- About
-
The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
Search results
Showing 41 to 50 of 50 (0.042 seconds)| 41 |
Moje Daisy Mrázková / My Daisy MrázkováČejková, Markéta January 2017 (has links)
The thesis analyzes the illustrations and author books of Daisy Mrázková directed mainly to the children readers. The thesis puts this part of her artistic work in the context of her work as a whole as well as in the Czechoslovak artistic milieu from sixties till eighties. Detailed attention is paid to Daisy Mrázková's inspiration, her childhood and education, family life and relationship with her friends, especially those from the artistic group UB 12, and their influence on her work. The work also focuses on the influence of English children literature specifically due to the artist's family origin. Her illustrations and author books are compared to the books of the contemporary Czechoslovak fellow artists as well as her teachers and schoolmates. A significant part of the thesis describes and analyzes synesthesia, both in the artist own work as well as in the work of the Czech and foreign artists.
|
| 42 |
Josef Václav Frič (1829-1890): V mé bibliothece / Josef Václav Frič (1829-1890): In my libraryHesová, Petra January 2019 (has links)
The presented dissertation draws materially on the preserved literary and library estate of the Czech writer and journalist Josef Václav Frič (1829-1890), locally divided and so far not sorted, with the aim of creating a basis for future work with the entire fund in the widest possible range of areas, from the orientation aids to research and scientific. It contains lists of Frič's manuscripts, preserved monuments and archived documents, deposited in the Literary Archive of the Museum of National Literature in Prague, a catalog of Frič's personal library, stored in the National Museum Library in Prague, with a detailed description of provenance, and a detailed bibliography. The commentary on Frič's collection focuses on the genesis and history of the collection and takes into account the most remarkable specimens in which Frič has written his notes, critical insights, organizational marks, sketches and variations of his own poems, additional proofreading, and even encrypted messages. keywords: Josef Václav Frič (1829-1890) - personal library - author's bibliography - research of book provenance - Czech literature of the 19th century
|
| 43 |
Očima psa - dětská autorská kniha / Through The Eyes of a Dog - Authors children bookRichterová, Denisa January 2021 (has links)
RICHTEROVÁ, Denisa: Through the Eyes of a Dog - Author's Book for Children. Prague, 2021. Diploma thesis. Charles University, Faculty of Education, Department of Art Education. (Appendix 1: author's book for children The Dog Who Thinks Something) (Appendix 2: presentation of the project Through the Eyes of a Dog) This diploma thesis deals with a dog as a bearer of contemporary historical and cultural contexts. The theoretical part describes the history of the domestication of dogs, their relationship to humans, symbolism and mythology, and maps the associated depiction in the history of fine art. Attention is then focused on the relationship between dogs and kids with an overlap into children's literature and on illustrations with emphasis on author's book for children. Finally, there is a devotion to the representation of dogs in assisting with the educational and therapeutic processes. In the practical part theoretical knowledge is applied in the form of a author's book for children called The Dog Who Thinks Something. The story and illustrations reflect the world through the eyes of a dog which mirrors thinking, feeling and the natural need to belong to someone. The didactic part presents a project called Through the Eyes of a Dog, which submits options of how the dog is connected with free time...
|
| 44 |
Языковые средства выражения субъективной модальности в художественном тексте (на материале рассказов В. М. Шукшина) : магистерская диссертация / Language means of the subjective modality expression in a literary text (based on the stories by Shukshin V. M.)Сунь, Я., Sun, Y. January 2016 (has links)
The problems of the subjective modality expression in a literary text with the help of various language means have been considered in the present work. The typology of subjective modal meanings has been outlined on the material of V. M. Shukshin’s stories. As result of linguistic analysis of the literary text, the classification of language means, necessary, for the expression of subjective modality, including the items of all language levels, has been made. / В данной работе рассмотрены проблемы выражения субъективной модальности в художественном тексте с помощью различных языковых средств. На материале рассказов В. М. Шукшина выявлена типология субъективно-модальных значений. В результате лингвистического анализа художественного текста была дана классификация языковых средств выражения субъективной модальности, включающая в себя единицы всех языковых уровней.
|
| 45 |
Bundeltitel as globale metafoor vir T.T. Cloete se bundel: Met die aarde praat (1992)Burger, Frederik Christiaan 12 1900 (has links)
This study examines the relationship between the metaphor in the title and the content of T.T. Cloete’s
Volume of Poetry titled Met die aarde praat.
