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A presente pesquisa consiste em, a partir da ideia de dois corpos do rei e de seus possíveis arranjos politicamente produtivos, pensar as interpretações historiográficas e as imagens literárias acerca de d. Pedro II elaboradas no Brasil, desde o começo dos anos 1920, época conturbada da vida política e cultural, até o início da década de 1940, quando se vivia, sob o governo de Getúlio Vargas, nos tempos do Estado Novo. São duas décadas carregadas de significados e memórias, nas quais se viveu a celebração e a fixação de marcos históricos para a ainda bastante jovem nação brasileira. Analisar as obras feitas neste período possibilita compreender a maneira como cada autor lidava com a ambiguidade do imperador, como cada um trabalhava, a partir de interesses específicos, o risco e a produtividade da política no monarca enfeixada. Indo além, é possível entender como cada um pensava e criticava, dessa maneira, mais do que o Segundo Reinado e seu monarca, o próprio regime republicano. A partir de apontamentos teóricos referentes às relações entre história e memória, são analisadas obras variadas, numa tentativa de mapear controvérsias que emergem em textos de gêneros diversos. Com a leitura e análise dos documentos, fica claro que a memória do imperador passou por uma série de disputas e debates, por interpretações que alternaram o tom positivo com a crítica mais satírica e corrosiva; entendimentos que, no contexto de sua produção, adquiriam eminente caráter político. Além disso, por conta de seu aspecto emblemático, muitas das questões e problemáticas levantadas no período possibilitam entendimentos amplos sobre a cultura política brasileira, inclusive de assuntos que tocam os nossos dias. Pensar essas elaborações e arranjos, seus riscos e produtividades, sua memória e longa duração, tais são os principais objetivos desta pesquisa. / This research consists in, based on the idea of the king\'s double body and its political arrangements, read and analyze the historical interpretations and literary images of d. Pedro II produced in Brazil since the early 1920s, a tumultuous time of political and cultural life, until the early 1940s, period when the country was under the government of Getúlio Vargas, in the times of Estado Novo. These two decades are full of meanings and memories; during these years, celebrations and historical marks were established for the until too young Brazilian nation. Analyze these works allows us to understand the way each author dealt with the ambiguity of the emperor, with the risk and the productivity of his policy. In this way, it is possible to understand how each author thought and criticized more than the Second Empire and its monarch, the republican regime itself. From theoretical approaches concerning the relationship between history and memory, various works are analyzed in an attempt to map out controversies that emerge in texts from various genres. This documents show clearly how the memory of the Emperor went through a series of disputes and debates; they also show how, in the context of its production, those interpretations acquired eminent political character. Furthermore, many of the problems raised in the studied period enable understandings about Brazilian political culture, including issues that reach our days. Think those elaborations and arrangements, their risks and productivity, their memory and long duration; such are the main objectives of this research.

Trata da produção pública de habitação fi nanciada pela previdência social a partir de 1930, com recorte específico sobre a atuação do Instituto de Aposentadoria e Pensões dos Industriários (IAPI). Aborda o objeto considerando os seguintes aspectos: relações político-econômicas que condicionaram projetos e obras; conexões entre o campo intelectual e o projeto político; trânsito de idéias nacionais e internacionais na formulação de um conceito próprio sobre arquitetura, urbanismo e habitação; limites e possibilidades do desenvolvimento tecnológico. A atuação dos engenheiros e arquitetos, no âmbito de sua aderência ao projeto desenvolvimentista, é avaliada pelas interfaces de sua formação teórica, de sua inserção política e administrativa e de sua ação propriamente dita. / This research deals with the public housing production financed by the social security after 1930, with a specific range over the performance of the Industrial Reti rement and Pension Institute (IAPI). It deals with this object considering the following aspects: political and economic relationships that conditioned projects and Works; links between the intellectual field and the political project; exchange of ideas national and international in the creation of an own concept of architecture, urbanism and housing; limits and possibilities of the technological development. The engineers´ and the architects´ performance, in the scope of the adherence to the developmental project, are assessed by the interfaces of their theoretical formation, political and administrative vision and their action itself.

Trata da produção pública de habitação fi nanciada pela previdência social a partir de 1930, com recorte específico sobre a atuação do Instituto de Aposentadoria e Pensões dos Industriários (IAPI). Aborda o objeto considerando os seguintes aspectos: relações político-econômicas que condicionaram projetos e obras; conexões entre o campo intelectual e o projeto político; trânsito de idéias nacionais e internacionais na formulação de um conceito próprio sobre arquitetura, urbanismo e habitação; limites e possibilidades do desenvolvimento tecnológico. A atuação dos engenheiros e arquitetos, no âmbito de sua aderência ao projeto desenvolvimentista, é avaliada pelas interfaces de sua formação teórica, de sua inserção política e administrativa e de sua ação propriamente dita. / This research deals with the public housing production financed by the social security after 1930, with a specific range over the performance of the Industrial Reti rement and Pension Institute (IAPI). It deals with this object considering the following aspects: political and economic relationships that conditioned projects and Works; links between the intellectual field and the political project; exchange of ideas national and international in the creation of an own concept of architecture, urbanism and housing; limits and possibilities of the technological development. The engineers´ and the architects´ performance, in the scope of the adherence to the developmental project, are assessed by the interfaces of their theoretical formation, political and administrative vision and their action itself.

