Thesis analyzes the current international competition of animated films Anifilm 2015. The aim of this study is to describe the fundamental nature of the animation. Identify rules and artistic means used in the films. The focus of the thesis is to the potential elimination or possible elimination of film defects by manipulating the individual images or scenes. The work is divided into two main parts. The first describes theoretical and schematic knowledge of the animated film focusing on dramaturgy and editing. In doing so, it identifies artistic tools that are at the heart of matter animation. Mentioned are also differences in approaches to short and feature animated films. The practical part consists of a set of analyzes of short and feature-length animated films in competition Anifilm 2015 with regard to the places and scenes in the film that contribute to unclear testify or otherwise distorts theme of the film. Thesis does not omit cinematographic works with clear and precise nature.