No description available.

No description available.

No description available.

No description available.

No description available.

Grounded in the methodologies of New Historicism, New Criticism, Subaltern Studies, and Colonial Discourse Analysis, this dissertation explores Englishwomen’s fictions of the nautch girl (or Indian dancing girl) at the turn of the century. Writing between 1880 to 1920, and within the context of the women’s movement, a cluster of British female writers—such as Flora Annie Steel, Bithia Mary Croker, Alice Perrin, Fanny Emily Penny and Ida Alexa Ross Wylie—communicate both a fear of and an attraction towards two interconnected, long-enduring communities of Indian female performers: the tawaifs (Muslim courtesans of Northern India) and the devadasis (Hindu temple dancers of Southern India). More specifically, the authors grapple with the recognition that these anomalous Indian women have liberties (political, financial, social, and sexual) that British women do not. This recognition significantly undermines the imperial feminist rhetoric circulating at the time that positioned British women as the most emancipated females in the world and as the natural leaders of the international women’s movement. The body chapters explore the various ways in which these fictional devadasis or tawaifs test imperial feminism, starting with their threat to the Memsahib’s imperial role in the Anglo-Indian home in the first chapter, their seduction of burdened Anglo-Indian domestic women in the second chapter, their terrorization of the British female adventuress in the third chapter, and ending with their appeal to fin-de-siècle dancers searching for a modern femininity in the final chapter. My project is urgent at a time when imperial feminism is becoming the dominant narrative by which we are being trained to read encounters between British and Indian women, at the expense of uncovering alternative readings. I conclude the dissertation by suggesting that the recovery of these alternative readings can be the starting point for rethinking the hierarchies and the boundaries separating First World from Third World feminisms today. / English

Doctor of Philosophy (PhD) / This thesis examines some projects of moral regulation, implemented by the agents of the church and king in the late Anglo-Saxon period, which sought to modify and govern marital conduct. Theories of moral regulation are analysed in the Introduction, which also examines Germanic marriage practices, as far as they can be recovered, and the Anglo-Saxon church’s inherited attitudes towards marriage. Manuscripts and texts are examined firstly as projects of moral regulation, and secondly as projects which attempted to alter marital behaviour. In Chapter 1, moral regulation is situated within the context of the Benedictine reform through the examination of one manuscript – Cambridge, Corpus Christi College, MS 201 – as a case-study in the cooperative efforts of the church and king to regulate society. In particular, the legislative and penitential texts which are compiled in MS 201 bear witness to the tendency in late Anglo-Saxon England for legislation to be moralised, and for morality to be legislated. MS 201 also includes the unique copy of the Old English translation of Apollonius of Tyre, and the marital morality inscribed therein perhaps accounts for its inclusion in this predominantly Wulfstanian manuscript. In Chapter 2 the riddles recorded in the Exeter Book are interpreted as literary exercises in regulation. This chapter establishes the possible moral and regulatory agenda of the Exeter Book riddles by offering a new interpretation of, and solution to, one riddle. It also analyses the marriages made manifest in some of the so-called ‘double entendre’ riddles, which regulate the moral relationship following Pauline exegesis: emphasis in these riddles is on the sanctity of marriage, wifely obedience, and the payment of the conjugal debt. Conversely, Ælfric, in his Lives of Saints, idealises marriage as characterised by the absence of all sexual relations. In his Life of St Agnes (examined in Chapter 3), and in his Lives of married saints (SS Julian and Basilissa, SS Cecilia and Valerian, and SS Chrysanthus and Daria, examined in Chapter 4), Ælfric makes non-sexual, companionable, and loving marriage morally paradigmatic. Whilst both marriage and morality have been studied by modern critics, neither topic has inspired extended, specific study (with a few, notable, exceptions), and the nexus between these two topics has been hitherto unacknowledged. Although new, and often profound, insight is gained into Anglo-Saxon texts by considering them in the context of moral regulation, the morality they propose, as well as the regulatory process used to impose that morality, varies across context, text, genre, and author. This conclusion is also true for marital morality, Anglo-Saxon perceptions of which differed in each of the texts chosen for evaluation. This thesis does not claim to be comprehensive; nor does it attempt to synthesise attitudes towards marriage and morality, since a synthesis does not do justice to the richness or complexity with which this topic was treated. It is hoped that this thesis will provide insight into not only individual Anglo-Saxon attitudes towards marriage but also processes of regulation and social control, and, indeed, into the intersection between attitudes and processes.

Thesis (M.C.S.)--Regent College, 1986. / Abstract. Vita. Includes bibliographical references (leaves 208-211).

Thesis (Ph. D.)--Bryn Mawr college, 1915. / Vita. University Microfilms facsimile reprint. Chapter IV contains the text of the Lay each line "accompanied by a corresponding line of Gaimar's text if one is to be found."

Thesis (Ph. D.)--Bryn Mawr college, 1915. / Vita. University Microfilms facsimile reprint. Chapter IV contains the text of the Lay each line "accompanied by a corresponding line of Gaimar's text if one is to be found."