A presente investigação aborda os conhecimentos e habilidades músico-instrumentais e pedagógico-musicais desenvolvidos por licenciandos na disciplina “Flauta Doce no Contexto Escolar”. Tal disciplina é ofertada por uma instituição de ensino superior no segundo semestre do curso de Licenciatura em Música. A pesquisa tem como objetivo geral compreender os modos como os estudantes adquirem, utilizam e sistematizam seus conhecimentos e habilidades músico-instrumentais e pedagógico-musicais e quais desses conhecimentos e habilidades eles valorizam e selecionam, a fim de atender, tanto a demanda pedagógica, como da prática instrumental na disciplina já citada. Os objetivos específicos propostos estão relacionados: ao levantamento de experiências (aprendizagem e docência) dos licenciandos com a flauta doce; à aquisição, utilização, valorização, seleção e sistematização dos seus conhecimentos e habilidades; e à análise de um planejamento para aulas de flauta doce. A opção metodológica consistiu em uma pesquisa colaborativa, na qual participei como pesquisadora e também como professora, a partir do aceite da docente da disciplina, acompanhando a turma. Os instrumentos de coleta de dados foram a observação participante, entrevistas e reuniões colaborativas com a docente e estudantes da disciplina bem como registros escritos, como diário de campo e cadernos dos trabalhos em conjunto, os registros de áudio e vídeo. O referencial teórico baseia-se nos conhecimentos docentes dos professores, propostos por Shulman (1986) no campo da educação e utilizados por Ballantyne (2005; 2006) na formação de professores de música. Dos sete tipos de conhecimentos elencados por Shulman (1986), destaco o conhecimento do conteúdo da matéria, que pode ser dividido em três categorias, que são o conhecimento do conteúdo da matéria, o conhecimento curricular e o conhecimento pedagógico do conteúdo, que se refere a como dar aulas. No campo da educação musical, além dos conhecimentos, são consideradas também as habilidades instrumentais, pedagógicas e musicais. Os resultados da presente investigação apontam que a compreensão acerca dos conhecimentos e habilidades adotados nessa tese é construída pelos acadêmicos no segundo semestre do curso, havendo variação entre os estudantes e a demanda das tarefas. Foram identificadas e analisadas as três categorias relativas ao conhecimento de conteúdo nas atividades propostas em aula, bem como levantados conhecimentos e habilidades musicais dos licenciandos, como realizar acompanhamentos instrumentais e ter preferência em tocar “de ouvido”. As demandas institucionais dos licenciandos entrevistados que já dão aulas de flauta doce exigem-lhes, além dos conhecimentos e habilidades pedagógicos do conteúdo e conhecimento curricular, conhecimentos e habilidades profissionais e conhecimentos dos fins, princípios e valores da educação. Os acadêmicos destacaram que o planejamento pôde ser construído a partir da sua compreensão do processo vivenciado durante o semestre letivo, com a sequência das aulas, suas atividades e das reflexões geradas. O planejamento dos estudantes que já dão aulas evidenciou os conhecimentos curriculares e conhecimentos e habilidades profissionais. / The present text investigates the musical-instrumental and musical-pedagogical skills and knowledge sets developed by students of a class denominated "The recorder flute in the school context". This class is offered by a graduate level institution during the second semester of the Music Teacher Education Program. The general aim of this research is to understand the modes through which students acquire, use and systematize the knowledge sets as well as the instrumental and pedagogical skills acquired, and which of these knowledges sets and abilities they value and select in order to address the pedagogical requirements and the necessary instrument skills in the aforementioned class. The specific goals proposed are related to: the collection of experiences (apprenticeship and teaching) of licenciates with the recorder; the acquisition, employment, valuing, selection and systematization of their knowledges sets and abilities; and the analysis of a teaching plan for the recorder. The methodological approach consists of a collaborative research group, in which the author participated as a research fellow and also as a teacher, in agreement with the main lecturer in this specific class, monitoring the students. Data gathering procedures included participative observation, interviews and collaborative meetings with the teacher and the students in the class as well as written registries, such as field notes and group assignment notebooks, along with audio and video materials. The theoretical reference is based on the teaching knowledges of teachers as proposed by Shulman (1986) in the field of education and adopted by Ballantyne (2005; 2006) in the training of music teachers. Of the seven types of knowledge listed by Shulman (1986), the author calls specific attention to knowledge of the subject content, curricular knowledge and pedagogical knowledge of the subject matter, which covers how to teach. In the field of music education, besides the knowledge sets, pedagogical, musical and instrumental abilities are also taken into consideration. The results of the present investigation point to the fact that comprehension of the knowledges sets and abilities adopted in this thesis is construed by academics in the second semester of the course, and notes that there is a variation between students and the tasks required. Three categories related to knowledge of the content in activities proposed inside the classroom where identified and analyzed, and musical abilities and knowledges of licenciates where listed, such as the realization of instrumental accompaniments and the preference for "playing by ear". The institutional demands of the interviewed licenciates that already teach require of these, besides the pedagogical knowledge and abilities of the content itself and the curricular subject matters, professional knowledge and abilities related to the goals, principles and values of education. These individuals highlighted that planning was made possible based on their comprehension of the process experienced during the school semester, taking into account class sequence, their activities and the reflections gleaned from these. The teaching plans of the students that already teach put into evidence the curricular and professional knowledge and abilities of these students.

