Designing Dynamic Textile Patterns Progress in chemistry, fibres and polymers technology provides textile designers with new expressive materials, making it possible to design dynamic textile patterns, where several different expressions are inherent in the same textile, textiles that, for example, could alternate between a striped and checkered pattern. Textiles are traditionally designed and produced to keep a given, static expression during their life cycle; a striped pattern is supposed to keep its stripes. In the same way textile designers are trained to design for static expressions, where patterns and decorations are meant to last in a specific manner. However, things are changing. The textile designer now deals also with a new raw material, a dynamic textile, ready to be further designed, developed and/or programmed, depending on functional context. This transformation in practice is not an easy one for the designers. Designers need to learn how to design with these new materials and their specific qualities, to be able to develop the full expressional potential inherent in “smart textiles design”. The aim of this thesis is to display, and discuss, a methodology for designing dynamic textile patterns. So far, something that mainly has been seen in different experimental and conceptual prototypes, in artistic expressions and for commercial efforts etc. In terms of basic experimental research this thesis explores the turn in textile design practice through a series of design experiments with focus on contributing to identifying and characterizing new design variables, new design methods and new design techniques as a foundation for dynamic textile patterns. / <p>Disputationen sker den 1:a juni 2010, kl. 13.00 i Textilmuseet, Druveforsvägen 8, Borås. Opponent: Senior Lecturer, Mary- Ann Hansen, Danmarks Designskole, Denmark</p>

With the technological progress of materials science, the palette of colours with which to print on textiles has expanded beyond those with previously known properties and expressions to a new generation, with more advanced functionality and expressive properties. This new range of colours is characterised by their ability when printed on textiles to change colour in relation to external factors and internal programmes; for example, leuco dye-based thermochromic inks generally change colour in response to temperature fluctuations. This research explores the design properties and potentials of leuco dye-based thermochromic inks printed on textiles, with regard to creating a wider range of colour-changing effects for textile applications. The significance of this for textile design is related to the development of a methodology for designing dynamic surface patterns. The research was conducted by creating a series of design experiments using leuco dye-based thermochromic inks, which resulted in different recipes and methods, along with a pedagogical tool. The results highlighted the diverse colour-changing properties of leuco dye-based thermochromic inks, which have the potential to create more complex patterns on textiles. The outcome of this research proposes a foundation for textile designers with which to approach new ways of thinking and designing.

It is the possibilities to create dynamic textile patterns in Smart Textiles that isin focus in this report. The result will be presented in form of different materialand pattern samples. The samples show both different technical solutions andinteractions needed to develop a dynamic textile pattern.My intention with this work is to enlarge the use of a decoration, as somethingmore than a static extra value. We do have a need for beautiful things in oursurrounding and I want to explore how dynamic patterns could give decorationan extended use. Where new kinds of values can be included, interaction and theinformation. The result can be applied in further research concerning bothwearables, fashion, soft furnishing as well as for public environment forcommunications. / <p>Program: Designteknikerutbildningen</p><p>Uppsatsnivå: D</p>

Master of Science / Department of Apparel, Textiles, and Interior Design / Sherry J. Haar / Inspired by people and objects of the late 1950s/early 1960s, textile patterns were created to use as a tool in the education of children through play. Four themes were developed, with three main prints in each theme. These twelve prints had a coordinating print and solid colors designed, and were utilized in the development of paper doll clothing. Representing the look of Jacqueline Kennedy, the paper dolls feature a pearl necklace, sunglasses, and a brunette hairstyle. Fabric was also printed on using a home-based ink jet printer, and used to construct a garment for an 18-inch, three dimensional doll. The final outcomes were exhibited in a display window, with an interactive element for adults and children at the opening reception.