Thesis (M. Tech.) - Central University of Technology, Free State, 2007

Thesis (PhD)--Stellenbosch University, 2013. / ENGLISH ABSTRACT: The following study examines whether there are contending interpretations of the rule of law present within the South African democracy. The study proposes that the rule of law forms part of the societal understanding of democracy and everyday life. Rule of law is defined in terms of mental models which influence how stakeholders conceive and define institutions. Rule of law is more than a mere institutional guarantee or set of rules — rule of law is understood as a component of a specific culture of understanding. It is shown that conceptions of rule of law have a long history in western society and have been influenced by both liberal and social ideals. Contemporary conceptions of the rule of law are tightly bound with specific notions of liberal democracy. It is hypothesised that there are distinctly identifiable opinions, beliefs and views of the rule of law present in South African democracy, and that these can be systematically described at the hand of a conceptual typology. The conceptual typology developed, identifies two contending interpretations of the rule of law, namely liberal and social rule of law. Liberal rule of law emphasises the status of the individual, moral plurality and the creation and maintenance of a rule-based society of the future. In contrast, social rule of law places emphasis on the status of the community, a single communally defined conception of the moral good and places greater emphasis on righting past injustices. Other publications that address the themes of democracy and the rule of law in South Africa are also examined in order to determine whether there is congruence between the conceptual typology developed in this study and other works. It is found that the conceptual typology is congruent with other works that depict the African National Congress’s conception of democracy, equality and liberty. These congruencies validate and strengthen the conceptual typology developed in this study. The conceptual typology is subsequently applied to a specific court case, the AfriForum v Malema hate speech case. The conceptual typology is found to be sufficiently accurate in analysing contending beliefs associated with the rule of law as expressed in this court case and identifies the African National Congress’s conception of the rule of law as falling under the social rule of law and AfriForum’s conception as aligning to the liberal rule of law. It is concluded that the conceptual typology can be empirically validated at the hand of the selected case. The conceptual typology is therefore validated with other works (conceptually) and with a specific case (empirically). It is concluded that the conceptual typology provides a clear, robust, concise and comprehensive analytical description of values and beliefs associated with the rule of law in South Africa. / AFRIKAANSE OPSOMMING: Hierdie studie ondersoek of daar uiteenlopende en teenstrydige interpretasies oor die oppergesag van die reg teenwoordig is binne die Suid Afrikaanse demokrasie. Die studie stel voor dat die oppergesag van die reg deel uitmaak van die wyse waarop alledaagse samelewingsinteraskies, asook demokrasie, verstaan word. Die oppergesag van die reg word gedefinieer in terme van kognitiewe modelle, wat die belanghebbende partye se konsepsie van hierdie instelling beïnvloed. Die oppergesag van die reg word dus as element van spesifieke kulturele begrip vertolk en meer as institusionele element, wat die behoud van reëls waarborg, beskou. Dit word gewys dat konsepsies van die oppergesag van die reg lang geskiedenis in westerse samelewing het en dat dit deur liberale en sosiale ideale beïnvloed is. Kontemporêre konsepsies van die oppergesag van die reg het noue bande met die liberale demokrasie. Die hipotese is dat daar afsonderlik identifiseerbare opinies, oortuigings en sieninge van die oppergesag van die reg teenwoordig is in die Suid Afrikaanse demokrasie, en dat hierdie opinies sistematies aan die hand van konseptuele tipologie beskryf kan word. Die konseptuele tipologie wat ontwikkel word in hierdie studie identifiseer twee konsepsies van die oppergesag van die reg, naamlik die liberale- en die sosiale oppergesag van die reg. Liberale oppergesag