Esta pesquisa de doutorado tem como objetivo principal analisar o papel da pedagogia universitária em projetos inovadores de universidades públicas brasileiras. Analisar a pedagogia universitária em propostas inovadoras no ensino superior não é uma escolha aleatória. Há uma política de expansão da universidade pública, mas há uma política de formação pedagógica dos professores para essa universidade? Determinados autores (SANTOS, 2008; CHAUÍ, 2001, 2003; BUARQUE, 2003) apontam a crise da universidade e a urgência de mudança para que essa instituição não perca sua função e significância social. Dessa maneira, será avaliado em que medida projetos que, a princípio, podem ser classificados como inovadores cooperam para a transformação do ensino superior na direção do que é esperado para o cumprimento de sua função social e de que forma interagem com as discussões no campo da pedagogia universitária, em especial no que se refere à formação pedagógica do professor universitário. Pimenta e Anastasiou (2005) ressaltam a importância da constituição da identidade docente do professor de ensino superior, que também se daria em um processo de formação continuada. As universidades selecionadas foram a USP Leste e a UFPR Litoral. Tal seleção baseou-se no critério dessas universidades afirmarem constituir propostas inovadoras. Como metodologia, em um processo qualitativo de pesquisa, foram avaliados os projetos político pedagógico da instituição ou outros documentos que possibilitavam a compreensão da proposta inovadora e foram feitas entrevistas com coordenadores de curso, professores, presidente de comissão de graduação e diretor institucional. Por meio de análise dos dados coletados, foi possível constatar que ambas as universidades estão inovando e trabalhando a pedagogia universitária. No entanto, o trabalho com a pedagogia universitária e a formação pedagógica é muito mais presente na instituição que tem no ensino sua atividade fundante, do que naquela em que este fica subsumido na atividade de pesquisador do docente. Como resultado, é possível analisar duas realidades diferentes: a instauração de uma cultura da docência capaz de promover a construção da identidade docente de seus professores, e uma cultura mais voltada à pesquisa, desvinculada do eixo ensino. Por fim, a conclusão desse estudo revela que é necessária uma aproximação da teoria/prática no que se refere à inovação proposta e, para isso, a área da pedagogia universitária pode contribuir de maneira fundamental, principalmente no tocante à formação docente para lidar com o aspecto inovador do projeto. / This doctoral research study aims at analyzing the role of university pedagogy in innovating projects in higher education in Brazilian universities. The choice to analyze innovating projects in higher education pedagogy contexts is not at random. There is a university expansion policy in Brazil, but is there a policy for teaching education in the universities? Authors such as Santos (2008), Chauí (2001, 2003) and Buarque (2003) point out to the crisis at university level and the urgent need for change so that universities do not lose their social meaning. Taking these discussions into consideration, the research will evaluate if university projects, which in an initial analysis can be classified as innovating, cooperate to change the university context so that this institution maintains its social meaning. In addition, the research will analyze how these projects interact with the discussion proposed by higher education pedagogy studies. The interaction with higher education pedagogy will be evaluated from the perspective that it is urgent to provide pedagogical qualification to university professors. Pimenta and Anastasiou (2005) emphasize the importance of the development of a teaching identity in universities, which would also happen in a process of continuing education. The universities selected for the study are USP Leste and UFPR Litoral. The selection was based on the criteria that these universities affirm to carry out innovating proposals. The methodology, which was carried out according to a qualitative research approach, evaluated the political pedagogical projects of the institution or other documents that provided the understanding of the innovative proposal. In addition interviews with the course coordinators, professors, president of the undergraduate commission and institutional director were conducted. The analysis of the data demonstrated that both institutions are innovating and working with the higher education pedagogy. Although the work with the higher education pedagogy and teaching education is much more present in the institution that has teaching as a fundamental activity than in the institution where teaching is incorporated in the research activities of its professors. As a result it is possible to analyze two different realities: the establishment of a teaching culture capable of promoting the construction of teachers identity, and a culture of research detached from teaching. Finally, this study reveals that it is necessary an approximation of theory and practice in terms of the proposal of innovation and, to this end, the higher education pedagogy area can contribute in an essential manner, mainly in relation to teacher education so that teachers can cope with the innovating aspect of the project.

