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Arrant beggars staging the Atlantic lumpenproletariat, 1777 to 1852 /Reed, Peter Patrick. Lhamon, W. T. January 2005 (has links)
Thesis (Ph. D.)--Florida State University, 2005. / Advisor: Dr. W.T. Lhamon, Jr., Florida State University, College of Arts and Sciences, Dept. of English. Title and description from dissertation home page (viewed Sept. 14, 2005). Document formatted into pages; contains vii, 176 pages. Includes bibliographical references.
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Playing with America parody and mimesis in contemporary Japanese women's performance /Anan, Nobuko, January 2009 (has links)
Thesis (Ph. D.)--UCLA, 2009. / Vita. Description based on print version record. Includes bibliographical references (leaves 266-281).
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The stage controversy in France from Corneille to RousseauBarras, M. January 1900 (has links)
Thesis (Ph. D.)--Columbia University, 1933. / Vita. Published also without thesis note. Bibliography: p. 324-358.
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New Chinese opera house in Temple Street /Chan, Ping-hung, Joseph. January 2000 (has links)
Thesis (M. Arch.)--University of Hong Kong, 2000. / Special report study entitled: The making of catabiotic city. Includes bibliographical references.
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The moment before, the moment beforeBillings-Blankenship, Alexandra 09 August 2013 (has links)
<p> The actor's journey of self to character from the dressing room to the stage will be analyzed by way of Constantine Stanislavsky's Event Analysis and the Process of Evaluation, using Richard Schechner's Liminal Space as the foundation. Stanislavsky breaks down the mechanics of what happens to an actor as they go from one event to the next, and Dr. Schechner invites the actor's infinite imagination to live truthfully in the middle of that transition.</p><p> This process consists of constant practice, and the ability to dream. By crossing a threshold from one event to the next and by examining the space in between events, the actor learns the mechanics, the equations, and then, most importantly, to "un- think" them.</p>
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The nature of the education of the Athenian citizen in the 5th century B.C., which is presupposed by the Attic dramatists /Smee, Michael Harvey. January 1984 (has links) (PDF)
Thesis (M.A.)--University of Adelaide, Dept. of Classics, 1985. / Spine title: Athenian education and drama. Includes bibliographical references (leaves 112-118).
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The controversy between the Puritans and the stageThompson, Elbert N. S. January 1903 (has links)
Thesis (Ph. D.)--Yale University, 1903. / Bibliography: p. 267-272.
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The controversy between the Puritans and the stageThompson, Elbert N. S. January 1900 (has links)
Thesis--Yale University, 1903. / Original ed. issued as no. 20 of Yale studies in English. Bibliography: p. 267-272.
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A study of the group theatre and its contributions to theatrical production in America /Gasper, Raymond Dominic. January 1955 (has links)
Thesis (Ph. D.)--Ohio State University, 1955. / Includes vita. Includes bibliographical references (leaves 379-397). Available online via OhioLINK's ETD Center
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National cultures and popular theatre; four collective companies in Quebec and Newfoundland.Cook, Patricia Margaret Anne de Gruchy, Carleton University. Dissertation. Canadian Studies. January 1986 (has links)
Thesis (M.A.)--Carleton University, 1987. / Also available in electronic format on the Internet.
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