van die reg plaas klem op die status van die individu, morele pluraliteit en die skep en handhawing van reëlsgebaseerde toekomsgerigte samelewing. Hierteenoor word die sosiale oppergesag van die reg gekontrasteer wat klem plaas op die status van gemeenskap of groep, enkele kommunale gedefinieerde konsepsie van die morele doelwit voortsit terwyl die klem geplaas word op die regstelling van ongeregtighede van die verlede. Ander publikasies wat die temas van demokrasie en oppergesag van die reg in Suid Afrika aanspreek, word ook bestudeer om sodoende ooreenkomste tussen die konseptuele tipologie wat hier ontwikkel word, en die bestaande literatuur vas te stel. Daar word gevind dat die konseptuele tipologie wel ooreenkomste met ander werke, wat die African National Congress se konsepsies van demokrasie, gelykheid en vryheid bestudeer, vind. Die ooreenkomste valideer en versterk die konseptuele tipologie. Die konseptuele tipologie word ook toegepas op spesifieke hofsaak, naamlik die AfriForum v Malema haatspraaksaak. Daar word gevind dat die konseptuele tipologie wel akkurate analise van teenstrydige opinies, wat geassosieer word met die oppergesag van die reg, moontlik maak. Die African National Congress se konsepsie word in die kategorie van die sosiale oppergesag van die reg geplaas terwyl AfriForum se siening in die kategorie van die liberale oppergesag van die reg geplaas word. Dit word bevind dat die konseptuele tipologie voldoen aan empiriese validasie aan die hand van geselekteerde saak. Die konseptuele tipologie word daarvolgens gevalideer met ander werke (konseptueel), asook met spesifieke gevallestudie (empiries). Daar word tot die gevolgtrekking gekom dat die konseptuele tipologie duidelike, robuuste, bondige en omvattende analitiese beskrywing van die waardes en oortuigings, wat geassosieer word met die oppergesag van reg in Suid Afrika, beskryf.

Compilation of two papers, the first of which was accepted for publication in the South African Journal of Philosophy in the second half of 2001. / Why metaphors have no meaning : considering metaphoric meaning in Davidson. -- Bare idea of a conceptual scheme : relativism, intercultural communication and Davidson. / Thesis (MA)--Stellenbosch University, 2000. / ENGLISH ABSTRACT: WHY METAPHORS HAVE NO MEANING: CONSIDERING METAPHORIC MEANING IN DAVIDSON Since the publication of Donald Davidson's essay 'What Metaphors Mean' (1984c) - in which he famously asserts that metaphor has no meaning - the views expressed in it have mostly met with criticism: prominently from Mary Hesse and Max Black. This article attempts to explain Davidson's surprise-move regarding metaphor by relating it to elements in the rest of his work in semantics, such as the principle of compositionality, radical interpretation and the principle of charity. I conclude that Davidson's views on metaphor are not only consistent with his semantic theory generally, but that his semantics also depend on these insights. Eventually, the debate regarding Davidson's views on metaphor should be conducted on the level of his views on the nature of semantics, the relationship between language and the world and the possibility of there existing something like conceptual schemes. / ENGLISH ABSTRACT: THE BARE IDEA OF A CONCEPTUAL SCHEME: RELATIVISM, INTERCULTURAL COMMUNICATION AND DAVIDSON Donald Davidson's paper 'On the Very Idea of a Conceptual Scheme' ('OVICS') has become famous for the refutation accomplished in it of conceptual relativism. Via an argument that, essentially, all languages are intertranslatable, Davidson rejects the notion that different conceptual schemes can inhere in the supposed 'un-translatable' languages said to exist by, for instance, Whorf and Kuhn. Critics of Davidson's position have mainly focussed on practical issues, with many holding that his arguments in 'OVICS' ignore the realities of the real intercultural communication situation. In the present paper, I address criticisms of this sort. Davidson's arguments are reconstructed, with attention being paid to their dependence on the idea of practical application in the real intercommunication situation. With the aid of practical examples, the implications of elements of Davidson's philsophy of interpretation for intercultural communication are evaluated. Finally, radical interpretation