Orientador: Corinta Maria Grisolia Geraldi / Tese (doutorado) - Universidade Estadual de Campinas. Faculdade de Educação / Made available in DSpace on 2018-08-04T11:41:14Z (GMT). No. of bitstreams: 1 Varani_Adriana_D.pdf: 1166090 bytes, checksum: d1821cca3c4ce9abb2943fe89613e0b8 (MD5) Previous issue date: 2005 / Resumo: A presente pesquisa tem como tema a compreensão da organização do trabalho docente coletivo instaurado de forma não obrigatória no interior da escola e sua relação com as políticas educacionais. Para tanto, foi narrado e analisado o movimento da experiência de um grupo de professores na escola pública do Estado de São Paulo, realizada no período do final da década de 80 até 1995, momento da Reorganização da Rede Estadual de Ensino, utilizandose dos recursos metodológicos da história oral (Brioschi e Trigo) ¿ entrevistas não diretivas e suas textualizações que constam do volume II. Foram usados alguns princípios da análise do cotidiano (Certeau) escolar, da micro estrutura e da linguagem (Bakhtin), que possibilitaram a construção dos seguintes indicadores: a configuração de um grupo de professores que estabeleceu vínculos de comunidade (Heller); a compreensão do conceito de trabalho coletivo (Marx) entre professores a partir de suas relações de não artificialidade (Hargreaves); o movimento de construção de táticas (Certeau) para efetivação do projeto pedagógico escolar; e como estas táticas se instalam nos espaços intersticiais (Larossa) provocando a criação dos espaços instituinte e instituído (Lourau) para organização do projeto. A análise destes indicadores demonstrou a importância do grupo enquanto espaço de resistência docente, à medida que professores tomam para si a autoria de suas vidas e, portanto, há re-existência docente frente, inclusive, às políticas de descontinuidade (Collares, Geraldi e Moyses). Das descontinuidades e da re-existência, rupturas são estabelecidas e vestígios deixados na continuidade de suas ações. O projeto de pesquisa foi desenvolvido no GEPEC ¿ Grupo de Estudos e Pesquisa em Educação Continuada da Faculdade de Educação da Unicamp ¿ e contou com financiamento da FAPESP ¿ Fundação de Amparo à Pesquisa do Estado de São Paulo / Abstract: This research has like a theme the comprehension of the teacher's collective work established in way non obligatory inside the school and your relationship with the educational politics. For this, it was narrated and analysed the experience of a group of teachers in the public school of São Paulo State, accomplished in the period of the end of the decade of 80 up to 1995, moment of the Reorganization of the Oficial Teaching. The methodological resources used was the oral history (Brioschi and Trigo) ¿ the non directive interviews and yours translations to text, that are in volume II . It was used some principles of the daily school (Certeau), and analysis of micro structures and of the language (Bakhtin), that made possible the construction of the following indicators: the configuration of a group of teachers that established community's entails (Heller); the understanding of the collective work's concept (Marx) among teachers in yours non artificiality relationships (Hargreaves); the movement of construction of tactics (Certeau) to effect the school pedagogic project; and how these tactics settle themselves in the intersticials spaces (Larossa) provoking the creation of the "instituinte" spaces and institutional (Lourau) in the organization of a pedagogic project. The analysis of these indicators demonstrated the importance of the group while space of educational resistance, as teachers take for itself the authorship of your lives and, therefore, there is reexistence educational front, besides, to the discontinuous politics (Collares, Geraldi and Moyses). Of the discontinuous and of the re-existence, ruptures are established and vestiges left in the continuity of your actions. The research project was developed in GEPEC - Grupo de Estudos e Pesquisa em Educação Continuada da Faculdade de Educação da Unicamp ¿ and was financed by FAPESP ¿ Fundação de Amparo à Pesquisa do Estado de São Paulo / Doutorado / Ensino, Avaliação e Formação de Professores / Doutor em Educação

