Thesis (M.A.)--Humboldt State University, 2006. / Includes bibliographical references (leaves 53-55). Also available via Humboldt Digital Scholar.

Thesis (M. Div.)--St. Vladimir's Orthodox Theological Seminary, Crestwood, N.Y., 2002. / Includes bibliographical references (leaf 36).

Thesis (M. Div.)--St. Vladimir's Orthodox Theological Seminary, 1975. / Includes bibliographical references (leaves 119-130).

Thesis (M. Div.)--St. Vladimir's Orthodox Theological Seminary, Crestwood, N.Y., 2002. / Includes bibliographical references (leaf 36).

Thesis (M. Div.)--St. Vladimir's Orthodox Theological Seminary, Crestwood, N.Y., 2002. / Includes bibliographical references (leaf 36).

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This thesis deals with a myth concept in Thomas Mann's and Ivan Olbracht's work. In regard to the tertium comparationis, which is myth, Mann's novels Joseph and His Brothers (Joseph und seine Brüder) and Doctor Faustus (Doktor Faustus) as well as Olbracht's novels The Bitter and the Sweet (Nikola Šuhaj loupežník) and Valley of Exile (Golet v údolí) are analysed. The concepts of these two authors are being compared both on a genetic level, which includes a possible influence of the tetralogy Joseph and His Brothers on Olbracht's work, and on a typological level. The second one includes analogies, which are independent of the possible direct influence. The thesis is methodological based on interpretation of fictional texts and their continuous comparison considering a literary-historical context and cultural-historical background of that time. Especially in some details, it can be considered that Thomas Mann had a direct influence on Olbracht's work in case of both of the novels. A number of analogies have been found, which exemplify a resemblance between the authors but which don't deny that Olbracht was an autonomous and creative personality at the same time. The specific myth concept of both authors harmonise with a period tendency in the modern literature.