Thesis (Ph. D.)--University of Pennsylvania, 1922.

Basiert auf der Diss. Univ. Brüssel, 2005. / Includes bibliographical references and index.

Thesis (Ph. D.)--University of California, San Diego, 2007. / Vita. Includes bibliographical references (leaves 143-155).

English Studies / M.A. (English)

This dissertation offers readings of novels by Pierre Guyotat, Georges Perec, Patrick Modiano and other lesser-known French authors of the twentieth and twenty-first century, analyzing the representation of the “appelés d’Algérie,” the last citizens of France to be mobilized in a wartime draft. Dating back to the Third Republic, military service played a key role in turning both metropolitan and colonial populations into Frenchmen, though clearly not under the same conditions or in the same way. A historically informed account of military service’s role in citizenship formation can provide a useful analytic frame for clarifying literary engagements with contemporary French “identity-talk,” i.e. political and discursive deployments of identity and identity politics, as well as debates around laïcité, universalist assimilationism, and “communautarisme.” In early literary responses to the Algerian War, the character of the conscript serves to criticize the rising tide of consumerism and Americanization in postwar France. In novels by Daniel Anselme and René-Nicolas Ehni, draftees participate in a homosocial republicanism in which “fraternité” trumps both atomized individualism and the normative heterosexual couple, a locus of consumption. In novels by Perec and Modiano, resistance to conscription enables a critique of universalist citizenship, as the figure of the insubordinate or ambivalent conscript provides an opportunity to reckon with Jewish identity and French anti-Semitism. My analysis addresses the unequal and uneven distribution of political rights based on “identity” factors as well as the asymmetrical deployment of the term “communautarisme.” Certain of Guyotat’s texts are perceived to respond politically and aesthetically to the Algerian War, even though they refuse the conventions of realism, verisimilitude, and even representation. Using Foucault to read Guyotat, my analysis of his work provides an opportunity to address twentieth-century French debates concerning engaged and autonomous art, as well as the relationship of radical politics to radical form. I turn in my last chapter to recent novels by the prize-wining French novelists Alexis Jenni, Laurent Mauvignier, Jérôme Ferrari, and Alice Ferney. Set in part during the Algerian War, these novels draw explicit parallels between colonial violence and race-based violence in France today. These rhetorical parallels can obscure historical contingency and complexity, such as the evolving construction of the concept of “race.” Likewise, these novels contrast a virile, homogenous military and an effeminate, fractured republic and can be read as parables for the rise of the Front National in contemporary France. My analysis shows how these works can both participate in and critique particular racialized and gendered views of the French republic.

No description available.

Thesis (DPhil (Ancient Studies))--University of Stellenbosch, 2008. / Since time immemorial and throughout the centuries up to the present, the struggle between Good and Evil has played a cardinal role in the “cultural web” of mankind. In the various religions, this dimension of life is linked to the theological issue of human suffering and need in the light of Divine Omnipotence and Grace. Some of the earliest prophets/compilers/authors expressed their own perspectives on this ongoing conflict and burning question. This comparative research stems from a statement by the well-known Iranologist, Mary Boyce. She described the origin of the Christian faith as a new religion that developed out of Judaism, enriched by contact with the old Persian religion, Zoroastrianism. Other researchers also described various aspects of the dualism, eschatology, angelology and demonology, as well as the cosmogony and purity laws, as “obvious” similarities. However, researchers have not yet reached consensus on the possible influence exercised by Zoroastrianism on Judaism and the early Christian writings. The aim of the study is to make a contribution to the ongoing debate from another perspective. Writings from the religions are juxtaposed in full, and analysed and compared according to the war theme and components arising from the writings themselves. A holistic approach offers a more structured starting -point for further research rather to opposing aspects randomly from a large variety of texts. The holistic approach draws attention to similarities as well as differences. Keywords out of each analysis of a component have been placed in a framework to present the summarising comparison more compactly. Historical and literary contexts play an important role in a comparative study. The writings of the three religions originated in four major eras: the Bronze Age/the Sasanian Period, the Hellenistic Era and the Roman Era. The characteristic dualism of Zoroastrianism is limited to the eschatological/apocalyptic war as it is found in the Gathas of Zarathustra. References are also made to the “later” apocalyptic writing, the Bahman Yasht. The most relevant writing in the Judaism (Qumran) is the War Scroll. Richard Bauckham has described Revelations as the “Christian War Scroll”. The analysis of the various aspects shows that core principles in the religions underlie the war themes. Some of the proper names contain defining elements in the determination of dualism and monotheism. Planning and weapons are main components in the strategy of the war - the “revelation” of the modus operandi. The eschatology is caught up in the ultimate end of the war. In the final chapter, the main corresponding elements are placed on a “scale” and “weighed”. Although no further “lexical links” – the weight-bearing criteria of García Martínez – have been found in this study, the amount of corresponding aspects in merely one text per religion is significant. Differences and unique imagery/symbolism put each writing in its own time-slot and framework.

This thesis is the first academic treatment of the poetry of Anton Schnack (1892-1973): his work is not well known, even in Germany. Methodologically the thesis takes a combined literary, historical and biographical approach, exploring the complex and sometimes deceptive relations between his poetry and the turbulence of his time. The primary aim of the thesis is to show that Tier rang gewaltig mit Tier (1920) is a uniquely innovative volume of war poetry which, to be fully appreciated, needs to be assessed against the background of previous German war poetry and the development of the sonnet cycle. It is placed in the context of Schnack’s other lyrical work, particularly of the three volumes of Expressionist poetry which immediately preceded it and which themselves are analysed as examples of a very powerful kind of Expressionism. Schnack did not publish his next volume of verse until 1936, and three further collections emerged in quick succession between 1947 and 1953. These four collections are examined in detail in the context of Schnack’s decision to stay in southern Germany and to maintain a consistently low profile. The thesis begins with a general introduction to Schnack’s life and work and makes specific reference to his contemporary and current standing among literary historians and critics. Chapter Two focuses on the three volumes of Expressionist verse and documents the cultural circles which he frequented in Munich and the numerous Expressionist magazines and periodicals to which he contributed. The next three chapters are dedicated to Tier rang gewaltig mit Tier and examine it with reference to its poetic form as a cycle of sonnets and of its merits and status as war poetry. The final chapter pays particular attention to Schnack’s life in the Third Reich, situating the single collection he published during that era among the literary works of Inner Emigration, before analysing his three post-war collections.

Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal.

Chan, Sze Man. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2010. / Includes bibliographical references (leaves 167-172). / Abstracts in English and Chinese. / Abstract --- p.I / List of Illustrations --- p.IV / Acknowledgements --- p.V / "Introduction ""Regarding the Pain of Others"": War as Spectacle today" --- p.1 / Chapter Chapter 1 --- "From ""We Bombed in New Haven"" to bombing our new ""haven"": Joseph Heller's War Play of Metatheatre against Spectators" --- p.27 / Chapter Chapter 2 --- "From ""Society of Spectacle"" to Society of Impotence: Tim O'Brien's War Novels of Affect against Spectator-readers" --- p.56 / Chapter Chapter 3 --- "The War Photographer as the exemplary Spectator in disguise: False ""Witness"" of the Photographic Eye" --- p.104 / Conclusion --- p.150 / Endnotes --- p.157 / Bibliography --- p.167