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The naked king : on the desire to replace philosophy with Conceptual art during the years 1966-1972 and the aesthetic response by Theodor W. Adorno, Umberto Eco and Jacques RancièreDi Lecce, Giuseppe January 2011 (has links)
The aim of this essay is to investigate the reconfiguration and, to some extent, the total deconstruction of the aesthetic field, such as we have know it since Baumgarten, that is promoted by Conceptual art. It is our intention to show the philosophical importance and the theoretical implications of the questions raised by this artistic movement, which somehow instigated the tumultuous debate directed to overwhelm much of the art world from the late 1960's onward. We believe that the very core of Conceptual art is philosophical and in this respect our programme is to investigate how Conceptual art not only challenges the viewer with traditional aesthetic concepts, but also with the very means used by philosophy to analyse art. This essay aims therefore to be an analysis of the philosophy of Conceptual art, which we put in relation to the aesthetic investigations of three philosophers - TheodorWiesengrundAdorno, Umberto Eco and Jacques Rancière. The ambition is to shed theoretical light on an artistic movement certainly scantly considered within the philosophical domain, while it indicates itself as the contingent successor to philosophy.
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Der Topos der Undarstellbarkeit ästhetische Positionen nach Adorno und LyotardSander, Sabine January 2006 (has links)
Zugl.: Leipzig, Univ., Diss., 2006
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Zweite Kopernikanische Wende Adornos erkenntniskritische Interpretation von Kant im Rahmen vom Nichtidentischen /Albayrak, Mehmet Baris. January 2007 (has links)
Tübingen, Univ., Magisterarbeit, 2007.
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Fundamentalästhetik und Normativität Untersuchungen zu Emil Staigers Fundamentalpoetik im Hinblick auf Heinrich Rombachs "Strukturontologie" und Theodor W. Adornos "Ästhetische Theorie" /Distelmaier, Otto, January 1973 (has links)
Thesis--Munich. / Includes bibliographical references (p. 151-175).
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Kritische Theorie versus Kritizismus : zur Kant-Kritik Theodor W. Adornos /Braun, Carl. January 1983 (has links)
Diss. : Philosophie : Bonn : 1981. - Bibliogr. p. 293-308. Index. -
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Das Schreiben des Subjekts : zur Inszenierung ästhetischer Subjektivität bei Baudelaire, Barthes und Adorno /Kolesch, Doris, January 1900 (has links)
Texte remanié de: Diss.--Fachbereich 13 Philologie I--Mainz--Johannes-Gutenberg-Universität, 1994. / Bibliogr. p. 269-296. Index.
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From constellations to autoprohibition everything you wanted to know about Adorno's ethics (but were afraid to ask Žižek) /Webb, Dan. January 1900 (has links)
Thesis (Ph. D.)--University of Alberta, 2010. / A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy, Dept. of Political Science, University of Alberta. "Spring 2010." Title from pdf file main screen (viewed on March 19, 2010). Includes bibliographical references.
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From constellations to autoprohibition everything you wanted to know about Adorno's ethics (but were afraid to ask Žižek) /Webb, Dan. January 1900 (has links)
Thesis (Ph. D.)--University of Alberta, 2010. / A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy, Dept. of Political Science, University of Alberta. "Spring 2010." Title from pdf file main screen (viewed on March 19, 2010). Includes bibliographical references.
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Zur Dialektik von Theorie und Praxis bei Theodor W. AdornoKnoll, Heiko January 2005 (has links)
Zugl.: Frankfurt (Main), Univ., Diss., 2005 u.d.T.: Knoll, Heiko: Zur Dialektik von Theorie und Praxis bei Adorno
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Der Topos der Undarstellbarkeit : ästhetische Positionen nach Adorno und Lyotard /Sander, Sabine. January 2008 (has links)
Simultaneously published as author's dissertation--Universität Leipzig, 2006. / Includes bibliographical references (p. [272]-304) and index.
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