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Small mammal and bird abundance in relation to post-fire habitat succession in mountain big sagebrush (Artemisia tridentata ssp. vaseyana) communitiesHolmes, Aaron L. 28 December 2010 (has links)
Fire is an important disturbance mechanism in big sagebrush (Artemisia
tridentata) communities, yet little is known about wildlife population dynamics during
post-fire habitat succession. I estimated the abundance of small mammals and birds in
relation to fire history in mountain big sagebrush (A.t. spp. vaseyana) communities on the
Sheldon National Wildlife Refuge in the northwestern Great Basin, USA. I employed a
chronosequence approach that took advantage of multiple wildfires that had occurred in
similar plant communities between 7 to 20 years prior to sampling.
Belding’s ground squirrel (Spermophilus beldingii) were approximately 10 times
as abundant in burned areas relative to adjacent unburned habitat regardless of the
number of years since a burn occurred. Deer mouse (Peromyscus maniculatus) was more
abundant on more recently burned sites, but not at sites closer to full vegetation recovery.
Great basin pocket mouse (Perognathus parvus), sagebrush vole (Lemmiscus curtatus),
and least chipmunk (Tamius minimus) abundance did not vary as a function of fire
history, but some variance was explained by habitat features such as rocky areas and the
canopy characteristics of sagebrush.
Bird diversity was higher in unburned habitats irrespective of the number of years
of recovery out to 20 years. Nine of the 12 most widely occurring species of birds in the
study have population densities influenced by fire or post-fire habitat succession to at
least 13 to 20 years following a burn. Sage Sparrow (Amphispiza belli), Black-throated
Sparrow (Amphispiza bilineata), and Spotted Towhee (Pipilo maculatus) occurred at
relatively low densities and were nearly restricted to unburned habitats. Green-tailed
Towhee (Pipilo Chlorurus), Gray Flycatcher (Empidonax wrightii), American Robin
(Turdus migratorius), and Brown-headed Cowbird (Molothus ater) occurred at lower
densities in burned areas than adjacent unburned areas although the relationship was not
strong for the latter two species. The magnitude of the difference in density between
burned and unburned sites within a landscape diminished with the number of years of
vegetation recovery for Green-tailed Towhee. Brewer’s Sparrow (Spizella brewerii)
occurred at lower densities relative to adjacent habitat in the most recent burn, but
occurred at higher densities after 20 years of habitat succession, suggesting a positive
response with a multiple decade lag period. Horned Lark (Eremophila alpestris) and
Vesper Sparrow (Pooecetes gramineus) respond positively to fire, but densities were
similar to unburned areas after 20 years of habitat succession.
An ordination analysis captured 86% of the variation in 12 bird species with 3
orthogonal axes. My research demonstrates that strong community structure exists for
birds associated with mountain big sagebrush habitats, and that fire influences
community structure for multiple decades. / Graduation date: 2011 / Access restricted to the OSU Community at author's request from Dec. 22, 2010 - Dec. 22, 2011.
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Artemisia Gentileschi and Caravaggio's looking glassGrundy, Susan Audrey 06 1900 (has links)
Artemisia Gentileschi and Caravaggio's Looking Glass is an ironic allusion to both the
concave mirror and the biconvex lens. It was these simple objects, in colloquial terms a
shaving mirror and a magnifying glass, which Artemisia Gentileschi and her father
Orazio, learned from Caravaggio how to use to enhance the natural phenomenon of the
camera obscura effect. Painting from a projection meant that Artemisia could achieve
an extreme form of realism and detail in her work. This knowledge, which was of
necessity kept hidden, spooked the Inquisition and also gave artists, who knew how to
manipulate the technology, an extreme competitive edge over their rivals. This
dissertation challenges the naive assumptions that have been made about Artemisia's
working practices, effectively ignoring the strong causal links between art and science
in Seicento Italian painting. Introducing the use of optical aids by Artemisia opens up
her story to a whole new generation of scholarship. / Art History / M.A. (Art history)
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The depiction of female emotion as seen through the work of Italian Renaissance artists Artemisia Gentileschi and Michelangelo Caravaggios Judith Beheading Holofernes and Artemisia Gentileschi and Cavaliere dArpinos Susanna and the EldersSeaman, Leah M. 27 April 2021 (has links)
No description available.
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