is presented as a better model for intercultural dialogue than linguistically relativist ones. / AFRIKAANSE OPSOMMING: WHY METAPHORS HAVE NO MEANING: CONSIDERING METAPHORIC MEANING IN DAVIDSON Sedert die publikasie van Donald Davidson se opstel 'What Metaphors Mean' (1984c) - waarin hy die berugte stelling maak dat metafoor geen betekenis het nie - is sy sieninge meestal begroet met kritiek, ook van prominente figure soos Mary Hesse en Max Black. Hierdie artikel poog om 'n verduideliking te vind vir Davidson se verassende skuif aangaande metafoor, deur sy sieninge hieroor te kontekstualiseer teen die agtergrond van elemente uit die res van sy werk in semantiek, soos die beginsel van komposisionaliteit, radikale interpretasie en die beginsel van rasionele akkomodasie ('charity'). Ek kom tot die gevolgtrekking dat Davidson se sieninge aangaande metafoor nie slegs naatloos aansluit by sy algemene sieninge aangaande semantiek nie, maar dat die res van sy semantiese teorie ook afhang van sy sieninge aangaande metafoor. Uiteindelik behoort die debat rakende Davidson se sieninge aangaande metafoor gevoer te word op die vlak van die aard van semantiek, die verhouding tussen taal en die werklikheid en die moontlike bestaan van konseptueie skemas. / AFRIKAANSE OPSOMMING: THE BARE IDEA OF A CONCEPTUAL SCHEME: RELATIVISM, INTERCULTURAL COMMUNICATION AND DAVIDSON Donald Davidson se artikel 'On the Very Idea of a Conceptual Scheme' het beroemdheid verwerf as teenargument vir die idee van konseptuele relativisme. By wyse van 'n argument dat alle tale in beginsel vertaalbaar is, verwerp Davidson die idee dat verskillende konseptueie skemas kan skuilgaan in die veronderstelde 'onvertaalbare' tale waarvan daar sprake is by byvoorbeeld Whorf en Kuhn. Kritici van Davidson se posisie beperk hul hoofsaaklik tot praktiese besware en 'n vername aanklag teen Davidson is dat hy die realiteite misken van werklike interkulturele gesprek. In hierdie artikel spreek ek sodanige kritiek aan. Ek herkonstrueer Davidson se argumente en voer aan dat dit deurgaans afhanklik is van die idee van toepassing in 'n praktiese situasie van interkulturele dialoog. By wyse van praktiese voorbeelde evalueer ek die implikasies van Davidson se filosofie van interpretasie vir interkulturele kommunikasie. Laastens bied ek radikale interpretasie aan as 'n beter model vir interkulturele dialoog as linguisties relativistiese modelle.

Thesis (MPhil (Afruikaans and Dutch))—University of Stellenbosch, 2006. / This descriptive case study is based on the translation of the first part of Alexander McCall Smith’s book, The No.1 Ladies’ Detective Agency, into Afrikaans. Examples of the type of translational problems that this translator experienced, as well as the strategies that were implemented to solve these problems, are discussed in an accompanying annotation. In this way the translator has attempted to explain her thought and decision-making processes during the translation process. Various concepts from translation studies theory, including foreignization and domestication, are discussed with reference to the practical translation, and support the solutions suggested for translational problems. This translator mainly used a foreignizing approach, although some degree of domestication was inevitable at times in order to avoid the alienation of target readers from the target text. The required characteristics of the target text and the knowledge and cultural background of the target readers are therefore also discussed, as both these factors played a defining role during the translation process. The need for Afrikaans literature between the so-called “high literature” and light romantic fiction is discussed, as this contributed to the choice of source text: according to this translator the translation of The No.1 Ladies’ Detective Agency into Afrikaans will be able to help fill this gap. Although this translator understands that financial restrictions play a large role in publishers’ reluctance to publish translations, the statement is made that they should not accept without further ado that an Afrikaans translation will result in a financial loss if no research has been done into the possibilities of that specific translation. Recommendations regarding market research are made and the possibility of future study is indicated.

