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1	Bejahungen : zur Rhetorik des Rühmens bei Rainer Maria Rilke / Ammelburger, Gerhard. January 1995 (has links) Diss.--Literaturwissenschaft--Tübingen Universität, 1994. / Bibliogr. p. 148-152.
2	Rilke's craftsmanship an analysis of his poetic style. Belmore, H. W. January 1954 (has links) "Originally a thesis submitted to the University of London for the degree of M.A.; it has been considerably revised for publication." / Includes bibliographical references.
3	Rilke's craftsmanship an analysis of his poetic style. Belmore, H. W. January 1954 (has links) "Originally a thesis submitted to the University of London for the degree of M.A.; it has been considerably revised for publication." / Includes bibliographical references.
4	Dichtung als Erfahrungsmetaphysik : esoterische und okkultistische Modernität bei R.M. Rilke / Magnússon, Gísli. January 2009 (has links) Zugl.: Roskilde, Univ., Habil.-Schr., 2008.
5	Optic and acoustic elements in the poetic works of Rainer Maria Rilke Brewster, Robert Riggs. January 1949 (has links) Thesis (Ph. D.)--University of Wisconsin--Madison, 1949. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves [196]-197).
6	Untersuchungen zu Rainer Maria Rilkes "Aufzeichnungen des Malte Laurids Brigge" Studien zu den Quellen und zur Textüberlieferung / Witzleben, Brigitte von. January 1996 (has links) Thesis (doctoral)--Universität Vaasa, 1996. / Thesis t.p. laid in. Includes bibliographical references (p. 256-293) and indexes.
7	The four poetic cycles of Rainer Maria Rilke in English translation with a critical discussion of Rilke's Marienleben Tracy, Gordon L., January 1955 (has links) Thesis (Ph. D.)--University of Wisconsin--Madison, 1955. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves [244]-251).
8	Deus absconditus gnosticism, the secularization process, and philosophical modernity in the works of Rainer Maria Rilke / Eidt, Jacob Ivan, Gustafsson, Lars, Belgum, Kirsten, January 2004 (has links) (PDF) Thesis (Ph. D.)--University of Texas at Austin, 2004. / Supervisors: Lars Gustafsson and Kirsten Belgum. Vita. Includes bibliographical references.
9	Rainer Maria Rilkes Musik der Kräfte (Rainer Maria Rilke's Music of the Forces) Moore, Lilly E. 01 January 1974 (has links) Most of Rainer Maria Rilke’s works leave a deep musical impression on the reader’s mind. This impression stems first of all from the beauty of the tone and the rhythm of Rilke’s poetical language and from the occurrence of many words that can be associated with music. In addition to this, his creative work was influenced considerably by his own experiences with a variety of musical sounds and by the many thoughts in which he tried to deal with the deeper meaning and function of music. This thesis attempts to analyze Rilke’s relationship to music within the framework of his artistic development. I will try to show that Rilke, in spite of his skepticism about his own musical abilities, must have had at least an average talent for this art. Undoubtedly, he would therefore have been able to learn how to sing or to play a musical instrument, had he not been discouraged from doing so at too early an age and had his talents not been channeled so early into writing poetry. German Language and Literature
10	Rainer Maria Rilke Urbild and Verzicht / Bridgham, Frederick George Thomas, January 1975 (has links) Thesis--Cambridge, 1975. / Bibliography: p. 235-239.

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