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Filter designer : an intuitive digital filter design environmentKennedy, Paul B. (Paul Brodie) January 1996 (has links)
The ability to accurately manipulate the spectral content of audio is indispensable for the artistic presentation of sound. While there are many devices currently available that are capable of performing this function, most tend to be either highly complex electrical engineering tools, or music-oriented products that are limited in functionality. Filter Designer was created to fill this gap by providing an environment with which musically-trained users can design and implement digital filters, while having access to control parameters and analysis data previously exclusive to the engineering field. This work explores the factors that motivated the creation of Filter Designer, and examines the process of its development, from basic user interface design to the calculation and implementation of digital filters for use with audio signals.
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Digital recursive filters : a tutorial for filter designers with examples implemented in Csound and supercolliderKatsianos, Themis G. January 1997 (has links)
Filters constitute an essential tool for manipulating the spectral content of a signal. While there is a plethora of filtering tools, both in the hardware and software domain, the majority of them are geared towards engineers and scientists, rather than sound designers and electroacoustic composers. The "common-practice" approach is to consider filters as post-production tools. This can be restrictive if filters are to be used as artistic tools, dynamically involved in the shaping of the sound. This thesis was written with this approach in mind its aim is (a) to provide a survey of the various digital recursive filters, enabling a filter designer to choose the one that suits his needs, (b) to teach filter designers, such as electroacoustic composers and sound designers how to calculate digital filter coefficients, and (c) implement filter algorithms using the familiar syntax of computer music languages such as Csound and SuperCollider .
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Low-frequency-reference-tracking-filterAlaspa, Allan Alec, January 1969 (has links)
Thesis (M.S.)--University of Wisconsin--Madison, 1969. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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Filter designer : an intuitive digital filter design environmentKennedy, Paul B. (Paul Brodie) January 1996 (has links)
No description available.
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Digital recursive filters : a tutorial for filter designers with examples implemented in Csound and supercolliderKatsianos, Themis G. January 1997 (has links)
No description available.
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Quasi-collinear-beam acousto-optic tunable filters and applications. / CUHK electronic theses & dissertations collectionJanuary 1997 (has links)
by Changsong Qin. / Thesis (Ph.D.)--Chinese University of Hong Kong, 1997. / Includes bibliographical references (p. 128-139). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Mode of access: World Wide Web.
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Sudden enlargements as fluid acoustic filters, including attached mass effectsBurns, Edward M., 1941- January 1966 (has links)
No description available.
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Acoustic echo cancellation: performance and structures.Knappe, Michael E. (Michael Edward), Carleton University. Dissertation. Engineering, Electrical. January 1992 (has links)
Thesis (M. Eng.)--Carleton University, 1992. / Also available in electronic format on the Internet.
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The stability of pitch synthesis filters in speech coding /Lam, Victor T. M. January 1985 (has links)
No description available.
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The stability of pitch synthesis filters in speech coding /Lam, Victor T. M. January 1985 (has links)
No description available.
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