosophy

published_or_final_version / Chinese / Master / Master of Arts

published_or_final_version / Chinese / Master / Master of Arts

published_or_final_version / Chinese / Master / Master of Arts

The production of dissimilar and contradictory literary discourses which originates in Latin America during the Conquest and Colonial periods has traced grave problems for literary criticism. Until the 1950's and 1960's, positivist historians and literary scholars tried to affix and evaluate this period of transatlantic transfer and acculturation without satisfactory results. The fundamental fact that had been slantedly presented by positivist historians and literary critics was the cultural shock produced by the invasion and colonization process. This cultural shock did not result in an ideal synthesis since the cultural foundations of indigenous societies were destroyed. The colonial regime incorporated advantageous aspects of the indigenous societies for its own growth and reorganized them in a disconcerting fashion for the colonized. One of the major changes to which the indigenous population was subjected was the implant of a new language. As one can clearly expect, the linguistic transference in itself produced a severe scission at the cultural level, not only from a literary perspective but from a political one as well. Semeiotically, one can propose that the sign of the new society is linguistic disjunction and that a consequence of this phenomenon is, in turn, social disjunction. The study, from an interdisciplinary perspective, analyzes the acculturation process through a close look at traditionally considered "social" oral poetic tradition and texts brought by the Spanish to America. The study of the "social" poetry in Spanish from the area today known as Peru demonstrates how these poetic discourses contribute to the acculturation process instead of fulfilling the denunciatory function of the socially oriented discourse. Ultimately, this study intends to divulge how through the use of oral and erudite European poetic tradition, the Spanish founded and established a dependent culture in the area we know as Peru and how this dependency permeates the poetry written in this area from the Sixteenth until the Twentieth century. In the Twentieth century, however, the study demonstrates through a close look at Antonio Cisneros' poetry how the contemporary Peruvian poet has taken conscience of dependency and "rewrites" Peruvian culture through truly social poetic discourse.

by Simon H.H. Wong. / Bibliography: leaves [128]-135 / Thesis (M.Ph.)--Chinese University of Hong Kong, 1983

手稿本. / Thesis (M.A.)--香港中文大學. / Shou gao ben. / Includes bibliographical references (p. 1-9 (2nd group)). / Thesis (M.A.)--Xianggang Zhong wen da xue. / Chapter 一、 --- 詩之起源 --- p.1 / Chapter 二、 --- 詩經之時代及其產生之背景 --- p.10 / Chapter 三、 --- 周公作詩定詩以為教化之工具 --- p.50 / Chapter 四、 --- 孔子編詩以為教化之工具 --- p.176 / Chapter 五、 --- 詩教之影響 --- p.199

手稿本. / Thesis (M.A.)--香港中文大學. / Shou gao ben. / Includes bibliographical references (leaves [29-40] (2nd group)). / Thesis (M.A.)--Xianggang Zhong wen da xue. / 前言 --- p.1 / Chapter 第一章 --- 就城王氏家世及渙洋詩學 --- p.3 / Chapter 第一節 --- 家世及生平小傳 --- p.3 / Chapter 第二節 --- 幼年聪穎 --- p.6 / Chapter 第三節 --- 兄長提携 --- p.8 / Chapter 第四節 --- 詩壇祭酒 --- p.15 / Chapter 第二章 --- 神韻说之遠源 --- p.21 / Chapter 第一節 --- 得於唐人詩選者 --- p.22 / Chapter 第二節 --- 詩品与道家之關係 --- p.29 / Chapter 第三節 --- 味外味之旨 --- p.36 / Chapter 第四節 --- 詩品与神韻说之關係 --- p.40 / Chapter 第五節 --- 白石道人诗说与神韵说之關係 --- p.44 / Chapter 第六節 --- 滄浪詩話語神韻说之關係 --- p.49 / Chapter 第三章 --- 神韻說之近因 --- p.73 / Chapter 第一節 --- 与明世格調派之關係 --- p.75 / Chapter 第二節 --- 錢牧□及擬古之論 --- p.90 / Chapter 第三節 --- 与宋元詩之關係 --- p.108 / Chapter 第四章 --- 神韻說之要諦 --- p.125 / Chapter 第一節 --- 神韻步与唐贤三昧步 --- p.126 / Chapter 第二節 --- 神韻一名之由來 --- p.131 / Chapter 第三節 --- 神韻说之實體 --- p.136 / Chapter 第四節 --- 诗境与画趣 --- p.163 / Chapter 第五節 --- 神韻说与王、孟诗派 --- p.174 / Chapter 第六節 --- 神韻与诗體 --- p.185 / Chapter 第五章 --- 神韻論之評说 --- p.199 / Chapter 第一節 --- 渙洋诗之批評 --- p.200 / Chapter 第二節 --- 趙秋谷與王渙洋 --- p.215 / Chapter 第三節 --- 各家評说 --- p.226 / 後語 --- p.248 / 注釋 / 書目

