Thesis (M.A.(St.Art.Hist.))--University of Adelaide, Master of Arts (Studies in Art History), 2004. / "3 November 2004" Bibliography: leaves 80-84.

Thesis (MA--Art and Design) -- Auckland University of Technology, 2004. / Also held in print (75 leaves, ill., some col., 21 x 30 cm.) in Wellesley Theses Collection. (T 770.1 AI)

Thesis (M.F.A.)--Rochester Institute of Technology, 1984. / Typescript. Includes bibliographical references (leaves 83-86).

Thesis (M. Phil.)--University of Hong Kong, 1997. / Includes bibliographical references (leaf 272-282).

Thesis (M. A.)--Michigan State University. Dept. of Art and Art History, 2006. / Title from PDF t.p. (viewed on June 19, 2009) Includes bibliographical references (p. 74-79). Also issued in print.

Thesis (M.F.A.)--Rochester Institute of Technology, 1985. / Typescript. Includes bibliographical references (leaves 35-36).

Thesis (M.F.A.)--Rochester Institute of Technology, 1987. / Typescript. Includes bibliographical references (leaf 23).

Thesis (MA&D) -- AUT University, 2008. / Includes bibliographical references. Also held in print (145 leaves : ill. ; 30 cm.) in the Archive at the City Campus (T 779.092 XIE)

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Orientador: Mauricius Martins Farina / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-26T16:25:57Z (GMT). No. of bitstreams: 1 Silva_VitorCarvalho_M.pdf: 8416535 bytes, checksum: 789dd9936bc383cf3804246a1759268c (MD5) Previous issue date: 2014 / Resumo: Esta dissertação apresenta o desenvolvimento de um processo criativo autoral. A Fotografia Devolutiva. Um conjunto de ações transgressoras, trabalhando com os paradigmas da fotografia atual, o real e o manipulado. Provocar a dúvida visual, com um sistema descoberto ao acaso e que aponta um caminho de compatibilidade entre três autores envolvidos na ação desenvolvida, onde o operacional é fruto de uma normalização aceita por todos os envolvidos. Uma experiência relacional, que vai além dos fotógrafos participantes, com a participação do público espectador. Dividido em quatro capítulos, o trabalho apresenta a busca de um "conforto teórico" para uma experimentação prática / Abstract: This dissertation presents the development of a authorial creative process. The Returnable Photography. A set of transgressive actions, working with the paradigms of the current photography, the real and the manipulated. Cause visual doubt with a system discovered by chance and pointing a way of compatibility between three authors involved in the action developed, where the operating is the result of a normalization accepted by all involved. A relational experience that goes beyond the photographers participants, with the participation of the viewing public. Divided into four chapters, the work presents the search for a "theoretical comfort" for a practical experimentation / Mestrado / Artes Visuais / Mestre em Artes Visuais