It will be demonstrated that the volume title as global metaphor is an integral part of the textual element
of the text, that it also fulfills a hermeneutical function in respect to the text in that it offers clues and
insights into reading and understanding of the poems or volume contents. In light of the aforementioned
metaphor theory is investigated on three levels: on a cognitive or conceptual level, on a linguistic/textual
level and on a communicative level. The titles and mottos of the eight sections frame the sections as well
as refer to themes and provide clues to reading and understanding the individual poems or volume
contents. Section titles are framed by the volume title and often interact with the volume title as global
metaphor and together. / Afrikaans and Theory of Literature
|
| 46 |
Novela "Konec nylonového věku" z roku 1950 a její kritická edice / "The end of the Nylon age" novella from the year 1950 and its critical editionPoledňáková, Barbora January 2013 (has links)
This diploma thesis deals with the novella The end of the nylon age written by Josef Škvorecký in 1950. It explores the text from a literary historical, literary theoretical and literary "practical", editorial point of view. After the introduction of author's work in necessary period and factual context the thesis focuses on the iterpretation of the novella, its narrative situation and the resulting structure of the text. The thesis then deals with dialogues and dialogic characteristics of the novella. The closing part pays attention to the textological issues - creating of an annotation system to the book. The novella is being related to other artist's work within each theme throughout the entire thesis.
|
| 47 |
Bundeltitel as globale metafoor vir T.T. Cloete se bundel: Met die aarde praat (1992)Burger, Frederik Christiaan 12 1900 (has links)
This study examines the relationship between the metaphor in the title and the content of T.T. Cloete’s
Volume of Poetry titled Met die aarde praat.
It will be demonstrated that the volume title as global metaphor is an integral part of the textual element
of the text, that it also fulfills a hermeneutical function in respect to the text in that it offers clues and
insights into reading and understanding of the poems or volume contents. In light of the aforementioned
metaphor theory is investigated on three levels: on a cognitive or conceptual level, on a linguistic/textual
level and on a communicative level. The titles and mottos of the eight sections frame the sections as well
as refer to themes and provide clues to reading and understanding the individual poems or volume
contents. Section titles are framed by the volume title and often interact with the volume title as global
metaphor and together. / Afrikaans and Theory of Literature
|
| 48 |
Umělecko-výchovné kontexty hudební pedagogiky v inovaci primárního vzdělávání / Art-educational contexts of music pedagogy in the innovation of primary educationDunovská, Marie January 2021 (has links)
The dissertation entitled Art-educational contexts of music pedagogy in the innovation of primary education characterizes from the scientific point of view philosophy, psychology, music psychology, neurophysiology, pedagogy and music pedagogy the importance of music education for the development of human personality. It follows the stimuli of the new academic discipline of transdidactics and deducts it to the practical level of primary education, in the focus of which they are strong activating means of musical activity. Through authorial creation and the use of artistic inspirations, it aims at the synergy of musical activities with other aesthetic and educational disciplines, whose cooperation deepens emotional experience and develops a relationship with artistic and ethical values, leading to the discovery of beauty. Deepening experiences with artistic activities based on polyesthetics and integrativity enables quality communication of cognitive and emotional processes in the child's consciousness. They are deepening, which represents an irreplaceable influence on the improvement and development of the child's personal integration in a very important period of the beginning of schooling. Contemporary education can positively influence this process through transdidactics using polyesthetics and...
|
| 49 |
Katedrála / CathedralKliment, Jakub January 2016 (has links)
The statue called The Cathedral is a natural extension of my work, which deals with organic morphology of the landscape, both the details and grand compositions, which in the countryside vyskytují.Stejně like most authors is my creative work reflection of my surroundings, both personal so near in geographical terms. Integrating these aspects arise impetus to creation. In the case of sculptures entitled The Cathedral is a rendering of the very strong impression of verticality, which dominates the landscape. Regularly clashing with seemingly ordinary natural objects such as trees, soil, hills or reliefs and reliefs such as landscapes, I got into an imaginary dialogue, which I decided to answer this statue and also portray already mentioned impressed. This feeling is for me identically comparable to a situation where the viewer stands in front of the high Gothic building and trying to accommodate the shape of a giant who stands before him. Its peak, it seems so distant, as if no end, and the broad base is a kind of sign of confidence in the form of stability. Parallels between these seemingly different topics I could not miss, so I decided to call the statue Cathedral. In this work, as in previous ones, I try to get into organic sculptures character with the help of the deformation of materials, or basically draping. Compacting elastic materials to try to create the statues of the tension that fascinates me in nature and creates the impression of growth, which is in the countryside of one of the strongest motives. Shape diversity, which is in the landscape, in my inexhaustible source of inspiration and has become lately a space that fills me. When I release the perception of various aspects of your imagination and build imaginary composition, which would then be identical expression perceived impressions.
