Spelling suggestions: "subject:"women photographers"" "subject:"women photographer’s""
1 |
Tina Modotti and Idols behind altarsDeetsch, Andrea Jeanne, January 2003 (has links) (PDF)
Thesis (M.A.)--University of Louisville, 2003. / Department of Fine Arts. Vita. "May 2003." Includes bibliographical references (leaves 48-49).
|
2 |
Male and female news photographers a profile of professional orientations /Slattery, Karen Louise. January 1977 (has links)
Thesis (M.S.)--Wisconsin. / Includes bibliographical references (leaves [56]-58).
|
3 |
The sexually dimorphic image; an empirical analysis of the influences of gender differences on photographic content /Cloninger, Sally J. January 1974 (has links)
No description available.
|
4 |
Picturing nature : education, ornithology and photography in the life of Cordelia Stanwood: 1865-1958 /Richardson, Cynthia Watkins, January 2002 (has links) (PDF)
Thesis (Ph.D.) in History--University of Maine, 2002. / Includes vita. Includes bibliographical references (leaves 226-255 ).
|
5 |
Fading light : the case of Doris Ulmann /Kowalski, Shelley. January 2000 (has links)
Thesis (Ph. D.)--University of Oregon, 2000. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 232-242). Also available for download via the World Wide Web; free to University of Oregon users. Address: http://wwwlib.umi.com/cr/uoregon/fullcit?p9977907.
|
6 |
Mother/photographersBlack, Judith Buckholdt January 1981 (has links)
Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1981. / MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH. / Includes bibliographical references (leaf 86). / The thesis work consists of : 1) A visual statement of 30-40 black and white photographs produced in 1980-1981 and presented in an exhibit at the Creative Photography Gallery , April 3-29, 1981. The statement consists of portraits of my family members and self-portraits. 2) A portfolio of ten black and white prints from the exhibit to be left in the Creative Photography Laboratory Archives. 3) A written documentation of my investigation and study of the particular genre of Mother/Photographers who have used their families as subject matter. 4) A slide/lecture on the subject of Mother/Photographers presented in conjunction with a panel discussion on Nurturance and Ambition, April 22, 1981 at the Creative Photography Laboratory. / by Judith Buckholdt Black. / M.S.V.S.
|
7 |
Ordering the façade : photography and the politics of representation in contemporary Southern women's fiction /Henninger, Katherine, January 1999 (has links)
Thesis (Ph. D.)--University of Texas at Austin, 1999. / Vita. Includes bibliographical references (leaves 256-271). Available also in a digital version from Dissertation Abstracts.
|
8 |
Picturing Nature: Education, Ornithology and Photography in the Life of Cordelia Stanwood: 1865-1958Richardson, Cynthia Watkins January 2002 (has links) (PDF)
No description available.
|
9 |
The feminization of photography and the conquest of colour : Sarah Angelina Acland, photographerHudson, Giles January 2012 (has links)
No description available.
|
10 |
Home in the age of mechanical reproduction : Canadian contemporary photographers and the contested terrain of home /Parkinson, Helen January 1900 (has links)
Thesis (M.A.)--Carleton University, 2004. / Includes bibliographical references (p. 196-207). Also available in electronic format on the Internet.
|
Page generated in 0.0584 seconds