Thesis (Ph. D.)--Columbia University, 1931. / Vita. Bibliography: p. 123-128.

Thesis (Ed. D.)--Florida State University, 2005. / Advisor: Dr. Tom Anderson, Florida State University, School of Visual Arts and Dance, Dept. of Art Education. Title and description from dissertation home page (viewed Sept. 15, 2005). Document formatted into pages; contains xii, 118 pages. Includes bibliographical references.

Inaug.--Diss.--Leipzig. / Lebenslauf.

Thesis (Ph. D.)--Columbia University, 1940. / Vita. Published also without thesis note. Includes bibliographical references.

Diss.--Universität Bern. / Bibliogr. p. 185-197.

Thesis (Ph.D.)--Boston University / PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you. / The purpose of this dissertation is to examine F. H. Bradley's development of the concept of the concrete universal and his use of that concept in ethics, epistemology, and metaphysics. Bradley follows Hegel in rejecting as abstractions the traditional concepts of the universal and of the particular. A concrete universal is an identity-in-difference, a unity of the particulars, conceived as a system in which the particulars exist and which is constituted by the particulars. The model for the concrete universal is the individual. In Appearance and Reality Bradley formulates a criterion of individuality: an individual is a unity which is constituted by internal differences. In Ethical Studies and in The Principles of Logic Bradley's inquiry is dominated by the notion of individuality, but that notion is not made explicit. [TRUNCATED] / 2999-01-01

Proefschrift--Letteren--Universiteit Leiden, 2001. / Bibliogr. p. 121-139.

Thesis (Ph. D.)--Illinois State University, 2004. / Title from title page screen, viewed May 18, 2006. Dissertation Committee: Janice Neuleib (chair), Ron Fortune, Irene Brosnahan. Includes bibliographical references (leaves 165-176) and abstract. Also available in print.

No description available.

Marion Zimmer Bradley's novel The Mists of Avalon is different from the usual episodic versions of the Arthurian legend in that it has the structural unity that the label "novel" implies. The narrative is set in fifth-century Britain, a time of religious conflict between Christianity and the native religions of Britain, especially the Mother Goddess cult. Bradley pulls elements from the Arthurian legend and fits them into this context of religious struggle for influence. She draws interesting family relationships which are closely tied to Avalon, the center of Goddess worship. The author also places the major events during Arthur's reign into the religious setting. The Grail's appearance at Camelot and the subsequent events led to the end of the religious struggle, for Christianity emerged victorious.