No description available.

No description available.

This study explains the development of Business Week from its beginning in 1929 to 1975 and its changes over this forty-five-year period in format, content and editors. The study shows how Business Week developed, reflecting the history of American business, industry, labor, and the rise of the consumer, and recorded the growth and changes in the magazine's format, news departments, services and features, and staff. The study traces the development of Business Week in three periods, 1929, 1930-1950, and 1955-1975; and concludes that Business Week is the leading magazine publication in the business press. The sources of data for this study primarily include the executives of Business Week and the magazine itself.

Thesis (Ed.M.)--Boston University

Chiu, Shu Ju Ann. / "March 2011." / Thesis (Ph.D.)--Chinese University of Hong Kong, 2011. / Includes bibliographical references (p. [302]-317). / Questionnaire in Chinese. / Abstract in Chinese and English. / Acknowledgement --- p.i / Abstract --- p.iv / Abstract (Chinese) --- p.V / Chapter Chapter I. --- Introduction --- p.1 / Statement of Problem --- p.3 / Theoretical Discussion of Chinese Overseas and the Internet --- p.10 / Methodology --- p.20 / Thesis Chapters --- p.28 / Chapter Chapter II. --- Old and New Immigrants and the Internet in Manhattan Chinatown --- p.32 / Realignment of Social Structure after 9/11 --- p.36 / Changing Occupational Composition after 9/11 --- p.41 / Locality and Community Identifications of Old and New Immigrants --- p.45 / Transnational Migration and the Internet in Manhattan Chinatown --- p.55 / Chapter Chapter III. --- Emigrant Families and the Internet in Guangdong and Fujian --- p.65 / Transnational Migration to New York --- p.66 / Jiangmen Wuyi: Hometown of Old Cantonese Immigrants --- p.71 / Fuzhou Shiyi: Hometown of New Fujianese Immigrants --- p.84 / Chapter Chapter IV. --- Hometown Association and Homepage: CCBA-NY and Fujianese.com --- p.102 / Hometown Websites in Manhattan Chinatown --- p.104 / Weblog and the Profile of Hometown Associations --- p.113 / The Online Persona of CCBA-NY and Fujianese.com --- p.117 / Chapter Chapter V. --- Ancestral Worship Ritual and the Politics of Traditional Associations --- p.136 / Kinship Rhetoric and Cultural Politics of Ethnicity --- p.138 / The Sacred Place and Cultural Politics of New Fujianese Associations --- p.147 / The Sacred Space to Honor Ancestors for Old Cantonese Associations --- p.158 / Chapter Chapter VI. --- Online Debates over the Cultural Landmark of Manhattan Chinatown --- p.168 / Chinatown Visitor Information Kiosk --- p.170 / Chinese Archway --- p.176 / Confucius and Lin Zexu --- p.183 / Chapter Chapter VII. --- Miss Internet and the Hometown Memory of Fuzhou Migrants --- p.199 / The Internet Users and Non-Internet Users in the Fujianese Community --- p.201 / "Miss NY Chinese Pageant, Hometown Memory and Cultural Identity" --- p.211 / MissFujianese.com and the Cultural Construction --- p.222 / Chapter Chapter VIII. --- Online Ethnic Media and Social Action against Discrimination from American Mainstream Society --- p.239 / The Rally against CW11 and the Online Chinese Daily Press --- p.241 / The Rally against CBS and the Ethnic Websites --- p.250 / Online Social World of Chinese Immigrants --- p.262 / Chapter Chapter IX. --- Conclusion --- p.277 / Appendix --- p.295 / Bibliography --- p.302

Because few women were permitted to join professional orchestras before World War II, women’s orchestras developed in major American cities, including Boston, New York, Chicago, and Philadelphia, during the interwar period. The Orchestrette Classique, a women’s chamber orchestra, performed in New York City between 1933 and 1944 under the direction of conductor and violinist Frédérique Petrides. Over the course of its tenure, the ensemble became known for its unusual concert programs, which often juxtaposed contemporary compositions with more traditional classical repertoire. Using primary source documents from the Frédérique Petrides Papers collection at the New York Public Library and articles from New York newspapers, this thesis presents the ways in which Petrides promoted the members of her ensemble as serious musicians, despite gender bias and the economic difficulties of the Depression. By cultivating working relationships with contemporary composers such as Henry Cowell, David Diamond, and Paul Creston, Petrides gave female musicians a role in the development of American classical music.

No description available.

viii, 291 leaves : ill., tables, graphs, photos ; 30 cm. / Title page, contents and abstract only. The complete thesis in print form is available from the University Library. / Thesis (Ph.D.)--University of Adelaide, Dept. of Plant Pathology, 1976

Thesis (M.A.)-- Sarah Lawrence College, 2005. / Includes bibliographical references. Also available on the Internet.

Shutters is a fragmented novel that employs various prose and poetic elements to document the life and endeavors of photographer-writer Ishi in present day New York City. The work follows his quest for emotional and physical connection, and his artistic project where he photographs and writes about suicide survivors. The work explores the observer-observed divide that often manifests in fiction and addresses the themes of physical beauty, art, death and the human condition.