The purpose of this study is to understand the experience of being a father first hand, as well as to understand how society creates expectations that influcenc their fatherhood. Fathers have expectations on how they should be in order to be a good father which, amongst other things, involves participation, gratulations and a good relationship to their child. Many times the mother is in the focus as it for many people comes most naturally to have it so. This does not always correspond well with the father’s wishes and can be cause for alienation. Fathers are today very keen to shape how they take on the role as a father and are by redrawing the boundries of fatherhood also reshaping much of masculinity and what it is to be a father. This study was made with five qualitive semi-structured interviews in Skövde, Sweden, with fathers who had a partner and had one or two children under five years of age. A thematic analysis method was used for the interviews which revealed two main themes: ”Participating fathers” and ”Fatherhood - a secondary parent”. The results showed that fathers wants to be a part of the family, not just to have one. It also showed that partners and society’s expectations effects father’s ability to create their own version of fatherhood. The study shows that even if fathers are willing to change the traditional role of fatherhood, they are not capable to do so because the role of notions of masculinity, in relation to fatherhood, is very entrenched in the norm of being a father from society. The conclusion is that there needs to be more open informational discussions with fathers and meeting groups for fathers to share their experience. Aslo, a wider understanding of the impact from the couple relationships and society regarding how fathers percieve themselves as individuals is needed.

<p>This essay describes how theatre can be a tool in social work. The essay evaluates the Swed-ish KRAFT-project, a course for unemployed people with the goal to make them grow as in-dividuals by using drama exercises and performing a theatre play in front of an audience. The essay is a quantitative secondary study of the questionnaire used in the KRAFT-project. Through analysing the questionnaire the participants answered this essay tries to explain the results from a social psychological perspective. The essay also discusses how the participants’ self-concept and self-esteem could have been affected by the KRAFT-project. The discussion generates several new hypothesis concerning this issue. The results of this study can not be generalised to other projects using theatre or drama as a tool for personal development but it describes an example of how it can be used as a method in social work.</p>

This essay describes how theatre can be a tool in social work. The essay evaluates the Swed-ish KRAFT-project, a course for unemployed people with the goal to make them grow as in-dividuals by using drama exercises and performing a theatre play in front of an audience. The essay is a quantitative secondary study of the questionnaire used in the KRAFT-project. Through analysing the questionnaire the participants answered this essay tries to explain the results from a social psychological perspective. The essay also discusses how the participants’ self-concept and self-esteem could have been affected by the KRAFT-project. The discussion generates several new hypothesis concerning this issue. The results of this study can not be generalised to other projects using theatre or drama as a tool for personal development but it describes an example of how it can be used as a method in social work.