L’objectif du travail est d’aborder la chanson du XIXe siècle à partir de la notion de populaire : au cours de la première moitié du siècle, les deux objets (chanson et populaire) semblent devenir interdépendants, et contribuent chacun à la représentation de l’autre. Le populaire résistant à une définition stable, on a opté pour une contextualisation de sa compréhension, et son association avec le genre chanson, devenue presque évidente de nos jours, a donc été questionnée à partir d’un corpus numérisé de plus de 600 textes réunis en fonction de considérations d’ordre historique, bibliographique, et discursif. Après avoir explicité l’importance du texte dans l’analyse de la chanson et les critères de sélection du corpus, on s’est attaché à questionner le populaire comme notion, dans la synchronie avec les chansons étudiées, pour mieux comprendre les enjeux de cette dénomination, avant d’observer la représentation construite, par la chanson elle-Même, de son interdépendance avec le peuple. L’approche stylistique qui est proposée ensuite amène, avec la question de la singularité, celle de l’auctorialité, de sa validité pour l’analyse des chansons imprimées entre 1848 et 1851, ainsi que de ses représentations et des enjeux qu’elles suppose dans la situation et l’historicité de ces productions. En lien avec ces questions, le traitement des textes par auteur permet d’observer également les divers types de circulations, de reprises, et d’éléments communs dans le corpus constitué, ce qui soulève le problème d’une écriture à l’intérieur de laquelle certains éléments sont disponibles pour tous les acteurs et marquent l’appartenance à un champ discursif conscient et revendiqué (en l’occurrence celui des chansonniers populaires). C’est pour approcher plus précisément cette question des formes qui apparaissent comme collectives ainsi que celle de la complexité sémiologique de l’écriture chansonnière que l’analyse métrique est décisive, parce qu’elle apporte un outil méthodologique propre à dégager des récurrences massives à l’intérieur d’un corpus, récurrences qui peuvent renseigner sur la pratique et la perception de l’écriture versifiée en synchronie, et en regard desquelles d’autres configurations minoritaires sont envisageables dans leur hétérogénéité. / The main goal of this research is to study 19th Century song through the prism of the popular. During the first half of the 19th Century, both objects (song and the popular) seem to become interdependent, with each contributing to the representation of the other. Since no fixed definition can be provided for the popular, a contextualized understanding of this notion is preferred. Its association with the genre of song, which has become almost obvious nowadays, was analysed based on a digitalized corpus of more than 600 texts selected according to historical, bibliographical and discursive criteria. After positing the importance of the text in the study of song and justifying the selection criteria for the corpus, we discuss the notion of the popular at the time period under scrutiny, we assess this denomination in relation with the corpus and we observe how songs construct a representation of their interdependence with the people. Our stylistic approach accounts for the texts’ singularities but it also assesses how valid the notion of auctoriality is for songs printed between 1848 and 1851 and discusses the situated and dynamic representation of authorship. Analyzing texts according to their authors casts light on the issues of circulations, common elements and recurrences in the corpus. In a writing context where some elements are available for all the actors, common elements can be used to mark how a textual production belongs in a specific discursive domain (that of popular song writers in our case). Metrical analysis is a decisive methodology to analyse what appears as the collective character of these forms and the semiological complexity of song writing. It allows us to identify massive recurrences in the corpus, to clarify the practice and perception of verse writing in synchrony and to account for the heterogeneity of less frequent configurations as well.

