published_or_final_version / Literary Studies / Master / Master of Arts

Abstract is not available.

Thesis (M. Phil.)--University of Hong Kong, 2000. / Includes bibliographical references (leaves 217-229).

梁靜雯. / "2010年8月". / "2010 nian 8 yue". / Thesis (M.F.A.)--Chinese University of Hong Kong, 2010. / Includes bibliographical references (leaves 48-49). / Abstracts in Chinese and English. / Liang Jingwen. / Chapter 第一章: --- 有關繪畫中的時間性研究 / Chapter 1.1 --- 前言 --- p.5 / Chapter 1.2 --- 研究範圍 --- p.5 / Chapter 1.3 --- 藝術與社會的關係 --- p.6 / Chapter 1.4 --- 重複的定義 --- p.9 / Chapter 1.5 --- 重複與時間的關係 --- p.11 / Chapter 第二章： --- 線性的時間觀 / Chapter 2.1 --- 重複影像中的故事 --- p.12 / Chapter 2.2 --- 經歷英雄的事蹟 --- p.17 / Chapter 第三章： --- 由刹那到刹那與刹那之間 / Chapter 3.1 --- 刹那 --- p.19 / Chapter 3.2 --- 刹那與刹那之間 --- p.23 / Chapter 第四章： --- 由線性的時間觀到環狀的時間觀 / Chapter 4.1 --- 環狀的時間觀 --- p.28 / Chapter 4.2 --- 由英雄意識的破滅到個人的抽離 --- p.31 / Chapter 第五章： --- 抵抗習以為常的重複 / Chapter 5.1 --- 從彰顯到進入 --- p.34 / Chapter 5.2 --- 對於本人作品的思考 --- p.37 / Chapter 5.3 --- 總結 --- p.43 / 附錄：本人作品 --- p.45 / 參考書目 --- p.48

Thesis (M.F.A.)--West Virginia University, 2003. / Title from document title page. Document formatted into pages; contains iv, 17 p. : col. ill. Vita. Includes abstract. Includes bibliographical references (p. 15).

Thesis (M. Ed.)--Kutztown University of Pennsylvania, 1991. / Source: Masters Abstracts International, Volume: 45-06, page: 2772. Abstract precedes thesis as [1] preliminary leaf. Typescript. Includes bibliographical references (leaves [41-46]).

Thesis (M.A.)--University of Hong Kong, 1991.

Thesis (M.F.A.)--Georgia Southern University, 2008. / "A thesis submitted to the Graduate Faculty of Georgia Southern University in partial fulfillment of the requirements for the degree Master of Fine Arts." Directed by Jessica Hines. ETD. Includes bibliographical references (p. 36)

Thesis (M.A.)--University of Hong Kong, 1991. / Also available in print.

This exegesis forms part of an ongoing enquiry on the concept of time. Artist, Barnett Newman sought the ‘physical sensation of time’ in his painting. My research questions, through a program of creative work, whether a moment in time can be represented in a two dimensional art work; or if we only experience the sensation of time passing, as we are viewing it. A key issue within this creative practice-based approach, is to examine if empty visible space within an artwork ‘ignites’ a sense of time; if a visualisation of empty space can capture an event, an awareness of the immediacy of a moment experienced in the studio. / Master of Arts (Honours) in Fine Art