The diploma thesis concentrates on characteristics of bilingual teaching at international school. The aim of this thesis is to find out, how is the bilingual teaching at international school organized, what are the specifics of the bilingual teaching, its advantages and disadvatages. The theoretical part of this thesis based on the literature review describes the terms bilingualism, bilingual teaching and international school. The practical part of this thesis is a case study, which describes the organization of bilingual teaching at two Prague international schools. As a method of research were the document analyses and interviews with teachers, who are teaching at bilingual programms in these schools. The outcome of this thesis is data analyses from documents and interviews and based of this analyses determines the recommendation of making bilingual teaching more effective. KEYWORDS bilingualism, foreign language teaching, education in foreign language, international school, bilingual teaching, cooperation between teachers

Als Erweiterung des klassischen virtuellen Klassenzimmers wird in diesem Beitrag das Konzept des mobil-virtuellen Klassenzimmers (MVK) erläutert. Dieses basiert hauptsächlich auf einem Tool zur automatischen Analyse des textbasierten kollaborativen Dialogs in virtuellen Praxisgemeinschaften. Der aktuelle Entwicklungsstand des MVK umfasst quantitative empirische Modelle und Befunde zu Expertise, Partizipation und Expertenstatus in Praxisgemeinschaften, zur Akzeptanz der eingesetzten Technologie sowie zur Validität des Analysetools. Zwei Lernszenarien des MVK werden geschildert. Abschließend wird die entsprechende Forschungsagenda präsentiert.

Thesis (D.Phil.) -- Central University of Technology, Free State, 2010 / Due to various reasons, today’s learners lead a passive life that results in movement deprivation and poor motor development. Motor development contributes to cognitive development, which can also contribute to school readiness. Since the beginning of the twentieth century, researchers have indicated that there is an increase of learners with motor problems, which can develop into learning problems. The primary aim of the study was to determine the influence of a 10 week Judo intervention programme on Grade 1 learners with motor restraints. The formal standardised test, Bruininks-Oseretsky Test for Motor Proficiency (BOTMP) with its eight subscales, was used for this purpose. A total of 140 learners took part in the programme: 70 learners formed part of the control group and 70 learners formed part of the experimental group. All the learners took part in the pre- and post-tests (the BOTMP). The experimental group took part in the Judo intervention programme. The importance of Judo with regard to motor aspects has been highlighted. It promotes self-confidence and self-control, and has a significant influence on learning behaviour and learning of movement. This sport emphasises body awareness and spatial orientation, and develops sensory-motor activities, as well as cognitive and physical movements. Furthermore, Judo consists of a great number of motor movements and, as a result of this diversity, the participant develops on a motor, cognitive, social and emotional level. To determine whether the Judo intervention programme had any impact on the learners, t-tests were applied. These tests were done on independent and nonindependent groups. The data was statistically processed and depicted in table or graph format. The results indicated a significant improvement in five of the eight subscales of the BOTMP. The motor variates that showed improvement were balance, bilateral coordination, reaction speed, visual motor control, and upper limb speed and dexterity. The means were statistically different on the 5% level. Furthermore, the average of two variates differed on a 1% level, namely balance and bilateral coordination. Running speed and agility, as well as strength, did not show significant signs of improvement. From the results, it can be concluded that an affordable and achievable Judo intervention programme has a significant impact on the gross, gross-fine and fine motor development of Grade 1 learners with motor restraints. The study indicated that Judo as a sport indeed has an effect on the motor skills of these learners. It is recommended that such a programme should be marketed to educators and be included in the Life Orientation Programme.