|
| 50 |
L’auteur au temps du recueil : repenser l’autorité et la singularité poétiques dans les premiers manuscrits à collections auctoriales de langue d’oïl (1100-1340).Stout, Julien 04 1900 (has links)
Cette thèse entend proposer une analyse originale du phénomène connu mais polémique que constitue l’introduction de la notion d’auteur dans la littérature de langue française au Moyen Âge. Il s’agira d’essayer de contribuer à repenser la signification poétique, culturelle et historique de ce moment particulier où l’auteur – c’est-à-dire l’attribution d’un texte ou d’une série de textes à un nom propre donné – s’est imposé pour la première fois comme un critère structurant et primordial dans la production et surtout la transmission des textes de langue française dans les manuscrits médiévaux. Usant du concept foucaldien de fonction-auteur, des théories de la réception et du paratexte, ainsi que de la « Nouvelle Codicologie », l’approche déployée ici aborde l’auteur en tant que construction textuelle et éditoriale signifiante au sein d’un corpus de recueils littéraires de langue d’oïl où la volonté de construire des figures d’auteurs par les éditeurs de ces ouvrages est à la fois claire et indiscutable. Partie à l’origine d’un examen systématique de la tradition manuscrite d’environ 320 noms de poètes de langue d’oïl actifs entre 1100 et 1340, l’analyse se concentre principalement sur 25 manuscrits contenant des collections auctoriales dédiées à 17 poètes, dont le nom est associé avec insistance à une série de textes copiés les uns à la suite des autres. Parmi ces auteurs, on trouve les célèbres Chrétien de Troyes, Rutebeuf et Adam de la Halle, mais aussi Philippe de Thaon, frère Angier, Guillaume le clerc de Normandie, Pierre de Beauvais, Philippe de Remi, Gautier le Leu, Jacques de Baisieux, Geoffroi de Paris, Jean de l’Escurel, Baudouin de Condé, Jean de Condé, Watriquet de Couvin et Nicole Bozon.
La présente analyse tente de nuancer et de dépasser la lecture répandue selon laquelle ces manuscrits à collections auctoriales individuelles constitueraient, de concert avec les fameuses biographies de troubadours et les chansonniers de trouvères, souvent présentés comme leurs « ancêtres », les débuts balbutiants d’une vaste épopée de l’avènement de l’« auteur moderne », annonciateur tout à la fois d’une « subjectivité littéraire », d’une « esthétique autobiographique » et d’un contrôle accru des auteurs historiques, réels, sur la transmission manuscrite de leurs propres œuvres. Tout en offrant une mise à jour contextuelle et matérielle – données originales à l’appui – concernant la dimension collaborative de la genèse de ces recueils et le caractère modulaire de leur transmission, on montrera qu’ils sont le fruit d’un dialogue nourri avec le modèle livresque latin et pluriséculaire de l’auctor – qui est à la fois un auteur, un garant de la vérité (auctoritas) et un ambassadeur prestigieux de la grammaire –, ainsi qu’avec l’antique exemple d’œuvres dites « biobibliographiques », qui décrivent la vie et l’œuvre d’auteurs illustres et exemplaires, comme le fait le De viris illustribus de saint Jérôme. Les manuscrits étudiés usent à répétition de ce modèle ancestral de la biobibliographie (« la vie et l’œuvre ») pour mettre en scène un face-à-face entre auteurs de langue d’oïl et auctores. Or cette mise en regard s’avère d’autant plus intéressante que, contrairement à ce qu’on observe pour les troubadours, considérés très tôt comme de nouveaux auctores illustres en langue vulgaire, dignes de cautionner l’excellence de la poésie et de la grammaire d’oc, elle ne prend pas uniquement, en français, la forme d’une imitation ou d’une adaptation de modèles anciens. En fait, l’analogie avec les auctores donne lieu à des exercices savants, autoréflexifs et parfois ironiques sur la fabrique éditoriale, poétique et épistémologique du type d’auteur et d’auctoritas qui peuvent (ou non) être bâtis dans des recueils en langue d’oïl, idiome qui était encore dépourvu à l’époque (1100-1340) de véritable grammaire, et où fleurissaient en revanche les genres littéraires de divertissement comme le roman, où l’on explorait la porosité des frontières entre le vrai et le faux, entre le bien et le mal. Plus qu’un pas pris dans la direction d’un sacre inéluctable, l’« invention de l’auteur français » à laquelle procèdent les recueils