Thesis (MPhil) -- Stellenbosch University, 2012. / The purpose of this study was to investigate the interpreting services in the Parliament of South Africa (POSA). The impetus to embark on such an investigation arose after Members of Parliament claimed that the interpreting service in the Parliament of South Africa (POSA) is poor. In seeking to determine why Members of Parliament made such claims, I therefore investigated the interpreting service rendered by staff of Parliament’s Interpreting Unit. Consequently, an investigation to whether the simultaneous interpreters currently employed by Parliament of South Africa possess the amalgam of skills attributes and qualifications necessary for them to render an interpreting service of good quality. Questionnaires were distributed to Members of Parliament and to interpreters, interviews were conducted with Control Language Practitioners (CLPs), observation of recruitment panels for interpreters also followed, and interpreters were recorded during the sitting of Parliament House in an attempt to check whether interpreters do deliver an interpreting service that is up to standard. The results of this study show that Members of Parliament have a valid claim as 65% of the sample of interpreters had joined Parliament without interpreting skills and had, to date, never been sent for interpreting training and most interpreters are demoralised by the working conditions of the Language Services Section at the Parliament of South Africa.

Thesis (MPhil)--Stellenbosch University, 2012. / ENGLISH ABSTRACT: In this descriptive study, the rewriting of translated politically coloured texts on News24.com is investigated. Afrikaans articles, which were originally published in Die Burger, Beeld and Volksblad, are selected and then translated for the English target text reader. This reader does not necessarily differ from the source text reader in terms of geography and culture, but in terms of his or her past and the emotional baggage, such as the era of apartheid and the guilt that the white Afrikaans person has to carry. While it is claimed that the articles from the above-mentioned dailies are merely translated paragraph for paragraph for the purpose of being published online on News24, a lot more happens to the text. The texts are edited, rewritten, reshaped and repackaged to be presented in a new context. The target text is studied to establish whether it is rewritten with an ideological purpose in mind and what adaptations are made to achieve an ideological influence. Lexical and other linguistic means are used to reframe a text and present it differently in the target text. The way in which a post apartheid South Africa is being presented in the English texts (as opposed to the Afrikaans print version) is the focus of the study. The hypothesis is that the News24 rewriter’s purpose is to send an adapted ideological message with the text. These conclusions are being drawn based on narrative theory and the concepts of frames. This theory as well as other relevant theories form a framework according to which one can study and compare the texts and the rewriting of the source texts. While the literal changes made for practical reasons such as readability are broadly discussed, the focus is on the ideological implications these lexical and other linguistic adaptations cause. Conclusions are then made according to the skopos of News24 with the rewriting of the texts, namely to represent the image of a post apartheid South Africa more negatively than it is represented in the source text. / AFRIKAANSE OPSOMMING: In hierdie beskrywende studie word die herskrywing van vertaalde polities gekleurde berigte wat op News24.com verskyn, ondersoek. Afrikaanse berigte wat oorspronklik gepubliseer is in Die Burger, Beeld en Volksblad, word gekies en dan vertaal vir die Engelse doelteksleser. Hierdie leser verskil nie noodwendig van die bronteksleser ten opsigte van geografie en kultuur nie, maar wel ten opsigte van sy of haar verlede en emosionele bagasie, soos die apartheidsera en die skuld wat die wit Afrikaanssprekende dra. Hoewel daar beweer word dat berigte uit die bogenoemde dagblaaie bloot paragraaf per paragraaf vir News24 vertaal word, gebeur daar heelwat meer met die teks. Die tekste word redigeer, herskryf, hervorm en herverpak sodat dit in ’n nuwe konteks aangebied kan word. Die doelteks word ondersoek om vas te stel of dit herskryf is en watter veranderinge, spesifiek ideologiese, die teks tydens hierdie herskryfproses ondergaan het. Leksikale en ander linguistiese middele word gebruik om ’n teks te herraam en anders uit te beeld as in die bronteks. Die wyse waarop die beeld van ’n postapartheid Suid-Afrika in die aanlyn Engelse berigte teenoor die gedrukte Afrikaanse berigte voorgestel word, word hier ondersoek. Die hipotese is dat die News24-herskrywer ten doel het om ’n aangepaste ideologiese boodskap met die herskrywing daarvan oor te dra. Hierdie afleidings word in verband gebring met die narratiefteorie en die konsep van rame. Hierdie teorie, asook ander teorieë, vorm ’n raamwerk om die vergelyking van die tekste en die herskrywing daarvan te ondersoek. Die meer letterlike leksikale aanpassings wat gemaak word vir praktiese doeleindes, soos leesbaarheid, word eerstens bespreek. Daarna word die aanpassings wat gemaak word ter wille van ’n ideologiese motivering bespreek. Afleidings word dan gemaak en in verband gebring met News24 se skopos of doel met die herskrywing van die tekste, naamlik om die beeld van die regering in ’n postapartheid Suid-Afrika negatiewer as die bronteks uit te beeld.

