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O conceito de episteme em Platão: análises em diálogos do período intermediário ao da maturidade / The concept of episteme in Plato: analysis in intermediate and maturity period of dialoguesRamos Filho, José Silva 26 September 2016 (has links)
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Previous issue date: 2016-09-26 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / This dissertation focuses on the concept of episteme in Plato’s philosophy. We start from the presupposition that the philosopher introduces new hypotheses during the period of the intermediate dialogues. Foundations from this evaluation appear in Meno, where Plato distinguishes episteme from doxa and introduces the theory of anamnesis. In Phaedo, Thaetetus and Republic, Plato systematizes his ideas and develops important concepts, as aisthesis. Our intention is to find out how the philosopher treats and relates those concepts within the dialogues that we are going to analyze and, above all, we want to answer to the question: maintains Plato a conceptual unity regarding the meaning of episteme or changes his views as he evolves to a more mature conception in the aforementioned dialogues? / O objeto de estudo neste trabalho é o conceito de episteme na filosofia de Platão. Partimos do pressuposto de que o filósofo introduz novas hipóteses a partir dos diálogos do período intermediário. Um eixo para a avaliação disso surge já no Mênon, onde Platão distingue episteme de doxa e introduz a teoria da reminiscência. Nas demais obras aqui estudadas, Fédon, Teeteto e A República, Platão sistematiza suas ideias e amadurece conceitos importantes, como o de aisthesis. Nossa intenção é averiguar como o filósofo relaciona suas concepções nas obras que analisamos e, sobretudo, responder à indagação: mantém Platão uma unidade conceitual acerca do termo episteme ou muda de concepção conforme amadurece os diálogos que abordamos?
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Program českého dekadentního hnutí a otázka intertextuality. Dílo Miloše Martena / Program of the Czech Decadent Movement and the Question of Intertextuality. Tho Work of Miloš MartenKantoříková, Jana January 2018 (has links)
The Program of the Czech Decadent Movement and the Question of Intertextuality. The Work of Miloš Marten This thesis explores the work of Miloš Marten (1883-1917) seeking to analyse its decadent narrative as a modern narrative that brings into play the unity between the pinnacle and the decline. It departs from the comparison between the style and interpretation of the two versions of Cyklus rozkoše a smrti (orig. The Cycle of delight and death; 1907 and 1917/1925) and the study of the realisations of this work. For this purpose the study contextually examines the conceptions of "intertextuality" from fin de siècle authors-critics, meaning their conceptualisations of similarity and/or identity of literary works which frequently involve a confluence of degeneration theory, the argument of the non-ethical nature of plagiarism and theory of decadence. All were often used as instruments of disqualification as well as justifications for a modern aesthetics and style. Reconstitution of Marten's theoretical reflection on artistic genres evidences his research of a harmonizing modern culture within an anti-syncretic tendency: mythology and revolt against myth Order being shifted to tragedy and parable, while the novel is designed as an analytical-critical synthesis. Applying contemporary approaches to...
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