Thesis (M.A.)--香港中文大學. / Manuscript. / Includes bibliographical references (leaves 638-648). / Thesis (M.A.)--Xianggang Zhong wen da xue. / 敘論 / Chapter 第一篇 --- 緒論 --- p.1 / Chapter 第一章 --- 魏晉之際文風述略 --- p.1 / Chapter 第二章 --- 兩晉文學理論略說 --- p.18 / Chapter 第三章 --- 兩晉詩之淵源 --- p.48 / Chapter 第四章 --- 「晉世群才，稍入軽綺」說 --- p.57 / Chapter 第五章 --- 晉人之風尚與術藝　 --- p.69 / Chapter 第二篇 --- 西晉詩人 --- p.88 / Chapter 第一章 --- 張華 --- p.88 / Chapter 第一節 --- 傳略 --- p.88 / Chapter 第二節 --- 張公詩風略說´ؤ´ؤ「兒女情多，風雲氣少」辨 --- p.90 / Chapter 第三節 --- 茂先詩與道家之言 --- p.106 / Chapter 第四節 --- 張公之影響　 --- p.109 / Chapter 第二章 --- 傅玄　傅咸　 --- p.117 / Chapter 第一節 --- 傳略 --- p.117 / Chapter 第二節 --- 「楨幹之實才」說 --- p.119 / Chapter 第三節 --- 論二傅詩 --- p.124 / Chapter 第四節 --- 釋「繁富」 --- p.132 / Chapter 第三章 --- 張載　張協 --- p.140 / Chapter 第一節 --- 傳略 --- p.140 / Chapter 第二節 --- 論孟陽詩 --- p.143 / Chapter 第三節 --- 景陽詩風與巧構形似之言。 --- p.151 / Chapter 第四節 --- 雜詩十首簡釋　 --- p.166 / Chapter 第五節 --- 略論景陽之「音韻鏗鏘」 --- p.180 / Chapter 第四章 --- 陸機　陸雲 --- p.191 / Chapter 第一節 --- 傳略 --- p.191 / Chapter 第二節 --- 才大與情繁´ؤ´ؤ論士衡詩風 --- p.194 / Chapter 第三節 --- 擬古與樂府　 --- p.220 / Chapter 第四節 --- 士衡詩之「悲情」 --- p.232 / Chapter 第五節 --- 「陸機為太康之英」說 --- p.242 / Chapter 第六節 --- 士龍詩略論 --- p.251 / Chapter 第五章 --- 潘岳　潘尼 --- p.260 / Chapter 第一節 --- 傳略 --- p.260 / Chapter 第二節 --- 登城與悼亡´ؤ´ؤ論安仁之源流與章法　 --- p.262 / Chapter 第三節 --- 清綺與軽敏´ؤ´ؤ論安仁詩風 --- p.273 / Chapter 第四節 --- 「巧於序悲」論 --- p.278 / Chapter 第五節 --- 潘尼詩略論 --- p.301 / Chapter 第六章 --- 左思 --- p.305 / Chapter 第一節 --- 傳略 --- p.305 / Chapter 第二節 --- 詠史詩論 --- p.307 / Chapter 第三節 --- 論招隱與嬌女詩 --- p.326 / Chapter 第四節 --- 「野於陸機」辨´ؤ´ؤ兼論「左思風力」 --- p.342 / Chapter 第七章 --- 其他名家 --- p.359 / Chapter 第一節 --- 何劭 --- p.360 / Chapter 第二節 --- 石崇 --- p.364 / Chapter 第三節 --- 歐陽建 --- p.370 / Chapter 第四節 --- 曹攄 --- p.373 / Chapter 第五節 --- 子荊零兩之章 --- p.378 / Chapter 第六節 --- 正長朔風之句 --- p.382 / Chapter 第七節 --- 季鷹黃花之唱 --- p.385 / Chapter 第八節 --- 泰機寒女之製 --- p.389 / Chapter 第三篇 --- 東晉詩人 --- p.392 / Chapter 第一章 --- 劉琨　(附論盧諶) --- p.392 / Chapter 第一節 --- 傳略 --- p.392 / Chapter 第二節 --- 劉琨源出考略　 --- p.394 / Chapter 第三節 --- 悽戾之詞與清拔之氣 --- p.400 / Chapter 第四節 --- 盧諶詩略論 --- p.412 / Chapter 第二章 --- 郭璞 --- p.418 / Chapter 第一節 --- 傳略　 --- p.418 / Chapter 第二節 --- 游仙詩論 --- p.420 / Chapter 第三節 --- 論景純始會合道家之言與始變永嘉淡之體´ؤ´ؤ附論景純之「憲章潘岳」 --- p.442 / Chapter 第三章 --- 玄言詩 --- p.460 / Chapter 第一節 --- 「 因談餘氣，流成文體」說 --- p.460 / Chapter 第二節 --- 孫綽 --- p.475 / Chapter 第三節 --- 評詢 --- p.490 / Chapter 第四節 --- 蘭亭詩論 --- p.496 / Chapter 第四章 --- 佛理詩 --- p.510 / Chapter 第一節 --- 玄學與佛理之合流　 --- p.510 / Chapter 第二節 --- 支遁與諸道人 --- p.522 / Chapter 第五章 --- 其他名家 --- p.534 / Chapter 第一節 --- 曹毗　庾闡　 --- p.535 / Chapter 第二節 --- 袁宏詠史詩 --- p.545 / Chapter 第三節 --- 楊方合歡詩 --- p.558 / Chapter 第四節 --- 湛方生 --- p.564 / Chapter 第五節 --- 殷仲文之孤興　謝叔源之閑情 --- p.571 / Chapter 第四篇 --- 總論 --- p.585 / Chapter 第一章 --- 晉詩之修辭　 --- p.585 / Chapter 第二章 --- 晉詩之評價 --- p.616 / Chapter 第三章 --- 晉詩之影響 --- p.628 / 參考書目 --- p.638

published_or_final_version / Chinese / Doctoral / Doctor of Philosophy