Thesis (MPhil (Afrikaans and Dutch))--Stellenbosch University, 2008. / The principal aim of this research is to study the translation of dialects within the framework of the translation theoretical framework and to determine the challenges and the fundamentals of successful translation. This is especially important, since the focus will be on the translation of dialects of three related standard languages: Afrikaans and English: Kaapse Afrikaans and German: Schwäbisch and Berlinisch. The prerequisites for the process of rendering these dialects accessible, is not to be underestimated, as they include a sound and reliable knowledge of the standard languages of the particular dialects, especially in the case German, as well as a at least two of the vast variety of dialects. It is furthermore necessary to undertake a short but thorough study of the origin of the standard language German to determine which influences it had been exposed to. The relation and interaction between the author, translator and the reader are of the utmost importance. The translator is subjected to demanding challenges; these challenges should not be under-estimated. During the translation process the translator takes on the role of an interpreter and mediator of the source text. It is imperative that the translator should be aware of the theoretical aspects of translating as well as dialectology. These aspects are discussed extensively. The two dialects, Mundarten, which had been selected as examples are Schwäbisch and Berlinisch (from the federal states Baden-Württemberg and Brandenburg). Various aspects were discussed such as the linguistic, traditional characteristics of the dialects, their natural speakers as well as their love for and dedication to their own language. The translation of these aspects opens up a cultural world that would otherwise remain unknown and inaccessible. Numerous practical examples have been used, amongst which, a children’s story in rhyme. Translations were done from German as a source language to Afrikaans and Cape Afrikaans as target languages, also from Schwäbisch and Berlinisch as source languages to Afrikaans and Cape Afrikaans as target languages. Some examples were done from Cape Afrikaans as a source language to English, German and Afrikaans as target languages. Some cultural content and emotional value might be lost during the translation process, especially when it is done across cultural barriers. It remains possible, however, that the translator will be able to convey and communicate the message of the author in an accurate, convincing and sensitive way. A well-known juvenile story by a French author was used as an example to compare nine different German dialects. The German translation of the text has been used since the dialects under discussion are German dialects and the original French text would have served no purpose. The text is still translated and published in German dialects, although not all could be consulted. (Full details are in the BRONNELYS.) Sections of the text are given in the particular dialect, then in German and in Afrikaans (personal manuscript). This was done to indicate the differences and similarities of words, expressions and idiomatic similarities with standard Afrikaans. Because of the volume of this chapter, it was decided to include it as an Appendix. Additional information is given in the APPENDICES regarding the large variety of German dialects, the Germanic origin of English, whether Yiddish is a German dialect (as is alleged by a publisher) and a light-hearted look at the skylarking with traditional customs of dialect speakers.

