Diss.--Fachbereich 11 (Philosophie, Pädagogik)--Mainz--Johannes Gutenberg-Universität, 2001. / Bibliogr. p. 233-247.

No description available.

Diss.--Mainz--Fachbereich Philosophie-Pädagogik, 1986. / Bibliogr. p. 205-214.

Texte remanié de : Dissertation : Philosophie : Universität Bonn : 1977. / Bibliogr. p. 293-320. Notes bibliogr.

Sylvia Plath’s poetry has received considerable critical attention with respect to a wide range of themes and critical approaches. Variously labeled feminist, political, mythical and suicidal, Plath has been subject to enormous biographical scrutiny but the critical responses available today offer increasingly nuanced understandings of Plath’s work.  However, sufficient attention has not been given to the significant prevalence of images of places and spaces in Plath’s poetry. With particular focus on a selection of poems from The Collected Poems, this thesis argues that the personae in the poems confront “infelicitous places” and that the poems resonate with a tension between place (here referring to a space that is delimited by certain values) and space (in the sense of an expansion without the restrictions of place). What I here refer to as infelicitous place can be understood as an inversion of Gaston Bachelard’s conception of “felicitous space” and accounts for the way in which places in Plath’s poetry are marred with anxiety and ambivalence as opposed to Bachelard’s benevolent, protective spaces. The places and spaces in the poems are dealt with in relation to the notion of infelicitous place, as well as the significance of walls and the affinity between place and poetics.

No description available.

Thesis (M.S.)--Virginia Polytechnic Institute and State University, 1990. / Vita. Abstract. Includes bibliographical references (leaves 126-136). Also available via the Internet.

Thesis (M.A.)--University of Hong Kong, 2008. / Includes bibliographical references (p. 60-75)

Thesis (Ph. D.)--Virginia Polytechnic Institute and State University, 1993. / Vita. Abstract. Bibliographical references included. Also available via the Internet.

Made available in DSpace on 2014-06-12T18:36:29Z (GMT). No. of bitstreams: 2 arquivo8057_1.pdf: 415872 bytes, checksum: 158df0c5b2628f3b023788acd83a84eb (MD5) license.txt: 1748 bytes, checksum: 8a4605be74aa9ea9d79846c1fba20a33 (MD5) Previous issue date: 2002 / Este trabalho tem como objetivo fazer uma análise dos poemas de Orides Fontela a fim de destacar de sua obra a necessária ocultação do sujeito em favor da consciência pura como mediadora possível dos entes aclarados pela palavra poética para se chegar ao Ser como essência de tudo o que essa consciência percebe no universo da poesia.Para demonstrar esta idéia, optei pela leitura de poemas referentes a fases e obras distintas, o que enfatiza o compromisso da referida poeta em desnudar o Ser em uma obra cujo universo é erguido em seu favor.Deste modo, desejo mostrar neste trabalho que o Ser se aclara nos poemas de Orides Fontela em três aspectos: a imagem cristalizada na palavra; o espaço poético como lugar de morada do Ser; o silêncio como modo de expressão ontológica.Como base teórica utilizei as idéias de pensadores da literatura, poetas e filósofos, especialmente o fenomenólogo Gaston Bachelard e Heidegger, uma vez que os poemas analisados possuem estreita relação com as idéias de ambos.Isto faz com que tal trabalho transite nos terrenos da filosofia,mas sem perder sua origem literária