étudiés est un geste pétri des incertitudes et des interrogations de ceux qui le posaient, et qui en mesuraient la profonde vanité au regard de Dieu et de la mort. / This thesis aims to provide an original analysis on an often studied yet controversial issue: the introduction of the notion of authorship in French language medieval literature. The objective here is to reconsider the poetic, cultural, and historical signification of the particular moment when the author – understood here as the attribution of a text or of a series of texts to a proper noun – first became an essential structuring criteria in the production, and more importantly, in the transmission of French-language texts through medieval manuscripts. Using Michel Foucault’s concept of fonction-auteur, theories of reception and of the paratext, as well as New Codicology, this thesis will consider the author as a signifying textual and editorial construction within several literary collections written in langue d’oïl, in which the editors clearly and undeniably sought to construct figures of the author. Based on the systematic examination of the manuscript tradition of approximately 320 names of langue d’oïl poets, who were active between 1100 and 1340, this analysis will focus primarily on 25 manuscripts containing authorial collections dedicated to 17 poets, whose names are strongly associated with a series of texts that are copied one after the other. Among these authors are the famous Chrétien de Troyes, Rutebeuf and Adam de la Halle, as well as Philippe de Thaon, frère Angier, Guillaume le clerc de Normandie, Pierre de Beauvais, Philippe de Remi, Gautier le Leu, Jacques de Baisieux, Geoffroi de Paris, Jean de l’Escurel, Baudouin de Condé, Jean de Condé, Watriquet de Couvin and Nicole Bozon.
This thesis attempts to question and ultimately discard the common conception according to which the manuscripts containing individual authorial collections constituted – along with the famous biographies of the troubadours and the chansonniers of the trouvères, often considered as their « ancestors » – the timid beginnings of the rise of the « modern author », himself a prequel to « literary subjectivity », « autobiographical aesthetics » and an ever stronger control exerted by actual empirical authors over the manuscript transmission of their own works. While offering contextual and material updates – supported by original data – regarding the collaborative process that went into the creation of these collections, as well as the modular aspect of their reception, this thesis will show that these collections were formed through a rich dialogue with the centuries-old latin model of the auctor – who is at once an author, a guardian of truth (auctoritas) and a prestigious ambassador of grammar –, as well as with the antique tradition of « biobibliographical » texts, dealing with the life and works of famous and exemplary authors, such as De viris illustribus, by saint Jerome. The manuscripts studied here repeatedly used this ancient model of biobibliography (« the life and works ») in order to stage a competition between authors writing in langue d’oïl and auctores. This confrontation is particularly interesting when one considers that – contrary to what may be observed in the case of the troubadours, who were quickly seen as the new illustrious vernacular auctores, worthy of vouching for the excellency of langue d’oc poetry and grammar – , we are not simply dealing here with a form of imitation or adaptation in French of ancient models. In fact, the analogy with auctores allows for autoreflexive and sometimes ironic learned exercises, dealing with the editorial, poetic and epistemological creation of the type of author and auctoritas in manuscript collections in langue d’oïl, an idiom which at the time (1100-1340) lacked a true grammar, yet was used in various literary genres meant for entertainment, such as romance, which explored the evanescent barriers between truth and lies, good and evil. Rather than a small step in the long path towards an inevitable coronation, the « invention of the French author » undertaken by these collections constitutes an action that reflects all the uncertainty and interrogations of those who undertook it, while being fully convinced of its utter vanity in the eyes of God and death.
|
Page generated in 0.0538 seconds