There is a lack of understanding regarding how sensemaking could be incorporated into a professional development program to improve teacher quality and student achievement. The lived experiences of high school English language development teachers as they interpret English language development and one state's high school exit exam instructional policies were explored in this phenomenological study. The conceptual framework that supported this study is based on the theory of sensemaking, the processes by which educators interpret and implement policies. The participants were English language development teachers of English learners who have not yet passed the exit exam. Data were collected through in-depth interviews and artifact collection. An analysis of participants' responses was conducted which lead to the disclosure of themes related to sensemaking. The findings of the study indicated teachers' interpretations and implementations of instructional policies are not in line with the intentions of the policies. Contributing to positive social change, this study provided a better understanding of teacher sensemaking and its potential to transform professional development, improve teacher quality, and increase student achievement. The study includes recommendations for professional development programs including developing standards-based outcomes, supervising policy implementation, defining roles and responsibilities, and building teacher capacity.

Questa tesi è il risultato di uno studio sul CLIL e le nuove tecnologie per la didattica nato da un insieme di fattori: il desiderio di investigare l’uso delle nuove tecnologie a scuola, considerando le possibili implicazioni, e il bisogno di migliorare la qualità dell’apprendimento linguistico attraverso la creazione di nuovi stimoli per gli studenti. Tale studio è costituito da una parte teorica e una pratica di ricerca sul campo in cui si sono presi in considerazione diversi gradi di scuola e anche corsi universitari. La ricerca ha dimostrato l’influenza positiva delle nuove tecnologie come valore aggiunto al CLIL e ha riconosciuto il ruolo chiave dell’insegnante in questo tipo di approccio bifocale. / This thesis is the result of a research study in CLIL and Technologies that arose from the combination of different factors: the desire of investigate the implementation of new technologies at school, considering the possible implication, and the need to improve the quality of language learning giving new stimuli to the students. It is based on a theoretical study and an action research which investigated different school levels and university courses. The research proved the positive stimulus of new technologies as value-added to CLIL and recognised the key role of the teacher in such a double-focus approach.

Made available in DSpace on 2016-06-02T19:39:54Z (GMT). No. of bitstreams: 1 6654.pdf: 3367253 bytes, checksum: 568d94421bb8d85e8b377a74c0d36aec (MD5) Previous issue date: 2015-02-23 / Financiadora de Estudos e Projetos / This dissertation advocates for Humanizing Music Education, a term in education that places the human as priority, as well as its relations based on dialogue, curiosity, authonomy, otherness, amorousness, to be freedom through conscientization of educators and students about the potential and power to transform society. Authors that discuss education as Paulo Freire, Ernani Maria Fiori, Carlos Rodrigues Brandão, António Nóvoa, in consonance with authors from Music Education as Carlos Kater, Hans Joachim Koellreutter, Teresa Mateiro, Claudia Belochio, among others, help to comprehend this concept on analysing humanizing elements of education together with what we understand of music education of quality. For a truly humanizing music education, it is necessary to educate teachers in humanization, which could help in the process of humanization of their students. We believe that in initial education, teachers learn and teach in a way that could be very usefull for its professional development as educator. The research strived to study knowledge about the influence of a government scholarship program for teaching initiation on future music educators and the construction of its professional identity considering the program, one of the main incentives of teaching which offers partnerships between school and university in a process of mutual implementation for the teacher education. Seeking to know from music educators, what are their most significative learnings during their participation in the program and what those experiences helped them in the construction of their professional identity, three subjects that graduated in Music Education and participated in the program during their initial formation were choosen. Through documental analysis, we analysed portfolios selected and sent by the subjects to find education processes that occurs during their participation in the program. After gathering the portfolios, individual open-interviews were done so that the subjects could, with the researcher, remember some learnings, talk about their professional practices after the formation and how affirm their professional identity, they are: "Learning of Teaching", Possible methodologies and Professional Identity". From the data collection, three