Объектом исследования явилось счастье. Предметом исследования стала связь счастья с добродетелями и нравственными нормами-запретами (грехами). Магистерская диссертация состоит из введения, двух глав, заключения, списка литературы (56 источников) и приложения, включающего в себя бланки применявшихся методик. Объем магистерской диссертации 98 страниц, на которых размещены 5 рисунков и 18 таблиц. Во введении раскрывается актуальность проблемы исследования, разработанность проблематики, ставятся цель и задачи исследования, определяются объект и предмет исследования, формулируются основная и дополнительные гипотезы, указываются методы и эмпирическая база, а также этапы проведения исследования, научная новизна, теоретическая и практическая значимость работы. Первая глава включает в себя обзор иностранной и отечественной литературы по теме счастья, добродетелей и достоинств личности, а также греха как синонима нравственной нормы-запрета. Выводы по первой главе представляют собой итоги по изучению теоретического материала. Вторая глава посвящена эмпирической части исследования. В ней представлено описание организации и методов проведенного исследования и результатов, полученных по всем использованным методикам: Обновленный Оксфордский опросник счастья (Oxford Happiness Inventory), Опросник достоинств личности (ОД) Personal Virtues Questionnaire (PVQ), шкалы самооценки счастья, алчности, гнева, гордыни, похоти, зависти, уныния, чревоугодия. Также в главе представлен корреляционный и факторный анализ результатов исследования. Выводы по второй главе включают в себя основные результаты эмпирического исследования. В заключении в обобщенном виде изложены результаты теоретической и эмпирической частей работы, а также выводы по выдвинутым гипотезам, обоснована практическая значимость исследования и описаны возможные перспективы дальнейшей разработки данной проблематики. / The object of the study was happiness. The subject of the research was the connection between happiness and virtues and moral norms-prohibitions (sins). The master's thesis consists of an introduction, two chapters, a conclusion, a bibliography (56 sources) and an appendix, which includes the forms of the applied techniques. The volume of the master's thesis is 98 pages, which contain 5 figures and 17 tables. The introduction reveals the relevance of the research problem, the elaboration of the problem, sets the goal and objectives of the research, determines the object and subject of the research, formulates the main and additional hypotheses, indicates the methods and empirical base, as well as the stages of the research, scientific novelty, theoretical and practical significance of the work. The first chapter includes a review of foreign and domestic literature on the topic of happiness, virtues and dignity of the individual, as well as sin as a synonym for the moral norm-prohibition. Conclusions for the first chapter represent the results of the study of theoretical material. The second chapter is devoted to the empirical part of the study. It provides a description of the organization and methods of the study and the results obtained for all the methods used: the updated Oxford Happiness Inventory, the Personal Virtues Questionnaire (PVQ), self-assessment scales of happiness, greed, anger, pride, lust, envy, despondency, gluttony. The chapter also presents the correlation and factor analysis of the research results. The conclusions of the second chapter include the main findings of the empirical study. In the conclusion, in a generalized form, the results of the theoretical and empirical parts of the work, as well as conclusions on the hypotheses put forward, are presented, the practical significance of the study is substantiated and possible prospects for the further development of this problem are described.

This project explores the impact of a mobile website (MWS) designed to enhance knowledge and interest in local history among residents of Eberswalde as a sample for an Eastern German post-communist city. It aims to strengthen the sense of regional identity and attachment, potentially affecting their decision to remain in or leave the region. The MWS features digitised old postcards, new images, audio memories, short films, and text about historical locations preceding communism in East Germany. Building on previous research showing that interest and engagement in local history can raise, i.a., individuals 'place attachment', 'local identity', and 'regional pride', the research's theoretical frame joins Stefaniak et al.'s (2017), Twells et al.'s (2018) and Pearson and Plevyak's (2020) research outcomes. It groups them into six spheres of effects (SoEs) and reorders them into six individual personal growth dimensions (IPGDs). While the SoEs represent a researcher's bird's-eye view, the IPGDs aim to understand individuals from a frog's-eye viewpoint. The MWS was developed using WordPress with the Divi Editor. A local choir of approximately 35 members critically accompanied the development process, from naming the domain to creating and initial testing a prototype for a location page, which then served as a template for subsequent locations. Subsequently, the MWS was evaluated on-site by five participating local individuals who were not part of the initial testing by the choir members and had at least one family member who experienced the region under communist rule. They were observed during this process, and audio notes were taken. Approximately one to two weeks later, each participant was interviewed using a retrospective semi-structured interview exploring their experiences and any possible perceptual changes regarding their local history. The results show that despite the temporal and scope limitations of the project, the short engagement with local history via the MWS has enriched participants' attachment to the city. It shows further that the worth of local history in this process lies in that sites and monuments of local history are perceived as accomplishments of the local community. This perception fosters an emotional connection and a sense of pride in being part of the locality. In contrast, the presence of natural beauty, as exemplified by the surroundings of Eberswalde, elicits appreciation. Even though nature, not being a human achievement, is admired by participants, it does not evoke the same emotional expressions or pride in belonging to the location. Both are essential for establishing a lasting bond and participation in the city's public and social life.

