This thesis with help of literary literature is at first focused on the way of displaying the subject in post-revolutionary Czech prose (from anti-infective output till output which is accented on mimetic stylization). The social situation before and after year 1989 is taken into consideration. Thanks to this theoretical background is the attention focused on the way of existing of the sujbect in five short proses by Alexandra Berk and its interpretation related to living reality. Practical analysis of the texts is led on narratology and theatological meaning (using intertextual relations, resp. metatext relations). Before the analysis it will briefly introduce the author, her life and activity.

The main aim of this thesis is to provide the reader with the overview of the work of female authors of lyrics and show the topics they are mainly interested in. The partial aim is to find out if some specific female topics and specific female expression and language exist. The core of the work is commented antology of texts. There are included texts of authors who are authors of music and interprets concurrently, who have been working in ten last years and released at least one CD. I come to the conclusion that women are writing mostly about partner relationships, love as a special kind of emotion, family and maternity and also their own position in world, faith and sexuality. Typical of female authors is that they view at the things as if men could not understand the same topics. Specific is also language of female authors and motives they use as the means of expression: they are particulary delicate and tender images and metaphores, intuitive and playful puns. In some texts women try to oppose the stereotype of women putting the text into typicaly mens ambience and using "mens" dictionary.

Risk assessment, analysis, insolvency law, insolvency codex, methods, novelisation.