Thesis (MPhil)--Stellenbosch University, 2004. / ENGLISH ABSTRACT: The Harry Potter series is currently one of the most popular book series for children in the world. The original British books have been translated into more than three hundred languages - one of them being Afrikaans, for which the Afrikaans translator received two translation prizes. Yet closer investigation reveals that these translations are not written in idiomatic Afrikaans, mostly due to the phenomenon of 'interference'. This phenomenon entails an excessive influence of the linguistic structures of the source text on that of the target text. The influence of the English source text on the Afrikaans translator by means of interference was of such an extent that the texts have been written in unnatural language, called 'translationese'. In this study the influence of interference on the quality of the Afrikaans translations of Harry Potter is examined. The focus is on books 4 and 5 in the series, namely Harry Potter en die Beker vol Vuur and Harry Potter en die Orde van die Feniks. The basic premises of the functionalistic approach to translation are used to emphasise the importance of the translation skopos, the function that the translation has to fulfil in the target culture, a detailed translation brief as well as the translator's loyalty towards the various role players in the translation process. Descriptive translation studies is used to prove the apparent absence of knowledge of translation norms as well as translation decisions and strategies that had to be considered carefully during the production of the Afrikaans translations. The researcher hereby attempts to emphasise the importance of careful consideration and planning of translation strategies. Cognisance of the functionalistic and descriptive premises would have lead to a more natural translation that communicates optimally with the target readers in the target culture. / AFRIKAANSE OPSOMMING: Die Harry Potter-reeks is tans een van die mees gesogte kinderreeksboeke ter wêreld. Die oorspronklike Britse boeke is in meer as driehonderd tale vertaal - onder andere ook in Afrikaans, waarvoor die Afrikaanse vertaler reeds twee vertaalpryse ontvang het. Tog toon nadere ondersoek dat hierdie vertalings inderwaarheid nie in idiomatiese Afrikaans vertaal is nie, hoofsaaklik weens die verskynsel 'interferensie'. Hierdie verskynsel behels 'n oormatige invloed van die linguistiese strukture van die brontaal op die doeltaal. Die Engelse bronteks het sodanige invloed op die Afrikaanse vertaler gehad, dat die teks weens interferensie in onnatuurlike taal geskryf is, oftewel in 'translationese'. In hierdie studie word die invloed van interferensie op die kwaliteit van die Afrikaanse Harry Potter-vertalings, spesifiek boeke 4 en 5 in die reeks, naamlik Harry Potter en die Beker vol Vuur en Harry Potter en die Orde van die Feniks, ondersoek. Die basiese uitgangspunte van die funksionalistiese benadering tot vertaling word gebruik om die noodsaaklikheid van 'n vooropstelling van die vertaalskopos, die funksie wat die vertaling in die doelkultuur moet speel, die belangrikheid van 'n gedetailleerde vertaalopdrag asook lojaliteit van die vertaler aan die onderskeie rolspelers in die vertaalproses uit te lig. Deskriptiewe vertaalstudie word gebruik om die klaarblyklike afwesigheid van 'n kennis van vertaalnorme, asook van weldeurdagte besluite en vertaalstrategieë tydens die produksie van die Afrikaanse vertalings te bewys. Die navorser poog om hierdeur op die noodsaaklikheid van weldeurdagte en beplande vertaalstrategieë klem te lê. Kennis van die funksionalistiese en deskriptiewe uitgangspunte sou kon lei tot 'n natuurliker vertaling wat optimaal met die doellesers in die doelkultuur kommunikeer.

Thesis (MPhil)--Stellenbosch University, 2007. / ENGLISH ABSTRACT: This study has been a long journey to pursue the art and craft involved in a translation process. The indisputably differing natures of the languages at stake have been prominent in the translator's psychological frame throughout the process. The acknowledgement of the differing natures of languages often means knowing exactly what has to be transferred and in which manner it has to be transferred without compromising the demands of any of the languages at stake. The latter also speaks to the preservation of the message of the ST in the TL in the process of transition. The translation of Molope's Dancing in the Dust has given good ground for the exploration of the processes involved in a literary translation. Although the status of Molope's novel in the publishing market appears to be relatively new, there are some good grounds to