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In this studyi apply a feminist-narratological grid to the works under discussion. I show how narration is used as strategy to highlight issues of concern to women, hereby attempting to make a contribution in the relatively new field of feminist narratology. Chapter One provides an analysis of Pride and Prejudice as an example of a feminist statement by Jane Austen. The use of omniscient narration and its ironic possibilities are offset against the central characters' perceptions, presented by means of free indirect style. Chapter Two examines The Tenant of Wildfell Hall as a critique of Wuthering Heights, both in its use of narrative frames and in its at times moralistic comment. The third and fourth chapters focus on Charlotte Bronte. Her ambivalences about the situation of women, be they writers, narrators or characters, are explored. These are seen to be revealed in her narrative strategies, particularly in her attainment of closure, or its lack. Chapter Five explores the increasing sophistication of the narrative techniques of Elizabeth Gaskell, whose early work Mary Barton is shown to have narrative inconsistencies as opposed to her more complex last novel Wives and Daughters. Finally, I conclude that while the authors under discussion use divergent methods, certain commonalities prevail. Among these are the presentation of alternatives women have within their constraining circumstances and the recognition of their moral accountability for the choices they make. / English Studies / D. Litt. et Phil. (English)

The key aim of this work is a method of patriotic education in our schools, mainly in the first grade of primary schools. The point of this work is to awaken patriotism in society again. In the first step we are informed about the important ideas that enable to develope the assumptions neccesary for the patriotic recognition and for an increase in patriotic feeling. The theory pays the attention to morality, influencing behaviour; for example, material and physical values and the aesthetic. It describes each historical term individually, from the beginning of national recovery during the first half of 19th century to the present days. It underlines the need to understand correctly the individual ideas and it points out the general chaos and risks of their interpretations in society. It recognises the important tasks that our society has to face to maintain the education of patriotism succesfully. The practical aspect contains the class discussions, interwiews and analysis of individual pupils, teachers, directors and it compares the level and quality of class debats with teacher`s attitude. The main thing was to find out the teachers' personal feeling about patriotism, his or her attitude towards its education and the way he or she communicates this during the lessons.

Prideparaden är kulmen för det som kallas Stockholms Pridefestival. Det är ett årligt evenemang och lockar många människor för att både delta och åskåda. Paraden är unik på så sätt att den har ett politiskt syfte som når ut genom glädje och festligheter. Syftet med denna studie har varit att undersöka och analysera hur Prideparaden har gestaltats i Svenska Dagbladets nyhetsrapportering mellan åren 1979-2018, men också hur diskursen haft en påverkan på gestaltningens förändring. Frågeställningarna behandlar vilka skillnader och likheter det finns gällande vilka ämnen som betonas och vilka aktörer som omtalas i artiklarna, samt vilken förändring vi kan se i rapporteringens gestaltning över tid rörande Prideparaden i relation till diskursen. Metoden som används är en kritisk diskursanalys, där totalt 14 artiklar analyseras. Urvalet är begränsat till artiklar som enbart rör paraden. Därefter görs en komparativ analys av resultatet. Studiens resultat visar att det finns skillnader i vilka ämnen som betonas samt vilka aktörer som får komma till tals. Gällande diskursens påverkan på framförallt rapporteringen besvaras detta genom en diskussion då det inte går att dra några generella slutsatser kring resultatet.

In this studyi apply a feminist-narratological grid to the works under discussion. I show how narration is used as strategy to highlight issues of concern to women, hereby attempting to make a contribution in the relatively new field of feminist narratology. Chapter One provides an analysis of Pride and Prejudice as an example of a feminist statement by Jane Austen. The use of omniscient narration and its ironic possibilities are offset against the central characters' perceptions, presented by means of free indirect style. Chapter Two examines The Tenant of Wildfell Hall as a critique of Wuthering Heights, both in its use of narrative frames and in its at times moralistic comment. The third and fourth chapters focus on Charlotte Bronte. Her ambivalences about the situation of women, be they writers, narrators or characters, are explored. These are seen to be revealed in her narrative strategies, particularly in her attainment of closure, or its lack. Chapter Five explores the increasing sophistication of the narrative techniques of Elizabeth Gaskell, whose early work Mary Barton is shown to have narrative inconsistencies as opposed to her more complex last novel Wives and Daughters. Finally, I conclude that while the authors under discussion use divergent methods, certain commonalities prevail. Among these are the presentation of alternatives women have within their constraining circumstances and the recognition of their moral accountability for the choices they make. / English Studies / D. Litt. et Phil. (English)