A presente pesquisa consiste em, a partir da ideia de dois corpos do rei e de seus possíveis arranjos politicamente produtivos, pensar as interpretações historiográficas e as imagens literárias acerca de d. Pedro II elaboradas no Brasil, desde o começo dos anos 1920, época conturbada da vida política e cultural, até o início da década de 1940, quando se vivia, sob o governo de Getúlio Vargas, nos tempos do Estado Novo. São duas décadas carregadas de significados e memórias, nas quais se viveu a celebração e a fixação de marcos históricos para a ainda bastante jovem nação brasileira. Analisar as obras feitas neste período possibilita compreender a maneira como cada autor lidava com a ambiguidade do imperador, como cada um trabalhava, a partir de interesses específicos, o risco e a produtividade da política no monarca enfeixada. Indo além, é possível entender como cada um pensava e criticava, dessa maneira, mais do que o Segundo Reinado e seu monarca, o próprio regime republicano. A partir de apontamentos teóricos referentes às relações entre história e memória, são analisadas obras variadas, numa tentativa de mapear controvérsias que emergem em textos de gêneros diversos. Com a leitura e análise dos documentos, fica claro que a memória do imperador passou por uma série de disputas e debates, por interpretações que alternaram o tom positivo com a crítica mais satírica e corrosiva; entendimentos que, no contexto de sua produção, adquiriam eminente caráter político. Além disso, por conta de seu aspecto emblemático, muitas das questões e problemáticas levantadas no período possibilitam entendimentos amplos sobre a cultura política brasileira, inclusive de assuntos que tocam os nossos dias. Pensar essas elaborações e arranjos, seus riscos e produtividades, sua memória e longa duração, tais são os principais objetivos desta pesquisa. / This research consists in, based on the idea of the king\'s double body and its political arrangements, read and analyze the historical interpretations and literary images of d. Pedro II produced in Brazil since the early 1920s, a tumultuous time of political and cultural life, until the early 1940s, period when the country was under the government of Getúlio Vargas, in the times of Estado Novo. These two decades are full of meanings and memories; during these years, celebrations and historical marks were established for the until too young Brazilian nation. Analyze these works allows us to understand the way each author dealt with the ambiguity of the emperor, with the risk and the productivity of his policy. In this way, it is possible to understand how each author thought and criticized more than the Second Empire and its monarch, the republican regime itself. From theoretical approaches concerning the relationship between history and memory, various works are analyzed in an attempt to map out controversies that emerge in texts from various genres. This documents show clearly how the memory of the Emperor went through a series of disputes and debates; they also show how, in the context of its production, those interpretations acquired eminent political character. Furthermore, many of the problems raised in the studied period enable understandings about Brazilian political culture, including issues that reach our days. Think those elaborations and arrangements, their risks and productivity, their memory and long duration; such are the main objectives of this research.

The thesis "Conception of Jew in the Czech film during the Second Republic and the Protectorate" deals with ways of displaying characters of Jewish figures in the film in the period. It deals with Czech films made between the years 1939-1945, which appears Jewish character, then their analysis and evaluation of whether the film antisemitic sting occurred or not. The work focuses primarily on Czech film production, but also mentions characteristically related films made in Nazi Germany. The work uses for its purposes also newspapers of the mentioned period and compile the available literature. Powered by TCPDF (www.tcpdf.org)

The diploma thesis deals with the economic situation of the Second Republic. Second Republic is a sign of the political system in Czechoslovakia between the two occupation, namely from 1 October 1938 to 15 March 1939. The aim of the work is according to analysis adopted economic policies determine what form of state in fact the Second Republic was. Another intention of the work is to identify the objectives of economic and monetary policy and to compare the views of prominent representatives of economic and monetary policy. The work is based on the analysis of archival documents from the archives of the Czech National Bank, the National Archive of the Czech Republic and the Central Statistical Library. It became clear that in the significantly weakened Czechoslovak Republic, in which political regime showed signs of becoming increasingly authoritarian state, since the first days after the Munich Agreement promote both the left and right-wing economic policy recommendations and requirements. One of the key features of the economic situation of the Second Republic was characterized by mutual co-existence of state controlled economy and private property.

The master thesis called "Antisemitism in the Protectorate of Bohemia and Moravia" is describing, based on historical events, progress of solution of the Jewish question in the occupied Czech lands during the Second world war. In the first chapter the author describes the main events of the Jewish minority life in the protectorate. Jews had lost all their personal rights and discrimination in this regard was almost unbearable. German Nazism developed and at the same time realized "final solution" of the Jewish question. This term signified euphemistic name for the physical extermination of the Jewish nation. The second chapter devotes to the analysis of the press. The most important part of the whole thesis introduces three collaborationist periodicals from protectorate, which were chosen by author. They are called: Zteč (Assault), Árijský boj (Arya fight) and Národní politika (National politics). Construction of the Terezin concentration camp and subsequent life in it describes the last and the third chapter. This ghetto meant an important part of the whole Jewish question and its solution. Although the transports to eastern areas took place here, some Jews arranged better life through cultural activities and illegal educational activities. One of the specifics of Terezín was also the role that the camp played in the Nazi propaganda.

The diploma thesis deals with pair of domestic regimes known as the second and third | Czechoslovakian republic. The choice of these periods of the national history was conditioned by a relative absence of comparative political scientific works on these periods and by timelessness and topicality of the studying of domestic regimes, that refused the idea of a liberal democracy twice in ten years. The goal of the diploma thesis is to analyze, compare and categorize the second and the third Czechoslovakian republic in the framework provided by the theory of authoritarian and totalitarian regimes by Juan J. Linz. In the first part the thesis describes the theoretical framework of the theory of authoritarian and totalitarian regimes with stress on the theory of authoritarian regimes, as it is the assumption of the thesis, that both the second and the third republic were cases of authoritarian regimes. The other parts of theory which deal with totalitarian and sultanistic regimes are only briefly mentioned. In the second part of the thesis there is an analysis and comparison of both regimes based on three research questions. In this part the thesis deals with the relationship of both studied regimes with the first republic and their relationship with a liberal democracy, then it deals with the very analysis in...