declare it as fairly translatable. It has been noted in the study that there has been a desire to consult her existing literatures with an intention to evaluate her dominant style of writing, or any of her translated works so that it becomes easier to determine the translatability of this novel. However, this only proved to be an unsuccessful business in the sense that this novel is the first of her works, ever. Nevertheless, it has been stated simultaneously in this study that the expressiveness of Mol ope's novel, especially in rooting out the main events of the 197 6 Soweto Uprisings, ultimately convinced the translator that this art is worthy to be translated. The acknowledgement (by some legends) ofMolope's potential to probe into the main events of the struggle during that era has been another area the translator could rely on. This attempt has been done albeit Molope's sometimes poignant style of writing (much of this has been said in the study), which sought to pose some problematic areas. As has been declared in the hypothesis section, translatability is possible if the process of translation commences on a ST analysis, whereby problematic areas (or areas of interest thereof) are identified with an intention to select a suitable translation strategy. Suffice then to say that an attempt to answer the translatability question of this novel has been made in the chapter of annotation. Assembling a chapter of annotation is itself an attempt to demonstrate the translator's creativity in manoeuvring the ST material in order to produce what she assumes will suit the target readers. The discussion of well-established translation literatures in Chapter 2 serves to give background to the random choice of particular translation strategies at particular points in time. Therefore, the literature which forms Chapter 2 of this study serves to substantiate both what appears in the chapter of annotation and the entire product thereof. / AFRIKAANSE OPSOMMING: Hierdie studie was 'n lang ontdekkingstog na die kuns en vernuf betrokke by die vertaalproses. Die uiteenlopende aard van die tale ter sprake was deurentyd 'n belangrike oorweging vir die vertaler. Die erkenning dat die betrokke tale onteenseglik van mekaar verskil, gaan gewoonlik gepaard met die besef van presies wat op watter wyse oorgedra moet word ten einde aan albei tale reg te laat geskied. Dit behels dus dat die boodskap van die bronteks (BT) in die oordragproses na die teikentaal (TT) behoue bly. Die vertaling van Kagiso Lesego Molope se boek Dancing in the Dust (2004) het as 'n goeie vertrekpunt vir die ontdekking van die letterkundige vertaalproses gedien. Hoewel Molope se roman in die uitgewersmark as betreklik nuut beskou word, kan dit om 'n paar goeie redes as redelik vertaalbaar bestempel word. In die studie het dit duidelik geword dat 'n letterkundige vertaling hetsy vereis dat auteurs se bestaande letterkundige werke geraadpleeg word ten einde hulle oorheersende skryfstyl te bepaal 6f dat enige van hulle reeds vertaalde werke bestudeer word om deur middel van vergelyking die vertaalbaarheid van die tersaaklike werk vas te stel. Aangesien hierdie roman egter Molope se heel eerste werk is, was sodanige vergelykende navorsing nie moontlik nie. Die studie toon nietemin ook aan dat die beeldende aard van Molope se roman, veral met betrekking tot die hoofgebeure van die Soweto-opstand van 1973, die vertaler uiteindelik oortuig het dat die werk 'n vertaling waardig is. Die bevestiging (deur 'n paar legendariese figure) van die potensiaal wat Molope in hierdie ondersoek na die hoofgebeure van die vryheidstryd in daardie era openbaar, was n6g 'n faktor waarop die vertaler kon steun. Die vertaling is dus aangepak ofskoon Molope se uiters aangrypende skryfstyl (waaroor daar heelwat in die studie uitgewei word) 'n paar probleme opgelewer het. Soos in die hipotese genoem, is vertaling slegs moontlik indien die vertaalproses met 'n BT-ontleding afskop waarin (moontlike) probleemareas uitgewys word ten einde 'n toepaslike vertaalstrategie te kies. Dit is dus voldoende om te se dat die annotasiehoofstuk poog om die vraag oor die vertaalbaarheid van hierdie roman te beantwoord. Die saamstel van die annotasiehoofstuk is op sigself 'n paging om te toon hoe die vertaler skeppend met die BT -materiaal omgaan ten einde 'n gepaste teks vir die teikenlesers te skep. Die bespreking van gesaghebbende, betroubare vertaalliteratuur in hoofstuk 2 dien as agtergrond vir die ewekansige keuse van bepaalde vertaalstrategiee op bepaalde tydstippe. Daarom dien die literatuur in hoofstuk 2 as stawing van die inhoud van die annotasiehoofstuk sowel as die eindproduk van die studie.

