Global ETD Search

11	Klappa händerna när du är riktigt glad? : Applåden som ritual under den klassiska konserten. / If you’re happy and you know it clap your hands? : Applause as ritual during the classical concert. Ankarloo, Oskar January 2020 (has links) Uppsatsens syfte är att bidra till en djupare förståelse för hur applåden fungerar som en ritual under den klassiska konserten samt hur praxis kring den traderas, då den klassiska konsertens ritualer och normer kan kännas underliga och avskräckande för den som aldrig närvarat vid en sådan. Med en kvalitativ intervjumetod har två informanter frågats om deras upplevelser och tankar kring applåder och den klassiska konserten. Det empiriska material som skapats används som grund för en analys med hjälp av Bourdieus sociologiska begrepp fält, habitus och kapital, Ronald L. Grimes tankar kring det rituella fältet, samt övergripande ritualteori för att bidra med en djupare förståelse kring applåden i samband med den klassiska konserten. Applåden som ritual skapar social mening, signalerar uppskattning för det som publiken upplevt och bildar även en känsla av grupptillhörighet och solidaritet. Applåden upplevs vara viktig för att de som deltagit under konserten ska få utlopp för sina känslor och kommunicera detta mellan publik och musiker, och även sinsemellan den sittande publiken, särskilt i en miljö som kan upplevas som disciplinerad och stram. Traderingen av applådens praxis sker delvis genom misstag då en individ prövar sig fram i konsertupplevelsen, samt genom observation av erfarna i publiken. Presentatörer och andra nyckelpersoner kan bidra med en förklaring av en konsert innan den börjar för att underlätta för deltagarna, och det rika material som finns på olika konserthus hemsidor bidrar med en chans att låta den nyfikna förbereda sig innan den tar klivet in i en ny miljö. Även om det kan applåderas fel under en konsert så kan detta under vissa förutsättningar leda till en delad positiv upplevelse som på sikt kan leda till en lättad syn på applåden under den klassiska konserten. Applause classical music concert ritual theory hand down field habitus cultural capital Bourdieu Applåd klassisk musik konsert ritualteori tradering fält habitus kulturellt kapital Bourdieu Musicology Musikvetenskap
12	Playing with Gods : From religious iconography to religion as a language in the context ofgame design Etholén, Mikael, Hopstaken, Pim, Nyström, Nathanael, Orlowski, Jakub, Phan, Emely January 2024 (has links) Religion is a broad topic and serves as a great foundation for narratives in severallarge game titles. In this study we investigate how to create game assets with a religiousconnotation to build the feeling of an existing religion within the game. Using our previousproject, Martyr of Carnage (Studio F15, 2024), as a foundation, our goal is to have playersperceive a religion without a clear association to any real-world belief systems. To achievethis, we mainly investigated semiology, ritual theory, diegetic sound, and symbolism andiconography. During the iterative design process of our three prototypes, each tested by acontrol and randomised group of play testers, we focussed on asset creation, visual andauditory communication, and narratively valuable mechanics, while staying within theboundaries of non-verbal communication. We conducted surveys and interviews incombination with playtesting for data gathering. As a result, we found the importance ofconsidering immersion, contextualization and white space when attempting a study of thiskind. Game Design Religion Ritual theory Iconography Semiology Diegetic Audio Arts Konst Philosophy, Ethics and Religion Filosofi, etik och religion Other Humanities Annan humaniora
13	Omýt ústa bubnu / Washing the mouth of a kettledrum Koubková, Evelyne January 2016 (has links) The purpose of the present thesis is to analyse a particular ritual treatment, the so-called mouth- washing, appearing in diverse rituals of ancient Mesopotamia and its implications for the status of the ritual object treated in this way. Instead of generalizing the function of this element as known from the eponymous Mouth washing ritual for induction of cult images, this thesis considers its employment in all its attested occurrences. The author assumes a strongly metaphorical character of mouth-washing and analyses the concept of purity underlying it. Its shifting significance in different rituals is observed and a typology of these is outlined. A following case study is devoted to the Ritual for covering a kettledrum. A close examination of the sources reveals a possible development of the tradition as well as the ritual's interconnectedness with the Mouth washing ritual. This relation is treated as a case of interrituality, a concept introduced by Burkhard Gladigow. The divine status of the kettledrum is achieved through the ritual for its covering which intentionally employs elements used in the ritual induction of cult images. A special emphasis laid on the kettledrum's status in Seleucid Uruk corresponds with wider socio-historical changes. Methodologically, the offered interpretation rests...