My thesis explores why beauty became so much more important in nineteenth-century Britain, especially for marriageable young women in the upper and middle class. My argument addresses the consequences of that change in the status of beauty for plain or ugly women, how this social shift is reflected in the novel, and how authors respond to the issue of plainer women and issues of their marriageability. I look at how these authorial attitudes shifted over the century, observing that the issue of plain women and their marriageability was dramatized by nineteenth-century authors, whose efforts to heighten the audience's awareness of the plight of plainer women can be traced by contrasting novels written early in the century with novels written mid-century. I argue that beauty gained more significance for young women in nineteenth-century England because the marriage ideal shifted, a shift which especially influenced the upper and middle class. The eighteenth century brought into marriage concepts such as Rousseau's "wife-farm principle" the idea that a man chooses a significantly younger child-bride, mentoring and molding her into the woman he needs. But by the end of the century the ideal of marriage moved to the companionate ideal, which opted for an equal partnership. That ideal was based on the conception that marriage was based on personal happiness hence should be founded on compatibility and love. The companionate ideal became more influential as individuality reigned among the Romantics. The new ideal of companionate marriage limited parents' influence on their children's choice of spouse to the extent that the choice lay now largely with young men. Yet that choice was constrained because young men and women were restricted by social conventions, their social interaction limited. Thus, according to my reading of nineteenth-century authors, the companionate ideal was a charade, as young men were not able to get to know women well enough to determine whether or not they were compatible. So instead of getting to know a young woman's character and her personality, they distinguished potential brides mainly on the basis of appearance.

Syftet med studien är att undersöka hur förändringar inom kriminalvården påverkar kriminalvårdares arbetsvillkor och förutsättningarna för det emotionella arbetet.  Därför har vi lagt fokus på kriminalvårdens arbete som präglats av de förändringar som skett, både på arbetstid och privat. Därför har vi gjort en tydlig avgränsning gällande just kriminalvårdare, för att det är de som utför emotionellt arbete.  Vi har använt oss av en kvalitativ studie där vi har intervjuat åtta kriminalvårdare. För att hitta de respondenterna har vi kombinerat ett bekvämlighetsurval med ett målstyrt urval. Vi har använt oss av ett emotionssociologiskt perspektiv där vi utgår ifrån Arlie Hochschilds teori om emotionellt arbete. Vi har också använt oss av Lean production, just in time för att förstå förändringarna i organisationen samt Thomas J. Scheffs teori om sociala band och känslorna skam och stolthet som påverkar det sociala samspelet.  Arbetet som kriminalvårdare är en emotionellt krävande uppgift. Förändringarna inom organisationen har lett till en mer pressad arbetsmiljö som har påverkat arbetsvillkoren. Kriminalvårdare uppmärksammar de långa och intensiva arbetsdagarna som leder till trötthet och utmattning. Det har även märkt av en högre arbetsbelastning på sig själva och deras kollegor som har resulterat till flera sjukskrivningar och uppsägningar. / The purpose of this studie is to investigate how changes in prison affect the prison guards' conditions and the conditions for the emotional labor. Therefore have we focused on the prison guards' work, which is characterized by changes that have taken place that affects both working hours and privately. Therefore have we made clear demarcation regarding just prison guards, because it is them who performs emotional labor. We have used a qualitative study where we have interviewed eight prison guards. To find the respondents, we have combined a convenience selection with a goal-oriented selection. We have used an emotional sociological perspective where we start from Arlie Hochschild's theory of emotional labor. We have also used Lean production, just in time to understand the changes in the organization and Thomas J. Scheff's theory of social ties and feelings of shame and pride that affects social interactions. Working in a prison as a prison guard is a difficult emotional request. The changes within the organization have led to a more pressured work environment that has affected working conditions. Prison guards pay attention to the long and intense working days that lead to fatigue and exhaustion. It has also been noticed by a higher workload on themselves and their colleagues which has led to more sick leave and dismissals.

Theatre for social change is a term used to describe a wide range of theatre-based techniques and methods. Through implementation of performance techniques, participants are encouraged to creatively explore and communicate various ideas with the specific intention of eliciting a societal or political shift within a given community. Through this thesis, I will explore the impact of applying theatre for social change in a youth-centered environment. I will discuss my journey as creator, facilitator, and project director of interACTionZ, a queer youth theatre program in Orlando, FL formed through a partnership between Theatre UCF at the University of Central Florida and the Zebra Coalition®. I will give specific focus throughout this project to Lesbian, Gay, Bisexual, Transgender, Queer (LGBTQ+) youth and straight advocates for the LGBTQ+ community.