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1	Is Evelyn Underhill's "mystic way" an appropriate method for a Christian to better know God? Eddins, Michael F. January 1995 (has links) Thesis (M.A.)--Trinity Evangelical Divinity School, 1995. / Abstract. Includes bibliographical references (leaves 74-77). Underhill, Evelyn, Mysticism
2	Evelyn Underhill after Mysticism : an assessment of her later years Dalgaard, Anne Elisabeth. January 1984 (has links) This thesis is an examination and assessment of the life and work of Evelyn Underhill. Particular emphasis is given to the development of her thought after she had written the classic, Mysticism: a Study in the Nature of Development of Man's Spiritual Consciousness. / After more than a decade of being virtually a non-communicating Roman Catholic, Underhill returned to the church of her baptism and confirmation, the Church of England. / The "shift" in her thought which led to this decision and subsequent commitment resulted in what she herself called her "vocation." This was followed by an involvement in the retreat movement and in an increase in the task of that classic art, called in the church, the "cure of souls." / To her writings on philosophy and religion she added collections of retreat addresses. Together with the correspondence between Underhill and Friedrich von Hugel, many of her works offer an important contribution to spirituality today--its history, theory and practice. Underhill, Evelyn, 1875-1941. Mysticism Spirituality
3	Evelyn Underhill after Mysticism : an assessment of her later years Dalgaard, Anne Elisabeth January 1984 (has links) No description available. Spirituality Mysticism Underhill, Evelyn, 1875-1941.
4	Town and Gown : amateurs and academics : the discovery of British prehistory, Oxford 1850-1900 : a pastime professionalised Price, Elizabeth Megan January 2007 (has links) This investigation into the origin of a collection of nineteenth century lanternslides revealed evidence of the social, intellectual and cultural importance of various scientific societies in Oxford, and the contributions made by those involved, particularly the creator of the lanternslides, H. M. J. Underhill, (1855–1920). Evidence gathered from primary sources showed a fluidity of relationships between the supposed ‘town and gown’ in late nineteenth century Oxford which consisted of a community of citizens, amateurs and academics, all of whom were linked by a growing interest in the real and mythological British past. Following a discussion of the key intellectual and social influences in Britain during the latter half of the nineteenth century, including the implications of the emerging evidence of an ancient human past, the thesis focuses on individual case studies. They illustrate the roles of overlooked or neglected individuals whose work contributed to the growth of today’s discipline of British prehistory. Several people, now forgotten, including Underhill were contemporaries of Arthur Evans and Edward Tylor whose social circumstances made it easier for them to become prominent academics. The results of this research indicate that a new approach is required in the history of archaeology; one that would draw attention to the vital contributions made by forgotten or overlooked individuals, societies and popular publications. Further attention to these issues will shed new light on the way that prehistoric archaeology moved from an antiquarian pastime to an academic discipline between 1850 and 1900. 930.1
5	Kabīrs många ansikten : En analys av Bhisham Sahnis dramatext Kabirā khaḍā bazār meṃ Rosén, Felix January 2020 (has links) Kabīr stands as one of the most, if not the most, influential nirguṇbhakti poet of the so-called Sant movement in northern India during the 15th century. Even though his fame is far and widely spread, there is no extensive historical evidence regarding his own life. The understanding one might have surrounding Kabīr is mostly inspired by his poems, or following the information which is available through the rich traditions regarding Kabīr, mostly authored by his followers in the Kabīr Panth. His critical view on high caste society, and rough rhetoric regarding the institutionalized religious traditions of his era, made him a victim of hate and violence during his lifetime. After his death, this rough rhetoric and critical view, ignited a full on dispute between Hindus and Muslims on the subject of which group he belonged to. The teachings of Kabīr has not only sparked an interest in the field of academia but also in movies, literature and theater alike. The latter is the main subject of interest for this paper. The renowned Indian writer Bhisham Sahni has during his life been recognized as one of the most influential writers in the so-called Nayī Kahānī movement, which sprung from a new found vision of the future after Indian independence 1947. Sahnis is mostly famous for his novels and short stories, with such titles as Tamas and Amṛtsar ā gayā hai. But in this paper we shall instead take a closer look into his play Kabirā khaḍā bazār meṃ and how Kabīr is portrayed and understood by Sahni, as well as, if and how Sahni’s Kabīr can be understood within a comparative analysis with how he is portrayed in the introduction to Rabindranath Tagore’s One hundred poems of Kabir by Evelyn Underhill and in Linda Hess’s The Bījak of Kabīr. Kabīr Sant Nirguṇa Bhakti Sahni Bhisham Nayī Kahānī Kabirā khaḍā bazār meṃ Tagore Rabindranath Underhill Evelyn Hess Linda. Kabīr Sant Nirguṇa Bhakti Sahni Bhisham Nayī Kahānī Kabirā khaḍā bazār meṃ Kabīr Sant Nirguṇa Bhakti Sahni Bhisham Nayī Kahānī Kabirā khaḍā bazār meṃ Tagore Rabindranath Underhill Evelyn Hess Linda. Specific Literatures Litteraturstudier

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