14	Vigselgudstjänstens teologi i praktiken : Fallstudier av vigselgudstjänster i Svenska kyrkan utifrån liturgisk teologi, performanceteori och ritteori / Wedding Service Theology in Practice : Case Studies of Wedding Services in the Church of Sweden from the perspective of Liturgical Theology, Performance Theory and Ritual Theory Ingrid, Dahlström January 2021 (has links) In this essay I have studied wedding services in the Church of Sweden, as they are actually performed. I do this from a liturgical-theological perspective, a performance- perspective and from the perspective of ritual studies. According to the performance- perspective the wedding service can be seen as consisting of different scripts, for example, the normative script of the handbook, the script of the wedding-couple and the script of the minister. The main question is: What is constructed when these three scripts meet in a wedding service? I first study each script. I give an account for the script of the handbook and analyse it by placing it in a historical, liturgical and theological context. The script of the wedding couple and the minister I uncover by participant observations of three wedding services and interviews with the couples and ministers acting in these services. Thereafter I analyse the scripts of the couples and the minsters looking at themes that appear to be important in these scripts and in the handbook. Such themes are the wedding service as a service of blessing, the legal aspect of the service, the construction of family through marriage, love, the service as a ritual, the setting of the wedding, the role of the minister, the importance of participation and the role of the music. I conclude that the three scripts are indeed three very different scripts, but when they are juxtaposed a new meaning is constructed. This can occur even if the script are not correlating or even to some extent collides. One important factor for meaning to be constructed is the ritualization, acts that make the service a ritual. This seems to be more important than the fact that the scripts correlate. Another important factor for meaning to be constructed is that the scripts actually meet, that they actually are juxtaposed together. For this to happen the minister has to clarify his/her own script and be responsive to the couple’s script. Then the minister can relate their script to blessing, prayer and scripture. Normatively, I conclude that the wedding service becomes a meaningful wedding service when the couple’s scripts are related to the greater, transcendent Script Practical theology liturgical studies wedding service Church of Sweden liturgical theology performance theory ritual theory Alexander Schmemann Aidan Kavanagh Gordon Lathrop Richard Schechner Catherine Bell Praktisk teologi liturgivetenskap vigselgudstjänst Svenska kyrkan liturgisk teologi performanceteori ritteori Alexander Schmemann Aidan Kavanagh Gordon Lathrop Richard Schechner Catherine Bell Religious Studies Religionsvetenskap
15	Ring Out Your Dead : Distribution, form, and function of iron amulets in the late Iron Age grave fields of Lovö Mattsson McGinnis, Meghan January 2016 (has links) The purpose of this study is to analyze the distribution, forms, and function(s) of iron amulets deposited in the late Iron Age gravefields of Lovö, with the goal of ascertaining how (and so far as possible why) these objects were utilized in rituals carried out during and after burials. Particular emphasis is given to re-interpreting the largest group of iron amulets, the iron amulet rings, in a more relational and practice-focused way than has heretofore been attempted. By framing burial analyses, questions of typology, and evidence of ritualized actions in comparison with what is known of other cult sites in Mälardalen specifically– and theorized about the cognitive landscape(s) of late Iron Age Scandinavia generally– a picture of iron amulets as inscribed objects made to act as catalytic, protective, and mediating agents is brought to light. archaeology Iron Age Late Iron Age Viking Age Viking Studies Vendel period practice theory cognitive archaeology grave goods New Materialism neo-materialism Thor's hammer rings burial analysis post-structuralism Early Medieval medieval studies Scandinavian archaeology Scandinavia Sweden Swedish archaeology Mälardalen cultural history ritual theory ritual rituals studies burial rituals ritualization deviant burial history of religions Old Norse religion Viking Age religion cult places material culture rites of passage amulets magic ancient magic medieval magic pratice praxis

Page generated in 0.0404 seconds