analisys categories arose and revealed learnings in teaching, possibilities for methodology strategies created by their own at school and comprehensions about professional identity of each one. In the analisys process, we realized that we must valorize and create more and more programs, projects and actions at university that approximate and or introduce the future educators at schools daily routine and more, valorize the learnings of own future educators as equally important part of the disciplinary avaliations that occurs at university. We hope, with this research contribute to the area of education and music education and show that, even that the music educator does not act at basic education as a professional, the learnings generated from school, as we could see, will also contribute to the acting in other fields of music education and education if made with compromisse, respect, in other words, more humanizing practices. / Defendemos nesta pesquisa, o conceito de Educação Musical Humanizadora defendendo uma concepção de educação que priorize o humano e suas relações fundamentadas no diálogo, na curiosidade, na autonomia, na alteridade, na amorosidade para que seja libertadora por meio da conscientização de educadores e educandos(as) sobre suas potencialidades e poder de transformação da sociedade. Autores da educação como Paulo Freire, Ernani Maria Fiori, Carlos Rodrigues Brandão, António Nóvoa, entre outros em consonância com autores da Educação Musical, como Carlos Kater, Hans Joachim Koellreutter, Teresa Mateiro, Claudia Belochio, e outros nos auxiliaram na compreensão deste conceito ao analisar princípios humanizadores da educação juntamente com o que entendemos por uma educação musical de qualidade. Para que haja uma educação musical de fato humanizadora, é necessário então formar professores mais humanizados, e que poderão auxiliar no processo de humanização de seus educandos. Acreditamos que, na formação inicial, os professores aprendem e ensinam num processo que pode ser muito útil para sua atuação profissional como educador. A pesquisa se atentou em aprofundar conhecimentos sobre qual a influência do Programa Institucional de Bolsa de Iniciação à Docência na formação de Educadores Musicais e na construção de sua identidade profissional considerando o programa, um dos principais incentivadores da docência e que proporciona parcerias entre escola e universidade em um processo de construção conjunta para a formação do licenciando. Com o intuito de saber de educadores musicais, quais suas aprendizagens mais significativas durante a participação no PIBID e o que essa experiência auxiliou na construção de sua identidade profissional, escolhemos três sujeitos que se formaram em licenciatura em Música e participaram do programa durante sua formação inicial. Através de análise documental, analisamos portfólios escolhidos e enviados pelos sujeitos a fim de encontrar processos educativos que ocorreram durante a participação dos mesmos no programa. Após a coleta dos portfólios, realizamos entrevistas abertas individuais para que os sujeitos pudessem, em conversa com a pesquisadora, relembrar algumas aprendizagens, dialogar sobre suas práticas profissionais após a formação e se as mesmas afirmam sua identidade profissional. Dessas coletas de dados, surgiram três categorias de análise que nos revelaram aprendizagens da docência, possíveis estratégias metodológicas criadas por eles mesmos na escola e compreensões sobre a identidade profissional de cada um, são elas: Aprendizagens da Docência , Metodologias possíveis e Identidade Profissional . No processo de análise, percebemos que, cada vez mais devemos valorizar e criar programas, projetos e ações na universidade que aproximem e ou inserem os licenciandos na rotina da escola e ainda, valorizar as aprendizagens dos próprios licenciandos como parte igualmente importante às avaliações disciplinares que ocorrem na universidade. Esperamos, com esta pesquisa, contribuir para a área de educação e de educação musical e ainda mostrar que, mesmo que o educador musical não atue na educação básica como profissional, as aprendizagens geradas na escola, como pudemos ver, contribuirão também para atuações em outros campos da educação musical e da educação se for pensada e realizada com compromisso e respeito, ou seja, com práticas mais humanizadoras.

This thesis deals with the linking of school education with museum educational activities. It focuses primarily on the possibility of primary schools. It assesses how the museum can be used in the implementation of educational activities. He draws attention to specific forms of educational activities at the museum. In Detail, it is focused on defining the various teaching methods that can be prioritized in museum education. The thesis describes the role of museum education program, which is applicable in the project classes at school. The entire work points out apparent effort to integrate extracurricular learning opportunities taking place in the museum with school hours. Museum learning is seen as complementary and expanding the classroom. Yet he constantly emphasizes the uniqueness of the museum. Museum with a different environment from the school can offer a remarkable experience associated with teaching.