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By crafft of Ewclyde :Dudley, Colin Joseph. Unknown Date (has links)
Thesis (PhDArchitectureandDesign)--University of South Australia, 2001.
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Dopfuntarna, deras tillbehör och placering på Gotland under medeltiden en inventering /Fåhraeus, Fredrik, January 1974 (has links)
Thesis--Stockholm. / Errata slip inserted. Summary in English. Includes bibliographical references (p. 240-241) and index.
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English royal carpentry in the late middle ages the hammer-beam roof /Courtenay, Lynn Towery, January 1900 (has links)
Thesis--University of Wisconsin--Madison. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 245-257).
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Die mittelalterliche Architektur der Dominikaner und Franziskaner in der Schweiz ein beitrag zur schweizerischen ordensbauweise ...Oberst, Johannes. January 1927 (has links)
Inaug.-diss.--Lausanne. / Vita. "Literatur und hauptsächlich benützte werke": p. 176-178.
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A social interpretation of the castle in ScotlandRutherford, Allan Gavin. January 1998 (has links)
Thesis (Ph.D.) - University of Glasgow, 1998. / Ph.D. thesis submitted to the Faculty of Arts, Department of Archaeology, University of Glasgow, 1998. Includes bibliographical references. Print version also available.
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Medieval topics : perception, rhetoric and representation in the Middle AgesFluck, Katherine January 1990 (has links)
This thesis is an architectural investigation of perception, depth and representation. It explores the changing historical relationship between "two-dimensional" representation and architecture in an effort to understand the effects of modern perspectival depth on the making of architecture. The non-perspectival, medieval representations studied in this paper, are not looked upon as primitive forerunners of renaissance perspective, but as being expressive of a completely different notion and location of depth. In an attempt to access this "other" depth, the move from nonperspectival to perspectival perception and representation is looked at in relation to the change in perceptual values, brought on by the move from the largely oral culture of the Middle Ages, to the increasing textual culture of Renaissance and Modern ages. Perhaps without the fixity, neutrality and disengagement inherent in both perspectival and textual perception, architectural depth might return to the active world of human experience.
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Skaratraktens kyrkor under äldre medeltidDahlberg, Markus, January 1900 (has links)
Thesis (doctoral)--Göteborgs universitet, 1998. / Extra t.p. with thesis statement and English abstract inserted. Includes bibliographical references (p. [351]-365) and index.
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Skaratraktens kyrkor under äldre medeltidDahlberg, Markus, January 1900 (has links)
Thesis (doctoral)--Göteborgs universitet, 1998. / Extra t.p. with thesis statement and English abstract inserted. Includes bibliographical references (p. [351]-365) and index.
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Perceptions of technological change medieval artists view building construction /Matthies, Andrea Louise. January 1984 (has links)
Thesis (Ph. D.)--State University of New York at Binghamton, 1984. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 131-150, 274-279).
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Die ottonische KryptaRosner, Ulrich. January 1991 (has links)
Thesis (doctoral)--Universität zu Köln, 1991. / Includes bibliographical references (p. 368-431) and index.
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