This Diploma Thesis deals with the musical underground in northern Bohemia during the period of so-called normalization. It aims to summarize the characteristics of the underground movement and conditions for music production in the informal culture, and deals mainly with the underground rock scene. The theoretical part focuses on understanding the underground movement from today's perspective and is critical to the created underground phenomenon by studying the written sources and by the analysis of interviews with witnesses. An authentic narration obtained by the oral history brings to the topic a personal view and conviction selected representatives, who, regardless of historical circumstances, were managed to mantain their inner freedom. Samples lyrics and the interpretation of the positions of the narrators are intended to help readers find other than just mythicised view of the underground in Czechoslovak history.

El modelo de negocio se basa en la comercialización de premezclas de panqueques saludables y nutritivos hechos a base de cereales andinos como lo son la kiwicha y quinua. El proyecto busca aprovechar y satisfacer la falta de opciones en el mercado de productos alimenticios saludables y nutritivos pre - elaborados para personas que lleven un estilo de vida saludable y vivan en Lima Metropolitana. Asimismo, se busca que este vaya acorde a la preocupación medioambiental existente utilizando empaques eco amigables. Para poder validar el problema identificado con anterioridad se tuvo que realizar entrevistas a usuarios y a personal experto en la materia. Para la puesta en marcha del negocio se tuvo que realizar un análisis profundo del mercado, segmentos de clientes, competidores, proveedores, entre otros. Asimismo, se aplicaron distintas actividades y estrategias para lograr el posicionamiento del producto, las cuales fueron fueron realizadas e ideadas por los fundadores.

Media shapes and supports certain ideas about how we view ourselves and others. The narratives that we consume train us to desire a particular formula of what critic Lauren Berlant calls "the good life": growing up, becoming a man or a woman, getting married, having children, and retiring. People who fail to fit into these narratives are often punished and excluded from society. However, queer theorist Jack Halberstam asks us to reconsider failure as a means of resistance. The texts that I examine fail to conform to narrative expectations or to fit formulae that are easily consumable or defined. They present queer characters and relationships that exceed social norms and generic conventions. These characters and relationships encourage us to reconsider the models of desire given to us, and to embrace a more nebulous state of anxiety found in liminal space. In Chapter 1, I discuss Argentine-Spanish-French film XXY (2007), which follows the story of Alex, an intersex teen who refuses to fit within the binary of male or female. In Chapter 2, I argue that Hitchcock's Vertigo (1958) lays the groundwork for the visual representation of anxiety and desire in the Japanese manga Aku no Hana (Flowers of Evil ), which explores non-monogamous relationships structured around sadistic voyeurism. In the conclusion I turn briefly to children's cartoons Steven Universe and Adventure Time, in which failure has been reimagined as queer utopia. By focusing on media that resist heteronormative conventions we can start to reimagine models for more empathetic and compassionate communities.