Thesis (MPhil)--Stellenbosch University, 2012. / ENGLISH ABSTRACT: This study investigates the translation strategy oortekening (Afrikaans for “resigning” or “redrawing”) as it is found in the bilingual context of Breytenbach’s volume of poems Oorblyfsel/ Voice Over (2009). The term oortekening (retracing), coined by Odendaal (2011), refers to corresponding parts of the Afrikaans and English versions in the volume which differs semantically but which are alike phonologically and orthographically. The argument is made that, in the context of the bilingual layout of the volume, the translation strategy oortekening invites bilingual readers to take part in an interpretative game as they read the two versions side-by-side. It is further argued that currently there are not adequate theories in translation studies to describe and understand this interpretative play. This study therefore uses theories from outside translation studies to describe the translation phenomenon in this volume and in this way provide a theoretical framework in which the unusual nature of the translation of the volume can be understood. Chapter one, an introduction, is followed by Chapter two which gives an overview of the main approaches in translation theory, describing how the problem statement would be described and understood by each. The linguistic approaches which are covered includes structural linguistics, text and sociolinguistics and functionalism. The literary approaches include descriptive translation studies and more ideologically orientated approaches. Enquiry is made into which aspects of each approach are useful to explain the volume and which are not. Chapter three applies three concepts from outside translation studies to oortekening in the context of the bilingual layout of the volume: Pratt’s contact zone (1987, 1991, 1992, 1996), Bhabha’s in-between (1993) and Lecercle’s remainder (1990). These concepts are used to analyse examples of oortekening from the volume. In the last chapter the findings of the study are discussed. The relationship between the two languages in the volume is compared to the historical and current relationship between Afrikaans and English. The chapter ends with a discussion of the variety of possible further studies based on this volume and this study. / AFRIKAANSE OPSOMMING: Hierdie studie ondersoek die vertaalstrategie oortekening soos wat dit in die tweetalige konteks van Breytenbach se bundel Oorblyfsel/ Voice Over (2009) voorkom. Die term oortekening is aan Pieter Odendaal (2011) ontleen en verwys na ooreenkomstige dele van die Afrikaanse en Engelse weergawes in die bundel wat semanties verskil maar fonologies en ortografies ooreenkom. Daar word geargumenteer dat die vertaalstrategie oortekening in die konteks van die tweetalige uitleg van die bundel tweetalige lesers nooi om aan ’n interpretatiewe spel deel te neem soos wat hulle die twee weergawes saam lees. Daar word verder geargumenteer dat daar tans in die vertaalkunde nie gepaste teorieë is om die interpretatiewe spel te beskryf en te begryp nie. Die studie gebruik dus teorieë van buite die vertaalkunde om die vertaalverskynsel in hierdie bundel te beskryf en om so ’n teoretiese raamwerk voor te stel waarbinne die ongewone aard van die bundel se vertaalaspek begryp kan word. Die inleidende hoofstuk word gevolg deur hoofstuk twee wat ’n oorsig gee van die vernaamste vertaalteoretiese benaderings en hoe die probleemstelling volgens elk van die benaderings beskryf en verstaan word: die linguistiese benaderings, vanaf die strukturele linguistiek, teks- en sosiolinguistiek na die funksionalisme; en die literêre benaderings, wat deskriptiewe vertaalstudies en meer ideologies gefundeerde benaderings insluit. Daar word ondersoek ingestel na watter aspekte van elk van die benaderings nuttig is om die bundel te beskryf en watter tekortkominge elke benadering bied. Hoofstuk drie maak drie konsepte van buite die vertaalkunde van toepassing op oortekening in die konteks van die tweetalige uitleg van die bundel: Pratt (1987, 1991, 1992, 1996) se contact zone as die kontaksone, Bhabha (1993) se in-between as die (in)tussen(in) en Lecercle (1990) se remainder as die oorblyfsel. Hierdie konsepte word gebruik om voorbeelde van oortekening uit die bundel te analiseer. In die laaste hoofstuk word die bevindinge van die studie bespreek. Die verhouding tussen die twee tale in die bundel word vergelyk met die historiese en huidige verhouding tussen Afrikaans en Engels. Daar word laastens gewys op ’n verskeidenheid verdere navorsingsmoontlikhede wat hierdie bundel en hierdie studie bied.