Global ETD Search

1	Formal models of prolongation / Yust, Jason D. January 2006 (has links) Thesis (Ph. D.)--University of Washington, 2006. / Vita. Includes bibliographical references (p. 258-261). Music theory. Schenkerian analysis.
2	The performance of Chopin's first movement of piano sonata in B minor, op. 58: a schenkerian approach. January 1995 (has links) by Fung Wai Man Eric. / Thesis (M.Phil.)--Chinese University of Hong Kong, 1995. / Includes bibliographical references (leaves 114-119). / Chapter 1 --- INTRODUCTION --- p.1 / Chapter 2 --- SCHENKER'S VIEWS ON PERFORMANCE --- p.9 / Chapter 3 --- SCHENKERIAN ANALYSIS APPLIED TO PERFORMANCE --- p.32 / Chapter 4 --- THE FIRST MOVEMENT OF CHOPIN'S B MINOR SONATA --- p.70 / CONCLUSION --- p.109 / BIBLIOGRAPHY --- p.114 / APPENDIXES --- p.120 Chopin, Frédéric , 1810-1849 Schenkerian analysis
3	The cultural context of the theories of Heinrich Schenker. Whittle, Barbara. January 1993 (has links) Thesis (Ph. D.)--Open University. BLDSC no. DX180682.
4	The aesthetics of minimalist music and a Schenkerian-oriented analysis of the first movement "Opening" of Philip Glass' Glassworks Wu, Chia-Ying, January 2009 (has links) System requirements: Adobe Acrobat Reader. Includes bibliographical references (p. 47-53).
5	Tonal unity and quality of motion : a Schenkerian study / Lehmann, Kennett. January 1998 (has links) Thesis (Ph.D.)--University of Washington, 1998. / Vita. Includes bibliographic references (leaves [144]-146).
6	Rhythm and the theory of structural levels Rothstein, William Nathan. January 1900 (has links) Thesis (Ph.D.)--Yale University, 1981. / Bibliography: leaves 278-280.
7	Jacques Ibert: an Analytical Study of Three Movements From Histoires Waldroup, William Allan 08 1900 (has links) Although many biographical studies are available on Jacques Ibert, few contain significant analytical commentary. In this study I examine three movements from Ibert’s Histoires for piano which was composed between 1920 and 1921 and was premiered in 1923. The three movements are “La menuese de tortues d’or,” “Le petit âne blanc,” and “La marchande d’eau fraîche.” I primarily use Schenkerian analysis to identify characteristics of Ibert’s compositional language. Significant aspects of impressionism and Debussian influence are also identified as related elements to my analysis. Many expected elements of Schenkerian theory are absent in Histoires. The conclusions of this study are consistent with those of other analysts who apply Schenkerian methodology to impressionist music such as Richard Parks, Adele Katz, Felix Salzer, and Edward Laufer. Jacques Ibert Schenkerian analysis Impressionism Histoires
8	Incomplete Ursatzformen transferences in the vocal music of Heinrich Schenker Ayotte, Benjamin McKay. January 2008 (has links) Thesis (Ph.D.)--Michigan State University. Music Theory, College of Music, 2008. / Title from PDF t.p. (viewed on March 30, 2009) Includes bibliographical references (p. 155-158). Also issued in print.
9	Organicism, motivic parallelism, and performance in Beethoven's piano sonata op. 2 no. 3 : a thesis submitted to the New Zealand School of Music in fulfilment of the requirements for the degree of Master of Music in Musicology / Robb, Hamish James Alexander. January 2008 (has links) Thesis (M.Mus.)--New Zealand School of Music, 2008. / Includes bibliographical references.
10	A system for the generation of tonal music based on transformations / Myers, Karl J. January 1988 (has links) Thesis (M.S.)--Rochester Institute of Technology, 1988. / Typescript. Includes bibliographical references (leaves 49-50).

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